Showing posts with label TV Review. Show all posts
Showing posts with label TV Review. Show all posts

Thursday, April 23, 2020

A Look At The First Nine Episodes of The Clone Wars Season Seven

Star Wars is usually all anyone can talk about on the internet. Whether it's debate over the quality of the individual movies, Baby Yoda or Prequel Memes, you're usually never short on Star Wars chatter on the interwebs. That having been aid, I've seen shockingly little discussion on the final season of The Clone Wars, which has been airing episodes each Friday on Disney+ for the past two months. That's probably because the show is aimed at young children rather than adults, who make up the population discussing Star Wars online.

That's a shame because The Clone Wars, while erratic in quality from episode to episode, has frequently done some of the ambitious Star Wars storytelling ever. Even its weakest episodes usually offer something interesting for discussion. Thus, I've decided to do some breakdowns on the merits and detriments of the first eight episodes of this final season of The Clone Wars. Something to note before going forward: The Clone Wars has always told singular stories over multiple episodes. Originally, the amount of episodes were usually three but frequently fluctuated. Starting with its fifth season, The Clone Wars broke its multi-episode arcs into exclusively four episodes.

The seventh season has delivered two four-episode arcs and then a ninth episode kicking off a new arc. I'll be looking at the fully completed arcs in their own section (rather than breaking this down episode-by-episode) before using the third section of this piece to examine the show's most recent episode. I'm also writing this write-up's presuming readers know basic aspects of the show up to this point (like that Captain Rex is a Clone, Ahsoka left the Jedi Order at the end of Season five, etc.) just to keep this concise. If that's all cleared up, let's look at what The Clone Wars has delivered so far in its final season

THE BAD BATCH 

The Clone Trooper squad known as The Bad Batch
In the Bad Batch storyline, Captain Rex (Dee Bradley Baker) teams up with a group of five clone troopers. They're a seperate squadron due to each member have a notably different physical appearance than standard clones. They also each carry their own extremely pronounced personality. One of them in an intellectual technology wiz, one of them is a scarred warrior whose tough as nails, another is a big burly fellow who loves blowing stuff up. Just as The Clone Wars has previously done homages to zombie and Kaiju movies, The Bad Batch episodes are a homage to men-on-a-mission movies. The result is a reasonably fun endeavor even if it made me yearn for when The Clone Wars had a touch more variety between individual episodes in muli-episode arcs.

In the five-episode season two storyline concerning the Second Battle of Geonosis, viewers were taken all over the place. One episode dealt with Padme navigating palace intrigue, another took viewers to the frontlines of the battle with Obi-Wan and the Clones before things got wrapped up in a final episode detailing Ahsoka and Barriss Offee dealing with worm aliens turning clones into zombies. For the episodes comprising the Bad Batch storyline, there's far less variety in terms of both tone and leading characters. All four episodes are centered exclusively on Rex and these five Bad Batch clones engaging in battle scenes. While the Bad Batch clones have their amusing moments, there's also little to them as characters. They're stagnant beings who would work great as guest stars in one or two episodes but don't quite work as leading men for 100 minutes worth of storytelling.

Even the reintroduction of recurring character Fives (who is revealed to be alive and being used as a Sepeartist weapon against his will) doesn't provoke new layers of the Bad Batch characters. A brief storyline suggesting Fives could still be working for the villains doesn't really go anywhere or challenge the lead characters. Though The Bad Batch struggles with its titular characters, many parts of the four episodes still register as moderately entertaining. Most notably, these episodes reveal that The Clone Wars has upgraded its computer-animation significantly from when it last aired new episodes six years ago. We've come a long way from the stiff animation seen in the 2008 Clone Wars movies, now these characters have such fluid facial expressions while the environments they inhabit have a gloriously tactile quality in their design.

