Con Air Is Anything-Goes Ridiculousness, Which Is A Good Thing

Con Air begins and ends as a music video for How Do I Live by Trisha Yearwood. In between, a lot of recognizable actors dodge explosions. This is the aptest summary for the directorial debut of Simon West, which might be the epitome of the 1990's American action movie filmmaking if Face/Off didn't exist. That doesn't mean Con Air is the absolute best American action movie made in this era, but it does embody a number of the traits found in abundance in this era. A plot clearly aping Die Hard. Lots of R-rated action. Dialogue that runs the gamut from cornball to unbelievably hokey. Recognizable landmarks going boom. Oh, and it's also pretty fun to watch.

Charming Craziness Runs Rampant In Spike Jonze's Debut Directorial Effort Being John Malkovich

I'll be right upfront and proclaim myself as a total Spike Jonze fanboy. When I saw Where The Wild Things Are as a thirteen-year-old, I had no prior experience with his filmmaking but the movie itself was so captivating and incredible that I knew I would never forget Spike Jonze's name. Just a few yeas later, Jonze managed to surpass his 2009 achievement with the masterpiece Her, one of the best movies made in the 21st century. Since seeing those two in their theatrical runs, I've also gone back and watched the superb Adaptation and have no finally rounded out Spike Jonze's feature film directorial catalog by finally viewing his debut effort Being John Malkovich, which paired him up with writer Charlie Kaufman, the writer of Adaptation.

A Load Of Pointless Computer Effects Trickery Can't Boost The Serviceable But Substance-Free Beowulf

For a good chunk of the first decade of the 21st century, Robert Zemeckis devoted himself to being the first filmmaker to dabble in the world of full motion-capture animation (a process whereby actors wear special suits and have their movements put onto CGI characters) movies, a subgenre that basically died off after 2011, though motion-capture animation itself has become quite the frequent presence in live-action movies like the two most recent Star Wars movies. Two of those three efforts were The Polar Express and A Christmas Carol, a duo of family-skewing Christmas movies. Naturally, in between those movies, Zemeckis also used the motion-capture animation artform to create one of only four American computer-animated movies to get an MPAA rating harsher than PG: Beowulf.

Deepwater Horizon Has Peter Berg Finally Breaking Through As A Filmmaker

Peter Berg belongs with the likes of Antoine Faqua, Michael Bay and Zack Snyder in the category of directors I shall henceforth refer to as "Macho Dudes Making Macho Movies For Macho Moviegoers". Individuals belonging to this classification frequently make motion pictures that adhere to the most primal definition of what constitutes masculinity, with pervasive attempts to appear "rugged" and "extreme" typically coming at the cost of coherent storytelling and interesting characters. Those are certainly two elements missing in spades in Peter Berg's past work, especially in the 2012 disaster Battleship.