The First Teaser Trailer For Logan Makes Hugh Jackman's Last Wolverine Movie Look Very Different And Emotional

The final X-Men movie to feature Hugh Jackman as Wolverine is on its way for March. It's got a title (Logan, a nice little contrast with the title of the last solo Wolverine movie The Wolverine), a cast that includes Patrick Stewart, Stephen Merchant and Boyd Holbrook and now it's got a teaser trailer. Check it out below and prepare to see something very different from past X-Men movies and American blockbusters in general.

Five Days Of Crazy Good Music: Settle For Me

Crazy Ex-Girlfriend returns to The CW Friday night, and in honor of its return, I've decided to do a column each weekday this week chronicling noteworthy songs from the first season. 

Rebecca Bunch (Rachel Bloom) is very much the focus of Crazy Ex-Girlfriend, hence why the show has its title. But one of the best aspects of Crazy Ex-Girlfriend in its initial season is how fully fleshed-out its supporting cast felt from the get-go. Rebecca's best pal Paula is a great example of this trait and Greg (Santino Fontana) is another shining showcase for how well Crazy Ex-Girlfriend depicted that Rebecca was not the only person residing in West Covina (Californiiiiiaaaaa!!) that was a tad bit off-kilter.

I Cannot Stress Enough Just How Exceptionally Dumb The 5th Wave Is

So much idiocy is crammed into the running time of The 5th Wave that I wondered at the end what screenwriter could possibly be responsible for this disaster. Then I saw in the credits that none other than Akiva Goldsman was one of the three credited screenwriters. Now it all made sense. Of course the man responsible for Batman Forever and Insurgent would be in charge of this project. Clarity washed over my body and suddenly the reason for why this project had gone so horribly off the rails was clear as day, though the script is far from the only thing that simply doesn't work in any way shape or form in The 5th Wave, believe you me.

Space Jam Is Returning to Theaters Next Month Because You Couldn't Keep Your Nostalgia In Your Pants

Well, I hope you're happy. Yes, I'm talking to you specifically readers who adore Space Jam. I know my generation loves this movie something awful, but even before I became a snooty film critic, I obtained a particular disdain for this Joe Pytka "movie" because of how it shoved all the Looney Tune characters I loved to the sidelines in favor of a corny biopic about Michael Jordan. Now that I'm older, my feelings for the film have manifested into just resentment more than anything else. Yeah, I guess the theme song is kinda catchy but Space Jam really has nothing else going for it. It's a 90-minute commercial for Michael Jordan and that's it.

Five Days Of Crazy Good Music: I Love My Daughter

Crazy Ex-Girlfriend returns to The CW Friday night, and in honor of its return, I've decided to do a column each weekday this week chronicling noteworthy songs from the first season. 

While Crazy Ex-Girlfriend definitely has a foot firmly placed in the world of Broadway musicals (just look at West Covina, the very first tune of the whole show), the great thing about the program is how it explores a wide gamut of musical genres and differing artists. While this wouldn't be the first time country music showed up on Crazy Ex-Girlfriend (we'd also have Valencia's Women Gotta Stick Together song coming our way eventually), the tune I Love My Daughter does perfectly encapsulate a side of country music that could exist as its own subgenre; songs about dads harmonizing about their obsession with their daughter.

Five Days Of Crazy Good Music: The Sexy Getting Ready Song

Crazy Ex-Girlfriend returns to The CW Friday night, and in honor of its return, I've decided to do a column each weekday this week chronicling noteworthy songs from the first season. First up....

The practice of women taking elongated amounts of time to prepare for going out has been the butt of jokes for ages, typically in the form of shallow jabs consisting solely of dudes asking "Why are women so slow?!??! LOLZ!" Leave it to Rachel Bloom to add some humanity to this endeavor from the perspective of the gender that actually goes through the extended rituals to match societies narrow vision of what constitutes beauty. This is The Sexy Getting Ready Song, a tune that dropped in the middle of the first episode of Crazy Ex-Girlfriend and established right off the bat that this would be program that explored concepts and ideas not frequently seen on American television.