Like any episode centered on the Clone Troopers, the various Bad Batch episodes allow voice actor Dee Bradley Baker a chance to shine. Throughout this series, Baker has been tasked with voicing every single Clone Trooper. It's an endeavor that has resulted in truly impressive voicework as Baker consistently makes sure to imbue a distinct personality into each new Clone Trooper. This time around, he gets to run loose with a variety of outsized personalities while voicing the various members of the Bad Batch. When you've got a voice actor pro like Baker delivering this sort of superb voicework, the storytelling flaws of the Bad Batch arc are easier to stomach.

AHSOKA AND THE MARTEZ SISTERS

(From left to right): Ahsoka Tano, Trace Martez, Rafa Martez
Very smart to place this particular four-episode arc in this section of the season. Sandwich in between two arcs dedicated to extensive battle sequences, the second arc of The Clone Wars' seventh season is a smaller-scale adventure. With Ahsoka (the arcs protagonist) no longer a Jedi, this means there are no Jedi or Sith lord to be found in this storyline, just normal people trying to make it through a larger-than-life war. Such a storytelling scope is applied to a plotline seeing Ahsoka Tano (Ashley Eckstein) running into the lower levels of the planet of Coruscant. Here, she meets orphaned sisters Trace Martez (Brigette Kali) and Rafa Martez (Elizabeth Rodriguez). One fun fact I just learned: originally, this storyline saw Ahsoka teaming up with a male character named Nyx Okami. Genuinely cool that, when it was time to actually finish these episodes up, they made a conscious choice to instead opt to have two women of color headline this arc.

Anywho, Rafa works as a gangster to help herself and Trace get by. Trace and Ahsoka accompany Rafa on her newest mission which entails delivering a shipment of spice to the Pyke empire. Ahsoka's emphasis on morality and Rafa's emphasis on looking out just for herself and her sister inevitably clash. Rafa's outlook, informed by surviving another day rather than helping others, provides an intriguing thematic link between the majority of the protagonists and villains in this storyline. Even the primary antagonist, Marg Krim (Stephan Stanton), isn't your usual mustache-twirling baddie with a personal vendetta to carry out. He's a weary soul well aware of his status as a cog in a gangster empire led by Darth Maul (Sam Witwer). He's fighting for his own survival day-in and day-out almost as much as Rafa. 

That interesting aspect of the writing in this collection of episodes is accompanied by more underwhelming features of the script. Most notably, the third episode of this storyline, Dangerous Debt, features a scene where Rafa finally informs Ahsoka the circumstances that led to herself and Trace becoming orphans. It's a critical moment for these two characters but it doesn't have the impact it should because of how we only hear about these events rather than actually seeing them. Getting the chance to witness this story through a flashback would have lent it a far more vivid impact than the flat way it's delivered here. I know Star Wars movies (save for The Last Jedi) have eschewed flashbacks. However, an exception should have been made for this particular occasion.

Even aside from that underwhelming way of revealing Trace and Rafa's past, the Dangerous Debt episode proves to be the weakest of this storyline thanks to it being superfluous save for introducing Bo-Katan (Katee Sackhoff) into the show. Like a number of Clone Wars storylines from the last few seasons, this is yet another story arc that would have benefited from a shorter episode count.  Even just having the ballad of Ahsoka and the Martez sisters last for three episodes instead of four would have benefited the pacing greatly. At least the storyline ends on a high note with the episode Dangerous Debt. Rafa fights a Trandoshan, a gaggle of Toong cheer on for their boss to kill someone and Ahsoka Tano gets to dish out some delightfully violent Jedi mayhem. Ah Ahsoka, how you've been missed!

Old Friends Not Forgotten

Old Friends Not Forgotten begins the final four-episode-arc ever for The Clone Wars. Nearly twelve years after this show first started in October 2008, we're finally bringing this thing to a close. Because of the importance of these episodes, Dave Filoni and company really went all out in making sure these concluding episodes felt like an event. This gets established right away in Old Friends Not Forgotten, which begins with the classic Lucasfilm Limited Productions logo before making use of John Williams' unmistakable Star Wars theme. The modern-day mantra of "This TV show is actually a movie!" is pretty tiresome. In this context, though, it works since The Clone Wars treating its final episodes as a movie comes off as its creative team closing this show out with a bang rather than a derogatory look at the medium of television.

