The tragedy that befell the whaling ship Essex in 1820, which inspired the 1851 Herman Melville novel Moby Dick, is perfect fodder for a grand cinematic interpretation, and that's exactly the kind of film In The Heart Of The Sea turns out to not be. This retelling of those true life events concentrates mainly on the ships first mate Owen Chase (Chris Hemsworth), though a framing device is utilized to tell this story via Herman Melville (Ben Whishaw) being told the tale by a grown up version of the ships cabin boy Thomas Nickerson (his older self played by Brendan Glesson, while future Spider-Man Tom Holland plays his younger incarnation).
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Saturday, December 12, 2015
Friday, December 11, 2015
Yojimbo Review (Classic Write-Up)
Where has this movie been all my life?
Honest to God, Yojimbo is such a clever, inventive, engaging and excellently produced motion picture I'm kicking myself for not watching it waaaaaayy sooner than I did. Better late than never, I suppose, especially when a great feature film like Yojimbo factors into the equation. Directed by Akira Kurosawa (he's also a writer of the film) and released in April 1961, this is the kind of movie that exemplifies why a simple premise can sometimes be the perfect thing to hinge an entire feature on.
Honest to God, Yojimbo is such a clever, inventive, engaging and excellently produced motion picture I'm kicking myself for not watching it waaaaaayy sooner than I did. Better late than never, I suppose, especially when a great feature film like Yojimbo factors into the equation. Directed by Akira Kurosawa (he's also a writer of the film) and released in April 1961, this is the kind of movie that exemplifies why a simple premise can sometimes be the perfect thing to hinge an entire feature on.
Llewyn Davis And Steve Jobs Prepare To Destroy The World In First Trailer For X-Men: Apocalypse
That very first X-Men movie from 2000 has some pretty glaring problems, namely in how none of the titular heroes get very much development. In an age where each of the Avengers or Guardians can leave their mark on audiences in their ensemble films, the issue of characters like Storm, Cyclops and Jean Grey getting nothing of note to do becomes all the more noticeable. But there's no denying Hugh Jackman aces it as Wolverine, while Patrick Stewart and Ian McKellen as Xavier and Magneto are even better.
Thursday, December 10, 2015
Trumbo Review
Trumbo strikes me as a movie that could have been far better with a little bit of consolidation. Any individual portion of the life of Mr. Dalton Trumbo (here portrayed by Bryan Cranston) that's depicted in this film would made fine fodder for an entire motion picture unto itself. Crammed against the weight of trying to depict an entire decade of his existence, well, it doesn't work nearly as well as it should, despite a super game cast.
Wednesday, December 9, 2015
Spielberg Goes Big Instead Of Going Home In The First Trailer For The BFG
I've been super curious to see what trailers Disney attaches to screenings of a small indie movie of theirs coming out next week called Star Wars: The Force Awakens. Captain America: Civil War is a given, but anything else? Typically, studios get to put two trailers for their upcoming features in the coming attractions of their movies, but I wouldn't be shocked if this tradition got bucked for a massive film like The Force Awakens a Disney got to three trailers on this new sci-fi adventure (hell, 20th Century Fox got to put trailers for three of their upcoming films on my screening of Victor Frankenstein just this past Saturday). So theoretically, what two other 2016 Disney movies would they choose to promote?
Tuesday, December 8, 2015
"You're The World's Worst Detective": Shane Blacks The Nice Guys Has A Red-Band Trailer!
Just three days ago, the world got the very first look at the next feature from Shane Black, the director Kiss, Kiss, Bang Bang and the most underrated Marvel Cinematic Universe film (along with Age of Ultron and the first Captain America and Thor films) Iron Man 3. While a small portion of internet trolls took the release of this trailer to whine about Black changing The Mandarin in Iron Man 3 (which they reeeealllly need to get over at this point, The Mandarin in Iron Man 3 is brilliant), the rest of the population basked in the glory of what may honestly be my new most anticipated film of next year.
Keep in mind, 2016 is giving me Captain America: Civil War and new films from Richard Linklater, Martin Scorsese, Steven Spielberg and The Coen Brothers. That's a helluva accomplishment, but The Nice Guys just has that good of a trailer. Check it out below!
Keep in mind, 2016 is giving me Captain America: Civil War and new films from Richard Linklater, Martin Scorsese, Steven Spielberg and The Coen Brothers. That's a helluva accomplishment, but The Nice Guys just has that good of a trailer. Check it out below!
Monday, December 7, 2015
2015 Will Go Down As The Year Marvel Solved Their Villain Problem
Spoilers for Daredevil, Jessica Jones and Avengers: Age of Ultron.
One complaint lobbed at the Marvel Cinematic Universe on a constant basis is that their villains ain't up to par. I'm not sure if that's applicable to all their films (Alexander Pierce in The Winter Soldier was a chilling adversary and Ronan The Accuser in Guardians Of the Galaxy gets waaaaayyy too much hate), but compared to layered heroes like Iron Man, Captain America or Star-Lord, yeah, I agree that foes like Whiplash, Malekith or The Abomination don't stack up very well. But 2015 brought three very different villains to life that proved that this recurring problem with creating extraordinary enemies might be a thing of the past.