The Accountant Is Plenty Watchable But Also Sort Of A Mess

The Accountant is kind of an oddball movie. There's a lot of big actors wriggling around on-screen inhabiting a script that feels like it could have easily belonged to some sort of Steven Seagal and Charles Bronson action vehicle in the 1980's. It's an interesting dichotomy that actually makes the film watchable but it's kept from being truly as fun as it could have been by a script that seems to be hopping all over the place tonally and there's also the problem of the story being plagued by pervasive predictability.

The Accountant Adds Up To Solid Box Office, Kevin Hart: What Now? Does Record-Breaking Business And Bad Box Office (Not Jet Fuel) Melts Max Steel

Ben Affleck scored another box office win this weekend with The Accountant, which grossed $24.7 million in its bow.  That's a considerably larger opening weekend than other like-minded action movies such as Alex Cross and John Wick. The advantage The Accountant had was the presence of post-Argo/Gone Girl Ben Affleck and a strong marketing campaign from Warner Bros. that gave the feature a vibe quite unlike anything else in the marketplace. Doesn't hurt that there aren't too many action movies out right now, giving The Accountant another reason it our-performed expectations. With an A CinemaScore under its belt, it wouldn't be surprising to see The Accountant end up over $70 million domestically.

Deepwater Horizon Has Peter Berg Finally Breaking Through As A Filmmaker

Peter Berg belongs with the likes of Antoine Faqua, Michael Bay and Zack Snyder in the category of directors I shall henceforth refer to as "Macho Dudes Making Macho Movies For Macho Moviegoers". Individuals belonging to this classification frequently make motion pictures that adhere to the most primal definition of what constitutes masculinity, with pervasive attempts to appear "rugged" and "extreme" typically coming at the cost of coherent storytelling and interesting characters. Those are certainly two elements missing in spades in Peter Berg's past work, especially in the 2012 disaster Battleship.

The Disturbing Nadir Of Humanity Is Seen In The Texas Chainsaw Massacre

Right off the bat, Tobe Hooper's The Texas Chainsaw Massacre plainly informs its audience that this is not going to be a movie for the faint of heart. A narrator reads off a title crawl in a manner that avoids going too over-the-top while still retaining an air of menace. After this we get our first visual in the feature, the sight of dug up corpses sprawled out on top of some sort of fixture in a commentary. No jump scares or anything like that occur here, it's simply the camera panning out on this shot of this atrocity. The full horrifying nature of this visual is allowed to sink into the viewer and helps set the tone of what's to come in this motion picture.

A New Rogue One Trailer Has Mads Mikkelsen And Ben Mendelsohn Meeting And There's Also Some Star Wars Stuff

There's one movie coming out in December everyone around the world has been looking forward to for years now, especially given how the director of said movie recently directed a Warner Bros. summer blockbuster that debuted in May and was a major box office hit. This film revealed a trailer this past Spring and since then anticipation has mounted and mounted and such eagerness will likely only increase in the future. This movie is called Incarnate and is about Aaron Eckhart using Inception technology to fight a demon in a young boy's mind. Also coming out in December is something called Rogue One, which released a new trailer today you can watch below.

The First Trailers For The Iron Fist TV Show And The Power Rangers Movie Are Here To Make You Go "Meh"

Two trailers debuted at the New York Comic-Con this weekend that made people everywhere go...."OK". Or maybe that was just me. As a full-on Marvel geek and a guy whose never seen a lick of Power Rangers stuff, these new trailers for the new Iron Fist Netflix show and the new dark n' gritty Power Rangers movie just don't do it for me. How about we go through each trailer and talk about why I'm personally on the fence on both projects, OK?