Tom Kane's opening narration immediately establishes that this storyline takes place only moments before Episode III thanks to visuals showing the viewer that various Jedi like Aayla Secura are in the planets where they'll be eventually executed during the Order 66 montage in Revenge of the Sith. We then get to the story proper, which sees Obi-Wan (James Arnold Taylor) and his clone pinned down by a droid army. This is totally speculation on my end, but it appears The Clone Wars got a significant increase in its animation budget for this last story arc. The already noteworthy visuals of prior season seven episodes is taken to another level here, particularly in terms of camerawork. There are truly sweeping shots throughout Old Friends Not Forgotten that see the camera swooping around the battlefield of various conflicts that truly allows the viewer to appreciate the scope of these fights. Heck, they even have enough money now to allow Obi-Wan to run around in his Jedi robe! I remember back in season one when they didn't have enough money to even let Anakin wear his robe! How times change!

This impressive animation is used for a storyline concerning Ahsoka returning to Anakin Skywalker (Matt Lanter) to inform him that she, Bo-Katan and Katan's Mandalorian warriors need the assistance of the Jedi to take back the planet of Mandalore from Darth Maul. Obi-Wan and Anakin cannot partake in the mission because they need to rescue the kidnapped Chancellor Palpatine but they do send Captain Rex and a Clone army to accompany Ahsoka and Bo-Katan on their mission. From there, The Clone Wars delivers perhaps its best-ever action sequence as an army of jetpack-wearing Mandalorians working for Maul attack Ahsoka & Rex's force while they're still in the air. An extensive battle scene set all the way up in the sky follows that delivers a large number of wonderful action beats. Best of those beats has got to be Ahsoka leaping from one ship to the next and using her pair of lightsabers to chop down an assortment of adversaries all in the span of a single shot. 

The days of "Skyguy" are long behind Ahsoka Tano and the fluid body movements used in her animation render her fight scenes as especially impressive. When she and other characters like Bo-Katan engage in hand-to-hand combat, they actually look like real people fighting rather than rigid computer-animated puppets. That part of Old Friend Not Forgotten's animation is one of the best attributes of the entire episode, which ends on a cliffhanger teasing a confrontation between Ahsoka Tano and Darth Maul in the next episode. That episode, entitled The Phantom Apprentice (hey, I know that that's referencing!), drops tomorrow and I can't wait to see where this storyline goes next. If these next three episodes deliver the kind of sweeping & endlessly exciting action running rampant throughout Old Friends Not Forgotten, then Star Wars: The Clone Wars is gonna go out on a high note.

Saturday, September 14, 2019

The Dark Crystal: Age of Resistance Is Riveting Television

The Dark Crystal: Age of Resistance may be the ideal form of bringing back a beloved property in a modern-day reboot/continuation. A Netflix TV show prequel to the 1982 Jim Henson/Frank Oz directorial effort The Dark Crystal, Age of Resistance takes place thousands of years before the events of the original movie. This extensive amount of time in between the two stories allows the saga of Age of Resistance to really stand on its own. Though they take place on the same planet (Thra) and share some characters, Age of Resistance will work just fine for newcomers and is interested in telling a good story and pushing the boundaries of puppetry-based filmmaking rather than just relying exclusively on callbacks to the original Dark Crystal movie.

Saturday, July 28, 2018

A Very English Scandal Is An Overly Hurried But Well-Acted TV Series

A Very English Scandal is...good, but it's one of those pop culture properties I found myself wishing I liked more. It's got a whole bunch of stuff I absolutely love in it, namely actors Ben Whishaw & Hugh Grant, unbelievable true stories and stories about LGBTQA+ individuals, but the resulting end product is more agreeable than unforgettable. Before delving into why exactly that's the case, allow me to first clarify what exactly the scandal of A Very English Scandal is. Back in the early 1960's, Jeremy Thorpe (Hugh Grant) was a high-profile member of the British Parliament when he carried out an extended sexual and romantic relationship with Norman Scott (Ben Whishaw), one that came to a heated end before the 60's themselves wrapped up.