One complaint lobbed at the Marvel Cinematic Universe on a constant basis is that their villains ain't up to par. I'm not sure if that's applicable to all their films (Alexander Pierce in The Winter Soldier was a chilling adversary and Ronan The Accuser in Guardians Of the Galaxy gets waaaaayyy too much hate), but compared to layered heroes like Iron Man, Captain America or Star-Lord, yeah, I agree that foes like Whiplash, Malekith or The Abomination don't stack up very well. But 2015 brought three very different villains to life that proved that this recurring problem with creating extraordinary enemies might be a thing of the past.
Sunday, December 6, 2015
Hunger Games And Krampus Prevail On Post-Thanksgiving Box Office Weekend
Movie studios typically use this post-Thanksgiving weekend as a dumping ground of sorts, with such critically acclaimed films like The Warrior's Way and Awake being released at this time of the year. But for the first time in a decade (when the 2005 feature Aeon Flux debuted, to be precise), a movie opened to over $10 million in this post-Thanksgiving slot. That film? Krampus. We'll get deeper into that one in a moment though, as first we must set our sights on this weeks box office champion, The Hunger Games: Mockingjay: Part Two. For the third week in a row, Katniss Everdeen ruled the roost, taking in another $18.6 million, which is a 64% dip from last weekend, and bringing its domestic cume to $227.1 million. That 64% drop is about the same as the 65% third weekend decline of Catching Fire. At it's current rate, the final Hunger Games feature will likely close out with about $265-270 million.
Saturday, December 5, 2015
Victor Frankenstein Review
What a waste. That's pretty much the most sufficient way to describe Victor Frankenstein, which wastes some solid production design, costumes, actors and even a decent enough story conceit on...derivative claptrap that only sporadically manages to have its faults become entertaining. Otherwise, this is a by-the-numbers misfire that goes for the most predictable story beats possible despite the central concept of the feature being, like I said, not a bad idea to base a motion picture on.
Friday, December 4, 2015
Holiday 2015 Box Office Predictions (PART TWO)
Yesterday, I looked at the first five of the ten movies going into wide release over the next three weeks over the holidays. Now, let's look at the remaining five features, shall we?
Krampus Review
Krampus kicks off its running time with a scene that perfectly exemplifies what's to come tonally; humorous imagery combined with an authentic unsettling ambiance. In this sequence, Bing Crosby's rendition of It's Beginning To Look A Lot Like Christmas plays over the visual of swarms of shoppers descending on a mall looking for gifts for the holidays. A lost sobbing child is ignored as individuals trample each other to get that very last XBOX. It doesn't take a Walter Alvarez to comprehend the meaning of this scene; before the titular beast even descends into the features plotline, there's already plenty of terror one can easily experience at this time of year.
Thursday, December 3, 2015
Holiday 2015 Box Office Predictions (PART ONE)
The holiday season always brings a bevy of new films to movie theaters across the country, so, hey, why not, just for fun, we take a look at how these new features may fare at box office? Yes, we all know the new Star Wars adventure will rake up big bucks, but what about In The Heart Of The Sea or The Big Short or Daddy's Home? The financial fates of those films is less clear, so I'm here to offer my predictions on how those will do!
Just a heads up, this is part one of these box office predictions. There are ten wide releases coming out over the next three weeks (I'm counting the expansions into wide release that The Big Short and The Danish Girl will undergo on Christmas Day), so today I'll look at the five closest to release films and then tomorrow I'll look at the remaining five features. Sound good? Alright then, on with the show!
December 11th
In The Heart Of The Sea
Warner Bros. moving this one from its original March 2015 perch to a December 2015 date was deemed a curious tactic by many once it happened, especially since the marketing for the film was already well underway. In The Heart Of The Sea will likely drum up solid, though not extraordinary business once it opens up, with the best box office comparison for this one maybe being Everest. Both are "men-enduring-the-elements" films, though Everest had a far more famous location at the center of its marketing (Mt. Everest of course), it also burned off demand with a one week play in IMAX 3D before debuting to $13.2 million in its first weekend in wide release. A similar number will likely occur for In The Heart Of The Sea, which, while dealing with far lesser known true story elements, won't burn off demand with a one week stay in IMAX 3D locations, which should help it match the opening weekend of Everest.
Opening Weekend: $14 million
Total Gross: $65 million
December 18th
Star Wars: The Force Awakens
So, card's on the table, laying it all out there...I'm gonna wager Star Wars: The Force Awakens doesn't break the opening weekend record set by Jurassic World.
Could I be wrong on this? Hell yeah. If any franchise is gonna prove anyone wrong, it's Star Wars, king of subverting expectations (sometimes for good, sometimes for bad). But December releases typically act far different than summertime fare, with grosses being more spaced out thanks to people being off for extended periods of time for the holidays. This leads to movies sticking around a bit longer, with films like current biggest December opening weekend The Hobbit: an Unexpected Journey turning an $84 million into a $303 million domestic haul. There's also the fact that inclement weather may damper its grosses, as Avatar (which opened on this exact date six years ago) experienced massive dips in major cities like Baltimore and Washington D.C. from Friday to Saturday of 75 and 86 percent, respectively, thanks to bad weather.