Scares Are Minimal In The First Paranormal Activity, The One That Started It All

Though it may have been released in 2009, Paranormal Activity was actually filmed in 2006 (something reflected in on-screen text in the film itself), an entire decade ago and a year before the first iPhone was released. Imagine how much technology has changed in the years since then. Everyone's got a portable camera/computer/entertainment system residing in their pocket now and entire films (like Tangerine) are filmed on people's phones now. Analyzing how much technology has changed in the epoch since Paranormal Activity was filmed provides a lot more entertainment than the movie itself, which is just disposable horror fare at the end of the day.

The Birth Of A Nation's Virtues Are Notably Hindered By A Lack Of Substance

I've been seeing a lot of think pieces about 2016 being the year cinema died or whatever, but maybe a more appropriate label to place on 2016 will be that it was  the year that delivered a bunch of OK but not really all that substantive biopics. Last month brought the OK Sully and the better-but-lacking-in-depth Snowden and now The Birth Of A Nation comes around to make the group as a trio. Regardless if this is a fluke or a larger signal of a trend of 2016 cinema, The Birth Of A Nation is yet another alright motion picture that lacks anything really to say regarding the real-life subject it concentrates its entire story on.

Find A Better Cinematic Passenger Than The Girl On The Train

There's a sense of confusion throughout The Girl On The Train, and I'm not just referring to how the protagonist of this story has a massive dependency on alcohol makes it difficult to remember crucial memories. No, there's a pretty clear sense of dubiety that's occurring in the script too, one that seems like the screenwriter of The Girl On The Train, in an effort to adapt the 2015 book (that I have not read, just for context), was struggling to figure out what kind of tone to go for here. Was this a trashy fun thriller? Was this a thoughtful exploration of alcoholism and regret? Was this both? What is this movie?

The First Weekend Of October Is A Quiet One At The Box Office As Girl On The Train Does Alright And Birth Of A Nation Misses The Mark

The Girl On The Train sailed down the rails this weekend with an opening weekend that can be best described as...adequeite. Grossing $24.66 million over its first three days of release, the bow of the new Emily Blunt thriller was fine considering its $45 million budget and actually ranks as the sixth biggest opening weekend ever for Emily Blunt. It's far off from the opening weekend of fellow October release Gone Girl, which The Girl On The Train was clearly emulating in its marketing, but that can be attributed to Emily Blunt not being as big of a star and the reviews being more mixed for this title. The more front-loaded nature of The Girl On The Train this weekend does call into question how it'll hold up in the weeks to come when it faces off against a barrage of newcomers, but we shall see.

Queen Of Katwe Has Absolutely No Trouble Lifting One's Spirit

I am very much upfront about not being a sports guy myself but that doesn't mean I don't enjoy plenty of good sports movies. The key of course, like a large number of other mediums of cinematic storytelling, is to make the character key and central, the sport the individuals actually play in the plot services the characters and not the other way round. That's why Rocky, for instance, is a fantastic movie for both boxing fanatics and people like me that have never watched a second of an actual boxing match. While the debate rages on whether or not chess qualifies as a sport, the film Queen Of Katwe, the newest directorial effort from Mira Nair, once again proves how important interesting lead characters can be to a film, as the world of chess becomes just one part of the tale of a girl becoming herself amidst newfound worlds and interests.

Apocalypse Was An Unstoppable Foe For The Newest X-Men Movie, But For All The Wrong Reasons

MASSIVE SPOILERS FOR X-MEN: APOCALYPSE AND ALL OF THE X-MEN MOVIES FOLLOW

Lots and lots of things went awry in this past summer's X-Men: Apocalypse, which just came out on Blu-Ray this past Tuesday and re-ignited my brain with memories of all of that features failings. Too many extraneous characters to count (Quicksilver, Psylocke and Rose Byrne's character had nothing to contribute) and tepid action scenes that looked so cheap and fake they wouldn't pass muster in a particularly poor episode of Agents Of S.H.I.E.L.D. Some movies that go off the rails feel like they could have been salvaged at one point or another, but honestly, X-Men: Apocalypse doomed itself the moment the current creative team behind these X-Men films decided to tackle the titular antagonist.