Wednesday, June 6, 2018

Trust Me, The First Season of Trust Has Pacing Problems But Also Has Excellent Performances

In the grand tradition of Armageddon & Deep Impact and Volcano & Dante's Peak comes two rival projects about the J. Paul Getty III kidnapping, the newest instance of Hollywood inadvertently releasing two pieces of high-profile media that cover the same general topic. The first of these entities arrived in the form of a Ridley Scott directed movie called All The Money In The World and was released this past December. It was a pretty good thriller that got a lot of mileage out of a great performance by Michelle Williams and placing a heavy focus on her character's perspective as she tries to navigate a high-stakes hostage situation.

Thursday, May 24, 2018

Season Two of A Series of Unfortunate Events Excels In Production Design But Struggles With Tone

Heading into he ten-episode long season two of Series of Unfortunate Events, my big question for this TV show was how they would juggle the programs previously established heavily comedic tone with the darker books they were about to adapt. Just like Harry Potter, those Series of Unfortunate Events books got more complex and bleak as they went on and trying to merge that aesthetic with the joke-heavy Wes Anderson meets Tim Burton style of the show was gonna be a tricky proposition. Interestingly, having now seen the entire second season (which took me nearly two months to complete because I'm the worst binge watcher ever), I'm not sure if they did fully succeed in organically merging the two tones of these individual properties, but they did manage to make an entertaining second season nonetheless.

Thursday, May 17, 2018

The Richly Written First Season of Barry Is Incredible

SPOILERS FOR THE FIRST SEASON OF BARRY FOLLOW 

Back in 2014, Bill Hader got to prove his dramatic acting chops in the high-quality film The Skeleton Twins. An excellent dramedy also starring Kristen Wiig, Hader delivered a terrific performance that redefined what I thought he was capable of as an actor. Nearly four years later, Hader's got another sublime dramatic performance to reinforce his versatility as a performer, and even better, it's a completely different character than the one he portrayed in The Skeleton Twins. The character is Barry, the star of the HBO comedy Barry. Who is Barry? Well, he's a hitman, a former Marine and...that's about it. Barry doesn't have anything to his life beyond just being a guy who kills people, his Uncle Fuches (Stephen Root) makes sure of that.


Monday, April 2, 2018

Real-Life Murders Are Used As A Starting Point For The Assassination of Gianni Versace To Explore The Humanity of The Downtrodden

MASSIVE SPOILERS FOR American Crime Story: The Assassination of Gianni Versace AHEAD

Making a follow-up to anything that garners a high level of acclaim is a daunting prospect, especially when the project you're following up is the first season of American Crime Story, The People v. O.J. Simpson. A recreation of the O.J. Simpson murder trial, this was a ten-episode long season that took a trial everyone across the planet knew about and made it feel fresh & new, especially when it explored elements like the pressure put on Marcia Clark during the trial and examining the systemic racism against African-Americans that was affecting the proceedings. Thoughtful, compelling, packed with tremendous performances, this was top-notch television. The only problem for the creators of the show was figuring out where they could go in a subsequent season of American Crime Story that wouldn't feel like a letdown in quality to the average viewer.


Monday, November 20, 2017

Sunday, October 1, 2017

Inhumans Is A Total Calamity, A Nightmare For Comic Book Fans And General Viewers Alike

If the Inhumans TV show refuses to give Lockjaw screentime, I'll help this pooch out
and make him the header image of my review for the first two episodes of this Inhumans TV show!
So who exactly is Inhumans aimed at? I'm not just producing this question because I despised it and that means nobody else could ever like it, I'm producing this question because it seems like it was produced from the ground up to both irritate comic book geeks and confuse newbies. Those well-versed in the mythology of these Inhumans characters form their half-a-century of appearances in various Marvel comics will be befuddled at how all the stylized elements of these characters have been tossed away in the name of budget constraints and replaced with thoroughly boring storytelling. Meanwhile, the world of the Inhumans and especially the superpowers of individual characters are so poorly explained that I can't imagine someone who isn't already familiar with the Inhumans being able to follow along.