All that being said, this is still gonna easily become the first December release of all-time to make over $100 million in its opening weekend and it should also have no trouble at all soaring past $150 million. Disney has done a great job mining peoples nostalgia while promising plenty of new characters and adventures, and if reviews turn out to be positive, that could only add to the deafening hype surround the feature.
Opening Weekend: $183 million
Total Gross: $710 million
Sisters
While opening against Star Wars: The Force Awakens might sound foolhardy, Sisters is actually pretty damn smart counterprogramming, as both films serve different audiences. Moviegoers looking for more action-packed fare will have Star Wars, while those looking for a move overtly humorous feature will have the R-rated Sisters. Interestingly, this film marks one of the most high profile films for both Tina Fey and Amy Poehler yet, the duo not having worked together in a film since Baby Mama and since then the two have mostly done family films (Poehler has done two of the Alvin And The Chipmunks sequels and Inside Out, Fey has been busy with MegaMind and Muppets Most Wanted), but their work together on the Golden Globes and on SNL has certainly cemented them as a beloved duo, and the prospect of seeing them work together in a new film will likely hold lots of appeal. Toss in a marketing campaign that's brought out some memorable gags, and I'm going gutsy with this one and predicting it'll be the sleeper hit of the Christmas season.
Opening Weekend: $25 million
Total Gross: $120 million
Alvin And The Chipmunks: The Road Chip
Yeah, the bloom is off the rose for this franchise. The first Alvin And The Chipmunks film had the novelty (if you could call it that) of seeing these well-known pop culture icons in the "real" world, while the sequel brought female counterparts to the table. The third entry already saw a major dip in its domestic gross (a sharp 40% drop from $219 million to $133 million), and after a four year break, this new chipmunk tale will doubtlessly see another domestic box office tumble. No compelling new plot details, gags, characters or even musical covers are presented in the trailers, and with Star Wars: The Force Awakens and The Good Dinosaur out in the marketplace, parents have other places to turn for family friendly entertainment.
Opening Weekend: $10 million
Total Gross: $60 million
December 23rd
The Big Short
Trying to get a head start on fellow Christmas Day dramas Joy and Concussion by opening two days before Christmas is The Big Short, which is unlikely to find mainstream box office success despite the presence of four big name stars (none of whom are without box office blemishes of course). It's premise dealing with Wall Street and the 2007 Financial Crisis is unlikely to appeal to conventional moviegoers looking for more upbeat and kinetic entertainment over the holidays. Luckily, this one wasn't too costly (this one has a $28 million budget), and its early reviews are extremely positive, meaning it may have legs at the box office.
Opening Weekend: $9.6 million ($11.8 million over its first five days)
Total Gross: $44 million
Come back tomorrow when I'll be looking at the other five box office releases that'll be unleashed onto the populace on Christmas Day!
Just a heads up, this is part one of these box office predictions. There are ten wide releases coming out over the next three weeks (I'm counting the expansions into wide release that The Big Short and The Danish Girl will undergo on Christmas Day), so today I'll look at the five closest to release films and then tomorrow I'll look at the remaining five features. Sound good? Alright then, on with the show!
December 11th
In The Heart Of The Sea
Warner Bros. moving this one from its original March 2015 perch to a December 2015 date was deemed a curious tactic by many once it happened, especially since the marketing for the film was already well underway. In The Heart Of The Sea will likely drum up solid, though not extraordinary business once it opens up, with the best box office comparison for this one maybe being Everest. Both are "men-enduring-the-elements" films, though Everest had a far more famous location at the center of its marketing (Mt. Everest of course), it also burned off demand with a one week play in IMAX 3D before debuting to $13.2 million in its first weekend in wide release. A similar number will likely occur for In The Heart Of The Sea, which, while dealing with far lesser known true story elements, won't burn off demand with a one week stay in IMAX 3D locations, which should help it match the opening weekend of Everest.
Opening Weekend: $14 million
Total Gross: $65 million
December 18th
Star Wars: The Force Awakens
So, card's on the table, laying it all out there...I'm gonna wager Star Wars: The Force Awakens doesn't break the opening weekend record set by Jurassic World.
Could I be wrong on this? Hell yeah. If any franchise is gonna prove anyone wrong, it's Star Wars, king of subverting expectations (sometimes for good, sometimes for bad). But December releases typically act far different than summertime fare, with grosses being more spaced out thanks to people being off for extended periods of time for the holidays. This leads to movies sticking around a bit longer, with films like current biggest December opening weekend The Hobbit: an Unexpected Journey turning an $84 million into a $303 million domestic haul. There's also the fact that inclement weather may damper its grosses, as Avatar (which opened on this exact date six years ago) experienced massive dips in major cities like Baltimore and Washington D.C. from Friday to Saturday of 75 and 86 percent, respectively, thanks to bad weather.
All that being said, this is still gonna easily become the first December release of all-time to make over $100 million in its opening weekend and it should also have no trouble at all soaring past $150 million. Disney has done a great job mining peoples nostalgia while promising plenty of new characters and adventures, and if reviews turn out to be positive, that could only add to the deafening hype surround the feature.