(Mean) Girls Got (Comedic) Rhythym

Isn't it nice when a movie kind of just knocks you off your feet in how much its quality surprises you? It's an unexpected sensation that totally happened with me after I finished watching Mean Girls for the first time yesterday. Now, it's not like I had never heard of this 2004 Mark Waters effort in the past 12 years, far from it. I knew about October 3rd being Mean Girls Day, I'd heard how fetch was "not gonna happen", the various jokes that had cemented themselves in pop culture in a way very few 21st-century comedies have. Basically, I was familiar with Mean Girls in that I'd absorbed that the film had managed to resonate with people in a certain way....and now I totally understand it.

O.J.: Made In America Is An Incredible Achievement, Simple As That

When you become a celebrity, your life is no longer your own.

Your reach extends outward almost infinitely, not just to the way your friends and family are affected by your level of exposure, but also in the way your fame resonates with the public. A kid in Wyoming who could become the next great scientist could have gotten his passion for the world of beakers and measurements ignited by the presence of Neil DeGrasse Tyson or deceased figures like Albert Einstein who are leaving their mark on this planet even long after they've left this life. How could O.J. Simpson not be a similarly influential figure? In the late 60's, a time of upheaval for African-Americans, he claimed incredible sports accomplishments that made him one of the more notable African-American sports figures in recent memory.

The Next Pirates Of The Caribbean Movie Has A Trailer With A Javier Bardem Ghost...And No Johnny Depp

Because it worked out so well this past summer when Disney released a Johnny Depp-starring sequel to a six-year-old movie over Memorial Day, we all have Pirates Of the Caribbean: Dead Men Tell Not Tales to look forward to come May 26, 2017. This new installment basically ditches everything from that stand-alone fourth movie no one liked (though I'd assume Barbossa's peg leg will return) and brings back stuff from the original trilogy, namely Will Turn and his now grown-up son. Oh, and Johnny Depp is also back, but not that adorable dog with the keys, as far as I know. Check out the first trailer for the new Pirates movie below.

Miss Peregrine's Home For Peculiar Children Is Generic Even By Modern-Day Tim Burton Movie Standards

While dabbling in some weird-ish fantasy oriented imagery and having the requisite outsider protagonist that have been hallmarks of Tim Burton's work for decades now, Miss Peregrine's Home For Peculiar Children may be one of the most generic films to come from the director, right alongside that Planet Of The Apes remake he did back in 2001. Don't mistake generic inherently for "worst", Miss Peregrine is most certainly better than Charlie And The Chocolate Factory, the defensive nadir of Burton's work as a director, but it does feel like any sort of identity he usually brings with him to his work has been sanded off.

Miss Peregrine And Deepwater Horizon End September And Begin October With Middle-Of-The-Road Box Office

One month of fall came to an end this weekend as another month began, an occasion that was timed to the release of three new wide releases and the notable expansion of another title into over 1,000 theaters. Nothing really managed to break out though and that includes the top title at the box office, Miss Peregrine's Home For Peculiar Children, which grossed $28.5 million in its opening weekend. In terms of Young-Adult Book Adaptations, that's ahead of star Asa Butterfield's 2013 feature Ender's Game and just behind the third Divergent movie, Ascendant, from earlier this year. In terms of Tim Burton directorial efforts, it's actually his eighth biggest opening weekend ever, only slightly behind the bows of Dark Shadows and Sleepy Hollow.

The Shadow Of The Nightmare Before Christmas Looms Large Over Corpse Bride

The fact that Sweeney Todd and Big Fish exist in Tim Burton's 21st-century filmography is kind of astonishing when you look at the rest of the output he's produced over the past 16 years. Sweeney Todd and Big Fish are great, well-crafted films and the other stuff he's put out is....not. The very nadir of his career as a director has managed to arrive in the form of those absolutely abysmal Planet Of The Apes and Charlie And The Chocolate Factory (the latter film being the first motion picture I distinctly remember seeing in a theater despising) remakes. So, in the realm of Tim Burton's 21st-century works, where exactly does his 2005 effort Corpse Bride (which he directed with Mike
Johnson) fall?