Friday, September 15, 2017

Give The Orville And Its Tedious & Confused Take On The Final Frontier Some Space

Even hearing for months on end that The Orville as a TV show had a more serious tone than its heavily comedic ads would suggest didn't prepare me for what a tonally odd creation it is. It's trying to actually be a new straight-up science-fiction program that heavily homages Star Trek to a fault but it's also one with recurring comedic elements that just don't work at all. If the attempt here was to make something either as comedically strong as Ted or as thoughtful & exciting as the best elements of Star Trek, then the folks behind The Orville have miscalculated greatly and wound up with a science-fiction equivalent to Seth MacFarlane's major movie misfire A Million Ways To Die In The West.


Wednesday, September 13, 2017

The Fourth Season of Bojack Horseman Aims High And Hits An Emotionally Devastating Bullseye

MASSIVE SPOILERS FOR BOJACK HORSEMAN SEASON 4 AHEAD 
"Time's arrow marches ever forward"


This axiom gets repeated quite frequently throughout the fourth season of Bojack Horseman, a season of television that may just be the best season yet in an absolutely phenomenal program. It's obvious what it means (the future is unavoidable) but its recurring usage throughout the 12 episodes of Bojack Horseman's fourth season demonstrate how much the concept of time plays in the overall season. The past, the present and the future all collide frequently through Bojack Horseman's fourth season, resulting in storytelling that, even considering this shows meditative qualities, totally took me by surprise in the absolute best way possible.

Sunday, August 27, 2017

The First Half Of The First Season Of The Tick Is A Surprisingly Funny And Enjoyable Affair

It isn't just in your local multiplex that superheroes have become a recurring presence, the boob tube is also an entertainment locale where superheroes can be found in heavy doses. Each of the five major networks, save for CBS, have at least one superhero show on their airwaves while all sorts of cable networks have their own superhero TV shows. Some of these programs, in order to fit into the smaller budgeted nature of TV shows, are deconstructions of superheroes focusing on normal people, like NBC's Powerless or the Playstation Network's one stab at original programming Powers. The Tick is kind of sort of being made in that storytelling mold but its savvy knowledge of superhero tropes is used more for good-natured rib poking than outright mockery. Plus, it's refreshingly not at all ashamed of embracing the sillier aspects of superheroes, one of a number of positive elements of this program.

Sunday, August 20, 2017

The Defenders Is Way More Tedious Than It Should Be. At Least Jessica Jones Is Around.

MASSIVE SPOILERS AHEAD Y'ALL

And so we come to the culmination of that original pact Marvel Television made with Netflix, the one that stated Marvel's TV arm would provide the streaming service with 13-episode long seasons of four different superhero shows and then all of those individual superheroes would meet up in an 8-episode long miniseries The Defenders (the original plan has now expanded to accommodate additional seasons of each of the shows as well as a Punisher spin-off). That original plan got off to a great start with the first seasons of Daredevil and especially Jessica Jones, but since then the Marvel/Netflix stuff has been heavily flawed in quality (at best) and The Defenders continues the more middle-of-the-road artistic trajectory of the recent fare created by this collaboration.

Thursday, August 17, 2017

Atypical's Brief Moments Of Promise Are Overshadowed By Lazy And Stereotypical Writing

For a TV show whose very title places an enormous emphasis on being unique, Atypical is a tragically conventional show in nearly every respect. Risks of any kind are kept to a minimum on this program and the positive qualities are even more sparse. It's the kind of TV show that struck can go eight episodes (each running from 29-37 minutes in length) without really carving out its own distinct identity or making its characters interesting or even just delivering some solid jokes. Worst of all, it ends up falling prey to some of the most egregious flaws found in typical American pop culture portrayals of people on the Autism spectrum.