Opening Weekend: $183 million
Total Gross: $710 million
Sisters
While opening against Star Wars: The Force Awakens might sound foolhardy, Sisters is actually pretty damn smart counterprogramming, as both films serve different audiences. Moviegoers looking for more action-packed fare will have Star Wars, while those looking for a move overtly humorous feature will have the R-rated Sisters. Interestingly, this film marks one of the most high profile films for both Tina Fey and Amy Poehler yet, the duo not having worked together in a film since Baby Mama and since then the two have mostly done family films (Poehler has done two of the Alvin And The Chipmunks sequels and Inside Out, Fey has been busy with MegaMind and Muppets Most Wanted), but their work together on the Golden Globes and on SNL has certainly cemented them as a beloved duo, and the prospect of seeing them work together in a new film will likely hold lots of appeal. Toss in a marketing campaign that's brought out some memorable gags, and I'm going gutsy with this one and predicting it'll be the sleeper hit of the Christmas season.
Opening Weekend: $25 million
Total Gross: $120 million
Alvin And The Chipmunks: The Road Chip
Yeah, the bloom is off the rose for this franchise. The first Alvin And The Chipmunks film had the novelty (if you could call it that) of seeing these well-known pop culture icons in the "real" world, while the sequel brought female counterparts to the table. The third entry already saw a major dip in its domestic gross (a sharp 40% drop from $219 million to $133 million), and after a four year break, this new chipmunk tale will doubtlessly see another domestic box office tumble. No compelling new plot details, gags, characters or even musical covers are presented in the trailers, and with Star Wars: The Force Awakens and The Good Dinosaur out in the marketplace, parents have other places to turn for family friendly entertainment.
Opening Weekend: $10 million
Total Gross: $60 million
December 23rd
The Big Short
Trying to get a head start on fellow Christmas Day dramas Joy and Concussion by opening two days before Christmas is The Big Short, which is unlikely to find mainstream box office success despite the presence of four big name stars (none of whom are without box office blemishes of course). It's premise dealing with Wall Street and the 2007 Financial Crisis is unlikely to appeal to conventional moviegoers looking for more upbeat and kinetic entertainment over the holidays. Luckily, this one wasn't too costly (this one has a $28 million budget), and its early reviews are extremely positive, meaning it may have legs at the box office.
Opening Weekend: $9.6 million ($11.8 million over its first five days)
Total Gross: $44 million
Come back tomorrow when I'll be looking at the other five box office releases that'll be unleashed onto the populace on Christmas Day!
New Batman v. Superman Trailer Is Full Of Deliciously Hammy Jesse Eisenberg, Ben Affleck Grumbling And Spoilerz
Everyone's been talking about the R-rated "true-to-the-comic-books" irreverence of Deadpool and the gravitas-infused epicness of Captain America: Civil War, but now Warner Bros. has stepped up to the plate to generate more buzz for Batman v. Superman: Dawn of Justice. The past two trailers for this new Zack Snyder film have their share of devotees to be sure, but they haven't quite resonate in the public consensus like, say, the trailers for Age of Ultron, Jurassic World or The Force Awakens did. Will that change with this new trailer? We shall see.
Watch it below and then read my thoughts on this new trailer, which does contain some hefty spoilers.
Watch it below and then read my thoughts on this new trailer, which does contain some hefty spoilers.
Monday, November 30, 2015
The Next Mission: Impossible Movie Has A Familiar Director, Christopher McQuarrie!
If you're a fan of the Mission: Impossible movies like me, well, you're well aware of how long it takes to get one of these movies off the ground. Between the first and second installments in the franchise there was a four year long wait, while there was more than a five year wait for both the third and fourth movies. After the tremendous success of the newest Mission: Impossible movie, Rogue Nation (which grossed $195 million domestically and over $680 million worldwide), Paramount is waiting no time to get another entry in the saga going, with an August 2016 start date planned for the sixth film in this franchise.
Creed Review
Why, of all sports, does boxing seem to pop up so frequently in cinema? Baseball, football and basketball are the far more popular sports in terms of TV viewers and presence in schools across America, yet, on silver screens everywhere, the primal sight of grown-ups in stripped down attire fighting each other has a far larger presence than any other sport. I have a hunch this is due to the simpler structure of boxing; it's not a team sport, so you only have to concentrate on one individual for an entire story, and the price they pay for participating in the sport of boxing are far more visually overt than the bruises one gets from, say, bowling.
Sunday, November 29, 2015
Hunger Games Leads Again As Good Dinosaur Does OK And Creed And Danish Girl Turn In Knockout Box Office Performances
For the third Thanksgiving in a row, a Hunger Games movie led the box office, and though the numbers it turned in were lower than past Katniss entries, it still showed solid stamina at the box office. Gathering up another $51 million, The Hunger Games: Mockingjay: Part Two dropped 50% from its opening weekend, which is slightly smaller than the 53% dips of the last two Hunger Games movies and a solid showing considering this new film was more frontloaded on its opening weekend than past Hunger Games adventures. With Star Wars on the horizon, it's unlikely Mockingjay holds quite as well as its predecessors over the Christmas holidays, though considering it's amassed $198 million domestically already, it should be good to go for a final domestic total over $260 million.