No One Escapes The Invitable In The Seventh Seal

Rare is the work of fiction that doesn't at least notice the presence of death. Some of the most famous large-scale blockbusters of the past few decades like Harry Potter and Star Wars have their entire plots motivated by loss, parents are always biting the dust in animated Disney fare and the 1957 Swedish motion picture The Seventh Seal revolves its entire story around a personification of death following around one man, Antonius Block (Max Von Sydow), in the time of the Crusades. This is also an era where the Black Plague is ravaging the land, taking countless people's lives and leaving many in a state of understandable panic.

"The King....Has Returned": Disney And Elf/Iron Man/The Jungle Book Director Jon Favreau Are Doing A Lion King Remake

I saw Jon Favreau post an image of Simba on Pride Rock on Instagram with the caption "Super excited for my next project" about half an hour ago and, honest to God, I thought it was a joke. It left my mind real quickly until, a few minutes later, I saw people discussing it on Facebook. The validity of it was unknown to us until someone pointed out a press release Disney oddly released at Midnight last night (normally such announcements are made during the day when entertainment news outlets can cover them) that confirmed it; Disney is doing a remake of The Lion King.

Unimaginative Scares Are The Name Of The Game For Blair Witch

For full disclosure purposes, let me briefly run down my thoughts on The Blair Witch Project. I love that 1999 horror movie, it's got a sense of restraint to it that's absolutely terrifying, tapping into just how scary the feeling of being lost in an unknown environment can be in an extraordinary way. Though the feature was divisive upon its initial release, it made a bunch of cash at the box office, spawning a sequel the following year (which I haven't seen) and now a second follow-up entitled Blair Witch.

Magnificent Seven Has Decent Bow While Storks Lays An Egg At The Domestic Box Office

September 2016 continued to roll right along with two September mainstays (a Denzel Washington vehicle and an animated family film) popping up and doing varying degrees of box office business. On top of the box office was The Magnificent Seven, which grossed an alright $35 million, the third biggest opening weekend ever for Denzel Washington and the third biggest opening weekend ever for a Western (only behind the $36 million debut of Cowboys & Aliens and the $38 million bow of Rango). This is also the fourth biggest opening weekend ever for a movie in September and it's worth noting that, counting The Magnificent Seven, half of the ten biggest opening weekends ever in September are Sony releases.

The Magnificent Seven Is The First Modern-Day MGM Remake That's Actually Good

MGM, in their post-bankruptcy state, has been going through their library of titles and remaking everything so exhaustively, it'd be amazing if the remakes typically weren't so forgettable. A RoboCop remake came and went without any fanfare and (like most moviegoers) I never even saw their Poltergeist and Ben-Hur remakes. Before the studio embarks on a Death Wish remake starring Bruce Willis that'll start filming at the end of the month, we have their latest remake of a well-known MGM from decades past (with the original film itself being a remake of Akira Kurosawa's Seven Samurai), The Magnificent Seven.

Storks Gives Birth To Some Funny Gags And A Slipshod Story

Do people still tell their kids the tale of babies coming from storks instead of the more sexually explicit truth? Me not being a father myself (as far as I'm aware), I have no clue if that's still a thing, but maybe it's being kept alive solely by the surprisingly notable presence the tale has in the world of American animation. Let's not forget that it was a stork calling for "Mrs. JUUUUUMMMMBBBOO!!" that brought Dumbo into the world in that 1941 Disney film, while PIXAR had a short film entitled Partly Cloudy that went attached to every screening of the 2009 motion picture Up. And now, the second feature film from Warner Animation Group (the animation studio responsible for The LEGO Movie), Storks, centers its entire plot on the idea of storks bringing humans their offspring.