Wednesday, August 16, 2017

The First Episodes For The New Ducktales Show Feel Rushed But Also Have A Sense Of Fun To Them

We're only a few years into this recent trend of bringing back popular TV shows from years past (Full House, Mystery Science Theater 3000, the upcoming Will & Grace continuation) and yet I'm still shocked it took Disney this long to get a reboot of Ducktales going. The companies so focused on enhancing and continuing their brand names, you'd think something with an ardent fan base that stars some of the companies most popular characters would have gotten a rejiggering eons ago. Well, here we are anyway, with a new version of Ducktales that looks to captivate new generations of kiddos just as the original Ducktales became a perennial staple of my generation's childhood.


Sunday, August 13, 2017

The First Season Of Ozark Is A Plodding Disaster

What a strange creature Ozark is. I spent a little over ten whole hours watching the entire first season of this tv show and looking over the entire show, one thing becomes clear above all else; this program is a mess. Not the kind of mess that results from being too ambitious and flying too close to the sun, no, this is the lazy kind of mess where it's obvious the producers and writers behind this show were just looking at all the various trends cropping up in American television dramas (namely, following the white male anti-hero protagonist model Breaking Bad and Mad Men popularized) and smushed them into one program. The result is something as derivative as it is muddled since it seems to miss any chance to acquire the sort of depth that made the far better shows it's clearly influenced by so, well, great.

Friday, June 23, 2017

The Third Season Of Fargo Offers Dark Themes, Bold Storytelling And Loads Of Memorable Performances

MASSIVE SPOILERS FOR FARGO SEASON THREE AHEAD

Noah Hawley is an ambitious man, ain't he? Three years ago, he voyaged into the creatively perilous world of TV show adaptations of movies by making a TV show out of the 1996 movie Fargo and created something utterly fantastic in the process. For the second season of that program, he brought the proceedings to the 1970's, widened the scope and managed to deliver something even better than that first season. Just earlier this year, Hawley was the creative head on another FX drama called Legion that managed to fully embrace trippy storytelling and created maybe the best superhero TV show of all-time in the process.

Friday, April 21, 2017

There Plenty Of Murder, Incredible Performances And Riveting Writing In The Amazing Second Season Of Fargo

MASSIVE SPOILERS FOR FARGO SEASON TWO WITHIN

Noah Hawley pulled off one impressive magic trick with the first season of Fargo, managing to create the rare TV show based on a movie that not only wasn't hot garbage but was also a great piece of television in its own right. The main question hovering over my mind as I began to watch the second season of Fargo was whether or not Hawley could keep up this level of quality established in the first season, a task near impossible in my mind. Well, uh, he did just that. Fargo Season Two is even better than the first season and a sprawling masterpiece that somehow manages to balance a bevy of plotlines and coalesce them into something constantly riveting.

Saturday, April 15, 2017

You Betcha That The First Season Of Fargo Is An Outstanding Piece Of Television!

TV shows based on movies don't exactly have the best track record, when you stop to think about it. As a kid, I watched loads of kids programs based on classic Disney animated movies that couldn't hold a candle to the feature films they were leaning heavily on (The Emperor's New School is totally a thing that existed at one point in time for reasons no one can fathom) and many others in this genre (such as last year's heavily derided Rush Hour TV show) have similarly failed to gain traction. But no subgenre of storytelling is inherently flawed and you've got still got programs like M*A*S*H that people adore.

Thursday, March 2, 2017

True Detective Season One Review

Early on in the first season of True Detective, Martin Hart (Woody Harrelson) tells his homicide detective partner Rust Cohle (Matthew McConaughey) to be way of applying too much of a story to a crime scene early on in the investigation since you could begin to warp the crime scene to fit your narrative. Turns out, though, Rust's early intuition was a solid indicator for what kind of narrative was behind a vile murder that left a naked women tied up with antlers surrounded by various tiny wooden objects said to ward off the devil. Of course, it takes Rust a while to figure out that he's onto something, with the narrative that unfolds from the investigation he and Martin undergo managing to impact both men's lives in profound ways.