Saturday, November 28, 2015
The Good Dinosaur Review
One of the reoccurring storytelling templates that have cropped up in the filmography of PIXAR Animation Studios (and it's such a basic template for storytelling that its reappearance amongst the studios output feels less like repetition and more like an inevitability) is to apply human characteristics to distinctly non-human entities. This trait can even be seen in the pre-PIXAR feature The Brave Little Toaster (incidentally, that's the movie that inspired my life-long fear of clowns), which employed future PIXAR alumni John Lasseter and Joe Ranft (the latter was a screenwriter on the project) as crucial members of its crew.
Thursday, November 26, 2015
Happy Thanksgiving!!
Today, in the United States Of America, is Thanksgiving, or as its known to marketers "That weird holiday in-between Halloween and Christmas that we can't make toys for". This is a day where we give thanks to the things in our life that truly make our existence worthwhile, and for me, I'd easily say getting the chance to write for this website is one such item I'm most grateful for. Other things I'm grateful for? Well, in the realm of pop culture, I'm super grateful PIXAR delivered another masterpiece in Inside Out this year, Jessica Jones sure is thought-provoking and awesome, and oh boy how about that Civil War trailer, right? Plus, having some awesome family members, friends and my fellow Solute writers and readers are pretty spectacular too.
Wednesday, November 25, 2015
The Night Before Review
Gazing onto the page on Box Office Mojo dedicated to Christmas movies, one might be shocked to see how few massively financially successful films have been released that center directly on this holiday. Films that use the holiday as merely a backdrop (like Home Alone, Die Hard and Iron Man 3) typically find much greater success in the department of dollars and cents compared to its kin that tackle Christmas head on their plots. The Night Before, the newest Seth Rogen comedy, just so happens to fall into that latter type of Christmas filmmaking.
The First Captain America: Civil War Trailer Brings On The Action And The Emotions
This is another one of those trailers where we should just skip the fancy-schmancy introductions and get right to the meat and potatoes of this whole thing; you want that sweet sweet Captain America: Civil War trailer? Here ya go!
Tuesday, November 24, 2015
The Secret In Their Eyes Review
Movies like The Secret In Their Eyes tend to drive me right up the wall, simply because such features squander a plot that one could easily see being good, even excellent, in the right hands. A different screenwriter, someone else behind the camera, just something else to deviate it from the final product playing in over 2300 theaters across the country right now. Granted, what we're left with isn't something that'll join Manos: The Hand Of Fate on the list of "Worst Movies Ever", but it's fairly obvious more could have been done with the cast and storyline.
Spotlight Review
Man oh man, do I love it when a movie like Spotlight lives up to the hype, especially when it carries a cast of this caliber and a director like Tom McCarthy. This guys 2011 feature Win Win was a real treat, an emotionally gripping and surprisingly layered tale that, to me, indicated that a truly special direct had entered the land of American cinema. I may be on the minority on this, but his follow-up project, The Cobbler, did not resonate with me at all, but luckily, Spotlight seems to be as clear of a sign as any that that Adam Sandler feature was an enormous fluke.
Sunday, November 22, 2015
The Hunger Games Come To A Solid, Though Slightly Under Expectations, Financial Conclusion At The Box Office This Weekend
There's no denying a $101 million three day haul is a very impressive haul, and The Hunger Games: Mockingjay: Part Two can hold its head high by knowing it will go down as one of the most impressive sagas of all-time in terms of box office. However, there's no denying that such a lower opening is kind of surprising, especially since, typically, when books are split into these kind of two part movies, the second entry is the higher grossing one (see: the Breaking Dawn and Deathly Hallows films) of the duo. Instead, Mockingjay: Part Two made about 16% less on opening weekend than its predecessor and about 30% below the $158 million debut of Catching Fire just two years ago on this very same weekend.
Saturday, November 21, 2015
"Don't Be The Hero With Me": Jessica Jones Season 1 Episode 1 "AKA Ladies Night" Review
It's fairly obvious that, in translating Hal Jordan to the big screen in the 2011 motion picture/abomination Green Lantern, someone involved in the project saw how successful Tony Stark had become and decided that some of Tonys most distinctive character traits (namely that of his snark and cockiness) should be implanted into Jordan. This, of course, didn't work, for one simple reason; Stark uses his wisecracks as a defense mechanism of sorts, a way to combat the forces around him that he's all too aware he can't control. Plus, underneath all his flippant remarks is a good person, one who, in the first Iron Man movie, plainly says that protecting people with his Iron Man technology needs to be his only purpose in life.
Friday, November 20, 2015
Edward Scissorhands Review (Classic Write-Up)
In the year 2015, Edward Scissorhands serves as some kind of bizzaro gaze into another life, another world, another time and place where the pairing of Johnny Depp and Tim Burton would produce anticipation, not dread. And while it's true that Burton and Depp would collaborate for further successful projects after this 1990 feature (as recently as 2007, their Sweeney Todd effort was an excellent movie), it seems the duo have decided to cease working together for the time being after back-to-back critical duds Alice In Wonderland and Dark Shadows (the latter film being a huge box office bomb likely resulting in the split more than anything else).