There's Plenty Of (GASP!) Fun To Be Had In Batman: The Movie

Before Ben Affleck, before Christian Bale, before Michael Keaton, before all of that...there was Adam West. West was the man who portrayed Batman in the 1960's Batman TV show and ended up becoming the first actor to portray Batman in a theatrical film (aside from Lewis Wilson and Robert Lowrey, who played the caped crusader in two different 15-chapter serial films in the 1940's) once that TV show got a film adaptation promptly titled Batman: The Movie. The feature film carries over the heavily stylized and campy aesthetic of the show with aplomb, there's really no limit to how absurd how this movie can get.

Training Day Still Needs Its Training Wheels When It Comes To Handling The Concept Of Consistency

It's interesting that Antoine Fuqua and David Ayer would team up for Training Day, since the duo seem like two birds of a feather in their directorial efforts. Both filmmakers tend to helm projects that are heavily action-oriented that so blatantly bask in the most overt bro-tastic concept of masculinity, their movies tend to become the cinematic equivalent of Steven Seagal bench-pressing Jeremy Piven while listening to Nickelback. For the 2001 motion picture Training Day, Fuqua takes on directing duties (this was only his third time directing a feature film) while Ayer handles the duties of screenwriting.

Snowden At The House Of Mouse

Hollywood loves making movies based on the lives of criminals. How many movies have been based on the lives of Bonnie & Clyde over the years? Hell, look at how many times O.J. Simpson has returned to the pop culture limelight this year over two decades after that infamous trial. And now Edward Snowden becomes the newest fugitive to receive his own movie, unimaginatively titled Snowden, with Snowden's crimes of leaking crucial Government data revealing to the public that the NSA was using its advanced technology to spy on innocent civilians.

Sully Flies Above The Competition In Weak September Frame As Blair Witch And Bridget Jones Perform Far Worse Than Expected

Well now, this was a pretty tepid weekend at the box office, one where newcomers pretty much across the board failed to break out at best and at worst utterly failed to live up to their promise. But on top again was Sully, one of the big sleeper hits of the year that continued to perform well, grossing another $22 million this weekend, a 37% dip that's on par with the 36% decline experienced by fellow Tom Hanks Fall drama Captain Phillips three years ago. Sully has grossed $70.5 million in ten days, and if it continues to perform like Captain Phillips, it would end its domestic run with a spectacular $147 million.

Check Out A Horde Of New Trailers That Sail The Ocean Blue, Fight For Gun Control And Iron Out Some Kinks

First off, I wanna apologize real quickly for the slower crawl of content coming out of yours truly lately. The past two months have been a whirlwind of activity for me, particularly in the last month when my new semester of college started and has ensured that I've been quite busy with plenty of academic activity. In addition, there's been plenty of personal stuff going on for me, most notably a new exercise regime (this NerdInTheBasement is getting cut!), keeping me from doing as much writing as I'd like to. I don't see an end in sight in terms of my personal business for now, so I just ask for your patience for now. :)

City Lights Has A Heart As Big As The City It Takes Place In

There's an undeniable sense of wonder that creeps into one's body while watching Charlie Chaplin move around on-screen. He makes the artforms of slapstick and physical comedy seem so natural, like he realizes that this was what he was put on this Earth to do and he's gonna do it as well as he can. The rhythm of his body movements is impeccable, ditto for the timing found in his humorous pratfalls. To watch Charlie Chaplin in a film like City Lights is to see a master at the top of his game and to be astonished that one man can carry such command over his craft.

Remember That Time When Brad Paisley Fought Back Against The Malevolent Forces Of Shifting Gender Norms?

The idea of recognizing that the concept of gender might be more complex than just the binary constructs created by general society seems to be one that many find challenging, despite the fact that the way an individual see's themselves in terms of gender literally has no impact on another human being in any way shape or form. High-ranking Republican politicians across the country (including a number of bozo's like Lt. Governor Dan Patrick in my own home state of Texas) have spent countless hours ensuring that the crusade for frivolous things like "equality" and "acceptance" won't happen in our lifetime.