What A Twist! The Hunger Games: Mockingjay: Part Two Spoiler Discussion
Spoilers for The Hunger Games: Mockingjay: Part Two follow, of course.
I was quite positive about The Hunger Games: Mockingjay: Part Two in my formal review of it, and for good reason. This is one well-crafted, exceptionally well-acted motion picture that tackles darker themes with surprising nuance. However, it must be said that it's taken back from achieving true greatness because of its last half hour or so, in which (in a shocking twist) the story, and, by definition of this being the last movie in this particular story, this saga, comes to its conclusion, an ending which the film feels like its in all too much of a hurry to get to.
I was quite positive about The Hunger Games: Mockingjay: Part Two in my formal review of it, and for good reason. This is one well-crafted, exceptionally well-acted motion picture that tackles darker themes with surprising nuance. However, it must be said that it's taken back from achieving true greatness because of its last half hour or so, in which (in a shocking twist) the story, and, by definition of this being the last movie in this particular story, this saga, comes to its conclusion, an ending which the film feels like its in all too much of a hurry to get to.
The Hunger Games: Mockingjay: Part Two Review
And so, Katniss Everdeen (Jennifer Lawrence) takes her bow, concluding her four-part Hunger Games saga that gave a massive push to both the career of Lawrence and female led action movies. The final adventure in her grand story is The Hunger Games: Mockingjay: Part Two, which, as evidenced by the title, is the second part of a two film adaptation of the singular novel entitled Mockingjay. Like I said, this is where it all ends folks...until Lionsgate pushes out those inevitable Hunger Games prequels/spin-offs which will arrive no later than 2018.
Thursday, November 19, 2015
Magicians, Male Models And Naked Zac Efron Pop Up In Five New Trailers
Note: The trailer for Dirty Grandpa is NSFW, so proceed with caution.
The release of a huge new blockbuster like The Hunger Games: Mockingjay: Part Two (which, by the by I'll have a review and a spoiler discussion written up for that particular movie by tomorrow morning) will of course spur a deluge of new trailers. But the amount of new promotional trailers released over the past few days has reached critical levels considering the first high-profile comedy (The Night Before) since Vacation nearly four months ago is also opening this weekend and a whole bunch of 2016 comedies wanna get promoted on that new Seth Rogen vehicle.
The release of a huge new blockbuster like The Hunger Games: Mockingjay: Part Two (which, by the by I'll have a review and a spoiler discussion written up for that particular movie by tomorrow morning) will of course spur a deluge of new trailers. But the amount of new promotional trailers released over the past few days has reached critical levels considering the first high-profile comedy (The Night Before) since Vacation nearly four months ago is also opening this weekend and a whole bunch of 2016 comedies wanna get promoted on that new Seth Rogen vehicle.
Wednesday, November 18, 2015
Chill Out (I'm So Sorry For That Pun) With The First Trailer For The Huntsman: Winter's War
I didn't really care all that much for Snow White And The Huntsman, a forgettable feature that I freely admit wasn't a torturous experience, but was certainly a cookie-cutter experience that wasted the talents of its two lead actors (Kristen Stewart and Chris Hemsworth), with only Charlize Theron getting to go hog-wild as a scenery chewing bad guy. Normally, a sequel wouldn't be anywhere near my radar, but this follow-up, entitled The Huntsman: Winter's War, has made a number of smart decisions to get my interest.
"But Don't You Go Anywhere": The All Too Real Fantasy World Of Calvin And Hobbes
Good stories endure. There's a reason the plays of William Shakespeare still get performed to rapturous reception, and it's the same reason why Mark Twain still has countless copies of his books sold across the country every year. Characters that one can relate to, humor that strikes ones funny bone just right, pathos that hit home for all of us, those are the ingredients that can make a piece of pop culture stick around through the ages. In this case, those are the exact elements that have helped an eight year old boy and his tiger be discovered by new readers even after its stopped creating new
content twenty years earlier.
content twenty years earlier.
Tuesday, November 17, 2015
The Trailer For The Uber White Movie Gods Of Egypt Is The Best Unintentional Parody Trailer Ever
If RedLetterMedia, FunnyorDie or someone along those lines were responsible for this trailer for Gods of Egypt, I might declare it awesome, as those entities would obviously had created this trailer as a parody of the kind of whitewashed blockbusters chock full of too much CGI that clog up movie theater screens each year. But no folks, this is real. Summit Entertainment/Lionsgate will release this on February 26, and I'll be shocked if its Rotten Tomatoes score exceeds 20% and its domestic box office cume is over $30 million. Check out this gloriously bad trailer below.
Monday, November 16, 2015
The Peanuts Movie And Spectre Perfectly Demonstrate The Right And The Wrong Way, Respectively, To Do Fan Service
WARNING: Spoilers for Spectre, The Peanuts Movie, Star Trek Into Darkness and The Dark Knight Rises follow.
At this point, James Bond is no stranger to opening against animated family films. In fact, of the four Daniel Craig 007 movies, half of them have opened on the same weekend as a feature aimed at family audiences, while the other half have opened a solitary week after a major new animated film hit the market. It's no shocker that family movies tend to open against Bond and his cohorts; those 007 adventures tend to be seen by older viewers and don't have as much value for families as, say, PG-13 blockbusters like the Marvel Cinematic Universe or Jurassic World.
At this point, James Bond is no stranger to opening against animated family films. In fact, of the four Daniel Craig 007 movies, half of them have opened on the same weekend as a feature aimed at family audiences, while the other half have opened a solitary week after a major new animated film hit the market. It's no shocker that family movies tend to open against Bond and his cohorts; those 007 adventures tend to be seen by older viewers and don't have as much value for families as, say, PG-13 blockbusters like the Marvel Cinematic Universe or Jurassic World.
The Peanuts Movie Review
As a lifelong aficionado of the the world of Charlie Brown (in a fit of gratuitous self-promotion, allow me to link to an essay I wrote over the comic in honors of its 50th anniversary), in theory, a 21st century theatrical feature based on these characters should be something I despise. No doubt such a film updates individuals like Lucy and Linus by giving them cell phones, Vine accounts and other necessities of modern day existence. But a remarkable amount of restraint is shown by the filmmakers responsible for The Peanuts Movie, with the feature refraining from up giving Snoopy a "Poochie" like update in favor of retaining his personality that has managed to work OK for 65 years now.
Sunday, November 15, 2015
Spectre And The Peanuts Movie Lead Again On a Miserable Weekend At The Box Office
There's really not a ton to talk about when it comes to this weekends box office, which had Spectre winning again. That being said, this will be a slightly abbreviated version of this column, simply because even the underwhelming new movies leave very little to talk about or analyze. So, yeah, 007 won again, with a surprisingly smaller than expected 50% dip, for a $35 million second weekend. for a ten day domestic haul of $130 million. That's way better than the 60% drop of Quantum of Solace slightly better than the 53% dip of Skyfall three years ago and about on par with the 49% drop of Mission: Impossible- Rogue Nation from this summer.
Friday, November 13, 2015
Witness Me Attempt To Write Up 53 Things Miles Teller Would Rather Be Doing Than Appearing In The New Trailer For Divergent Sequel Allegiant
Guess what's getting a sequel in March? Insurgent, one of my most least favorite movies of 2015. The new trailer for its follow-up, Allegiant, doesn't look painfully bad, but then again, neither did the trailers for Insurgent and oh God, I know how that one turned out. Everyone looks so uninterested in being in these things, from lead actor Shailene Woodley to direct Robert Schwentke (I had such high hopes for him after his super fun debut film Red, but R.I.P.D. and Insurgent have erased all my hopes).
Thursday, November 12, 2015
Five Modern Day Movies I'd Love To See Mystery Science Theater 3000 Tackle
To say that the news that Mystery Science Theater 3000 was generating a Kickstarter to create new episodes brought me joy is a gross understatement. To boot, this development led me to diving into some YouTube compilations of the notably humorous moments from a number of their best episodes, and oh my God, their takedowns of Hobgoblins ("How do you read a record?") and A Touch Of Satan are some of their best.
Taken 3 Review
Even Liam Neeson seems to be over "action Liam Neeson" at this point. Oh I'm sure he's more than enjoyed the hefty paychecks and massively increased level of fame projects like the Taken trilogy and Unknown have brought, but the box office for recent forays into this subgenre have been steadily diminishing, and next year, Neeson will star in dramas like A Monster Calls and Silence instead of, say, Stolen Boat, in which he attempts to retrieve his stolen boat.
Tuesday, November 10, 2015
Calling All Hairy No-Butts! Mystery Science Theater 3000 Could Come Back...With Your Help!
If you have an ardent fanbase, no show is really cancelled, not in this day and age. Arrested Development, Veronica Mars, Full House, Gilmore Girls are all back after years of cancellation, and even movies like Wet Hot American Summer can be revived in the form of a Netflix TV show after years off the air. And now it looks like Mystery Science Theater 3000 is trying to follow in the footsteps of those television programs and come back from the dead! I tell ya, this is the most exciting new I've heard since I got told that I won that essay contest!
À bout de souffle (Breathless) Review (Classic Write-Up)
We all have A bout de souffle (Breathless) to thank for creating the very way films demonstrate in a visual manner time passing via the method of jump cuts. Numerous other films during the French New Wave utilized this particular technique of filmmaking, as well as works from George Melies, but the renowned popularity of A bout de souffle handily has made the feature the most lauded motion picture that brought the innovation of the jump cut to conventional visual storytelling.
Just Keep On Swimming And Give The First Finding Dory Trailer A Watch!
A common criticism for PIXAR in recent years has been their over-reliance on sequels, a critique that feels simultaneously too harsh and very much appropriate. Now, perhaps we should all pause our negative judgement of these impending follow-ups considering the track record PIXAR has not just with their overall filmography, but with their sequels. The two Toy Story sequels, especially the third one, are top-notch masterpieces and Monsters University is a fun adventure with a surprisingly insightful climax.