Go Watch The Invitation And Then Come Back And Read My Spoilery Review For It.

I typically don't do spoiler-filled reviews, that should be as clear at this point as my utter refusal to do letter or star grades to accompany my reviews. Even for classic movies that are decades old and whose big twists are as well-known as anything else, I'd rather not spoil things in case someone who hasn't seen said classic films comes along to my review. That being said, The Interview is one film where I feel like you must experience it going in cold, especially since the lower-profile release of the movie means there hasn't been a pervasive marketing campaign that's even given away the tone or basic conceit of the motion picture. So I urge you to go watch The Invitation on Netflix right now and then come back and read my analysis of it, alrighty? :)

A Look Back At The Summer Box Office (Part Two)

This past Wednesday, I looked at the ten biggest movies of the summer. Now, it's time for me to turn my eye to some major box office duds, the indie movie scene and a little bit more! Let's dive into the second part of my look back at the summer 2016 box office!

Sully Flies High At The Box Office While The Bough Breaks To Solid Results And The Wild Life Struggles To Get A Pulse

The Fall 2016 movie season got off to fantastic start this weekend thanks to Sully lifting off far above expectations. The new Clint Eastwood motion picture grossed $35.5 million this weekend, an astonishingly high number that's the fifth biggest opening weekend in September ever and the biggest opening weekend ever for a Tom Hanks movie that isn't connected to the Toy Story or Da Vinci Code franchise. It's also the second biggest wide release opening weekend ever for director Clint Eastwood, only behind the massive launch of American Sniper last year.

Wiener-Dog Is An Agreeable If Unexceptional Todd Solondz Effort

When it comes to household pets, I'm more of a dog and guinea pig person with a hankering for certain cats (preferably ones that don't act like complete jerks, which is difficult because, y'know, cats) sprinkled in there for good measure. While I've never owned the breed of dog commonly referred to as a wiener dog, I've had plenty of experience with these cute critters over the years and can attest firsthand to their loveable nature. No wonder filmmaking Todd Solondz was compelled to make a feature film, appropriately titled Wiener-Dog, centered on this particular breed of canine.

Sully Struggles To Land On A Purpose For Being

It was supposed to be just another flight. Just a couple of hours in the air, no biggie. The pilots had done this before, the passengers had done this before, it's just a little air travel. And then dual-engine loss occurred, leaving the folks in charge of this aircraft only a few precious minutes to figure out what just happened and what course of action to take next. Piloting this particular plane was Chesley Sullenberger (Tom Hanks), or Sully, who, after realizing they can't make it to a nearby airport, decided to make the bold move of landing the plane on the Hudson River.

The Purple Rose Of Cairo Has The Magic Of Movies Brought To Life

It is so much fun when a movie has a unique concept at the core of its story and it manages to fully utilize the creative potential behind said unique concept. Such is the case with Woody Allen's 1985 motion picture The Purple Rose Of Cairo, which feels similar to the director's 2011 effort Midnight In Paris (my personal favorite Woody Allen joint) in how it takes a very high-concept central idea and executes it in a more subdued character-centric manner. For Midnight In Paris, the heightened idea that drove the story was time travel, while The Purple Rose Of Cairo focuses on a character in a movie leaping off into the real world.

A Look Back At The Summer 2016 Box Office (Part One)

Now that Summer 2016 has come to a close, I say it's time to look at how the various movies that debuted this summer fared at the box office. I'll be looking at such a pressing matter in a two part series, with the first part being dedicated to examining how my predictions for what would be the top ten movies of the summer stacked up against the harshness of reality.

Six People Who Should Host The Oscars This Year!