Sunday, November 8, 2015
James Bond And Snoopy Bring Some Much Needed Life Back To The Box Office
After two weeks of dismal business, two stalwarts of pop culture returned to movie theaters for solid sums of cash that brought the box office roaring back to life. Taking the number one spot was Spectre, the latest James Bond adventure which grossed $73 million for the weekend. That's down from the previous 007 adventure, Skyfall, which grossed $88 million three years ago, although that one had far better reviews and the buzz stemming from the franchise celebrating its fiftieth anniversary. It also managed do 9% better than 2008 Daniel Craig 007 film Quantum of Solace, though Spectre lagged behind that feature in terms of attendance.
Saturday, November 7, 2015
Bande à part (Band of Outsiders) Review (Classic Write-Up)
I try to pride myself as being a cinematic connoisseur, but alas, the works of famous French director Jean-Luc Godard have been a notable blind spot for me in the world of film. That changed two days ago when I viewed my first ever film from that particular filmmaker, Bande a part (Band of Outsiders). Needless to say, this 1964 feature not only whetted my appetite to check out other effort from Godard, but also proved as a superb experience in its own right separated from the rest of the filmography of the director.
Friday, November 6, 2015
Grab An Orc And Watch The First Trailer For Warcraft!
And so, almost two years after it first started filming, the first trailer for Warcraft has debuted today as part of BlizzCon, a convention held by Blizzard Entertainment, the company in charge of the World of Warcraft video games that Warcraft is based on. Unlike other video games that get directed by the likes of Paul W.S. Anderson and John Moore, this one has Duncan Jones helming the project, which is an immensely promising proposition given how great the last film from Jones, Source Code, was.
What A Twist!: Spectre Spoiler Discussion
Welcome to a new recurring feature entitled What A Twist! Here, I'll briefly discuss spoilery aspects of certain movies as well as provide a place for our awesome Solute readers to discuss spoilers in the comments section.
Spectre Review
There's less of a plot going on during the 140+ minute running time of Spectre than there is just a stream of ideas concocted by various individuals once they realized that MGM had gotten the film rights back to the SPECTRE organization that had fought 007 in earlier films and novels. Yes, it's cool to see the dastardly corporation of Ian Fleming's novels return to the silver screen for the first time in 44 years, but it feels like the urge to put the well-known agency into the Daniel Craig Bond films was the only thing driving the storytelling on the 24th James Bond film, fittingly titled Spectre. Looking at the entire enterprise as a whole, it's remarkable how little there actually is to chew on in terms of both substance and spectacle.
Thursday, November 5, 2015
God's Not Dead 2 Trailer Sticks Up For The Little Guy...The Little Guy Being White Christians
I thought it was over.
God's Not Dead tested me in ways that you can't imagine, it's spiteful, hateful soul repelling me like few films ever have. Once the credits rolled, I hoped that'd be the end of it all...but in the pit of my heart, I knew the tremendous box office meant there would likely be a sequel. Well, here it is folks. Before Hellboy 3 graces movie theaters, we get the continuing adventures of Bigots 'R' Us, AKA God's Not Dead 2. The first trailer is below, and if you wanna watch it and read my rant on it, just march onward into the abyss.
God's Not Dead tested me in ways that you can't imagine, it's spiteful, hateful soul repelling me like few films ever have. Once the credits rolled, I hoped that'd be the end of it all...but in the pit of my heart, I knew the tremendous box office meant there would likely be a sequel. Well, here it is folks. Before Hellboy 3 graces movie theaters, we get the continuing adventures of Bigots 'R' Us, AKA God's Not Dead 2. The first trailer is below, and if you wanna watch it and read my rant on it, just march onward into the abyss.
Tuesday, November 3, 2015
Removal Of Slave Leia From Future Star Wars Merchandise Is News So Good It's Worthy Of A Celebratory Ewok Dance Party
Ugh, can't the PC police leave anything untainted? First, these Social Justice nitwits come around remarking about how minorities/women are treated in video games, then they use their Feminazi mind control powers to convince Disney/Lucasfilm to not utilize imagery of Leia Organa in her golden slave bikini in future merchandise. Why can't they just leave my pop culture alone??? Don't they know my complaints about this totally don't stem from my subconcious problems with women but rather about ethics in Star Wars journalism! Save me Trey Stone & Matt Parker/Adam Baldwin!
Our Brand Is Crisis Review
Man, Our Brand Is Crisis could have been something truly special. How do I know this? Because the elements in here that work are legitimately exceptional. But there just aren't enough aspects in this feature that excel, especially considering the meandering pace that consumes the story and stretches the movies 107 minute running time into what feels like eternity. Under a script by Peter Straughan and direction from David Gordon Green, Our Brand Is Crisis tells the tale of Jane (Sandra Bullock), a political strategist trying to get a successful presidential election campaign going for Pedro Castillo (Joaquim de Almeida).
Sunday, November 1, 2015
Halloween And Career Low Opening Weekends For Sandra Bullock And Bradley Cooper Send The Box Office Spiraling Out Of Control
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| Bradley Cooper upon seeing the box office results for Burnt |
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