It appears that the Academy Of Motion Pictures Arts & Sciences is on the hunt for a host for this year's Oscars ceremony! Yes folks, it's that time of year when films will be judged by the majority of the populace not by their acting, writing, directing or any of that useless stuff, but rather by how many gold statues it received at an award ceremony that thought Eddie Redmayne looking at his hands for two hours was better than Michael B. Jordan grappling with his place in life in Creed. Anywho, the likes of Kevin Hart and Louie C.K. are being touted as potential candidates to host, but I've compiled five individuals who could be the absolute perfect picks to host this year's Oscars!

Brokeback Mountain Treks The Terrain Of Forbidden Romances

Much has changed in the past decade since Brokeback Mountain was released. The prevalence of LGBTQA cinema (which, of course, existed long before Brokeback Mountain. Hell, Box Office Mojo alone lists over 200 movies starring LGBTQA characters that were released prior to Brokeback Mountain) has managed to increase slightly, though a myriad of issues still exist for LGBTQA cinema, including how frequently Transgender characters are not played by Transgender actors, the trend of movies that don't dare to have unhappy endings for their LGBTQA characters (why, hello there best movie of 2015 Carol!) tend to get shut out at award ceremonies like the Oscars and the fact that it's notoriously difficult to give LGBTQA films noteworthy theatrical runs domestically.

Walt Whitman Once Said To Dismiss That Which Insults Your Soul, So I Shall Readily Dismiss Yoga Hosers

I can sometimes be a bit of a dummy when it comes to grappling with the more subtle nuances of distinctly esoteric pieces of art, so take this bold theory about Yoga Hosers that I'm about to drop on you with a grain of salt. I think this movie...was set...in Canada. It's kind of a shocking idea, but there are some subdued clues scatted throughout the motion picture that lead me to believe that that's where this specific tale is set. For instance, did you notice the endless parade of jokes about Canadian accents (which our two main characters infrequently sport)? Or the end credits where the two leads since a rendition of O, Canada? Stuff like that is what made my mind question if this movie was set in the Great White North.

Don't Breathe Is King All Of It Can See At The Box Office As New Releases Fail To Register Over Labor Day Weekend

Note: All the figures discussed in this box office report are for the three day weekend.

Summer 2016 came to a quiet close this weekend, as Labor Day weekend signaled the conclusion of another summer moviegoing season. On the final weekend of the season, Don't Breathe was the number one film at the box office, grossing another $15.7 million, only down 41% from its opening weekend. That's a fantastic dip for a horror movie, and while a little bit of that can be attributed to most movies holding well on Sundays during three-day weekends, it can't be denied that Don't Breathe is also experiencing some strong word-of-mouth. Don't Breathe has now grossed $51.1 million domestically in ten days and could go as high as $75 million in its domestic run, a phenomenal sum for this original horror film that cost only $9.9 million to make.

The Light Between Oceans Isn't The Brightest Bulb When It Comes to Cohesive Storytelling And Directing

When Disney and DreamWorks partnered up for a distribution deal back in 2009, visions of their future together were filled with hope and glory. And while some noteworthy effort emerged from Disney distributing DreamWorks movies for them over the past five years (most notably in top-notch Steven Spielberg efforts like Bridge Of Spies and Lincoln), mostly it led to forgettable films like Real Steel , The Help, Delivery Man and Need For Speed. Now, the final film in the two studios deal, The Light Between Oceans, ends their distribution arrangement on a sour note. At least we'll always have War Horse.

Profane Dialogue Can Only Go So Far For Clerks

With Kevin Smith's newest film, Yoga Hosers, bowing in theaters today (hopefully I'll have a review for that 2016 motion picture up by the end of the weekend), I thought it was high time I dug into the motion picture that kicked off the directing career of Mr. Smith, a 1994 film called Clerks that bowed at that year's Sundance Film Festival and became a cult classic in no time. Living up to its title, Clerks focuses on a day in the life of two clerks, Dante (Brian O'Halloran) and Randal (Jeff Anderson), the former working at a convenience store and the latter spending his days at a video rental store.