"Everybody's got a story" sounds like the kind of corny thing you might find inscribed on a wooden book trinket in a Cracker Barrell, but honestly, it is the truth isn't it? Everybody's living their own individual lives, going about their business as they try to do the best they can. Sometimes their stories have triumphs, sometimes they have grand defeats while most days they just have days filled with normalcy as one page of their flips to the next. And when we all manage to interact, sometimes in small ways, sometimes in more overt ways, our individual stories manage to briefly intersect and impact each other.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label December 2016. Show all posts
Showing posts with label December 2016. Show all posts
Sunday, February 5, 2017
Monday, January 16, 2017
Patriot's Day Is Brought To You Courtesy Of the Red, White And Blue...And Messy Screenwriting
Peter Berg's track record as a director has more loop-de-loops than a rickety o'l rollercoaster. Hancock had a solid first half that deteriorated into a forgettable second half, Battleship was a complete misfire, Lone Survivor I barely even remember apart from thinking it wasn't very good but then there was last Fall's Deepwater Horizon, a taut, well-made disaster movie that actually showed some real craftsmanship in terms of creating tension on Berg's part. Was this a sign that he was finally becoming something more as a director, that o'l Peter Berg was about to really break out and become an auteur that would leave the shackles of Battleship and Hancock behind him?
Sunday, January 15, 2017
And No One Dared Disturb The Sound Of Silence
As a Christian, my biggest complaint with so-called faith-based Christian movies like God's Not Dead is...well, I don't just have one complaint with these atrocious movies, the worst of the bunch are pretty much top-to-bottom disasters. But in terms of complaints directly connected to my faith, these films claim to try to explore real-world struggles of Christianity but don't seem to exist in the real world. In an effort to be as squeaky-clean as possible, actual topics of hardship are rarely explored in these Christian films. More adult concepts are off-limits except for rare sequences like Kirk Cameron bashing in his porn-riddled computer in Fireproof and any of the tepid dramatic situations are easily resolved in a tidy little bow.
Tuesday, January 10, 2017
Hidden Figures Is A Total Charmer Of A Movie With A Strong Cast
When ya think about it for even a microsecond, the achievements in space exploration done by NASA truly are incredible, some of the best accomplishments done by our species in the 21st century. We've been probing heretofore unknown territories, truly going, to quote Star Trek, "where no man has gone before". Tragically, NASA has seen massive budget cuts and what not in the decades past but Hidden Figures takes place in an era where we were all invested in NASA on a patriotic level, where it's accomplishments were simultaneously demonstrations of what kind of glorious achievements our country could grasp.
Monday, January 9, 2017
Coping With Grief At A Young Age Is The Crux Of The Phenomenal A Monster Calls
Contemplating on A Monster Calls after seeing it, I've come to the conclusion that the film is most reminiscent in tone of atmosphere of pop culture like Charles M. Schulz Peanuts comic strip or Spike Jonze's 2009 motion picture Where The Wild Things Are, slices of storytelling that dare to look at adolescence in an uncompromising fashion in a dramatically compelling way. After all, childhood isn't a portion of one's life that's just filled with ceaseless joy and wonderment, it's rife with its own set of unique challenges and struggles. To quote a blonde-haired self-proclaimed genius from the funny pages: "People who get nostalgic about childhood were obviously never children." Much as we like to look back on childhood (like any part of our life that exists in the past) with rose-colored glasses, the reality of growing up as a youngster is much more emotionally complex and tumultuous.
Fences Sets The Stage For Strong Small-Scale Drama
Translating any storytelling medium to the confines of feature-length motion picture storytelling is going to come with its own set of challenges. Bringing books to the silver screen means you have to decide what material from the novel gets cut for the sake of brevity and what stays in while film adaptations of TV shows have to bring characters who typically work in only 22-44 storytelling environments and try and make them sustain as much as two whole hours of storytelling. Each of these forms of translation comes with its own set of challenges and the hurdles involved with bringing a stage play to the big screen as a movie are the ones Denzel Washington's newest directorial effort, Fences, faces.
Friday, January 6, 2017
Woah! Why Haven't More People Been Talking About The Intimate And Powerful Netflix Movie Blue Jay??
So far, Netflix's forays into the world feature films haven't been as successful as their TV shows and they've easily being overshadowed by Amazon's various box office and awards hits like Manchester By The Sea and Love & Friendship. But 2016 showed the company was capable of releasing some high-quality feature films such as The 13th (one of the year's best movies) and now Blue Jay helps solidify the idea that Netflix may just get a handle on the motion picture side of the entertainment equation yet. I have no clue why Blue Jay hasn't garnered more attention but make no mistake, it's quite the gem of a motion picture.
Thursday, January 5, 2017
The Endearing If Overly Familiar Dangal Lacks Depth But Carries Its Fair Share Of Cheer-Worthy Moments
I'm personally woefully ignorant when it comes to Indian-originated cinema, so the chance to see Dangal (which looks to be well on its way to becoming the biggest Indian-based film ever at the U.S. box office) was a great chance to step out of my comfort zone and become more acquainted with one of the largest film industries on the planet. Doing some brief research before seeing Dangal, I was curious to discover the existence of Aamir Khan, an actor whose one of the most prolific actors in his home country and sets box office records left and right with each new movie he headlines. Discovering him and his career even just by way of looking at his IMDB filmography was fun and I'm curious to delve into his earlier work as well as plenty of other noteworthy slices of Indian cinema in the near future.
Wednesday, January 4, 2017
Passengers Is A Bumpy Ride
WARNING: Like Collateral Beauty from a few weeks ago, Passengers is a movie whose marketing has outright lied to audiences by concealing the actual plot of the movie its advertising. To talk about the movie in any way shape or form, I'll have to talk about very basic plot elements introduced from the get-go in the movie that are only spoilers because the ads for Passengers have concealed them from viewers. OK? Okee-dokee, onto the review!
It's nice that Passengers has a polished look to it in terms of production design. The spaceship the two lead characters inhabit is nicely brought to life by way of some solid looking sets and I enjoy that the various technological marvels to be found on the ship are treated in the same way Futurama and Star Wars treated their own futuristic gizmo's; as everyday nuisances, in the same way we might gripe about an iPad mildly malfunctioning despite such a device being unthinkable to exist even as late as a decade ago. That's a unique enough approach that also leads to some brief diversions into dark humor that I wish Passengers had utilized more instead of just dipping its toes into the waters of mildly dark humor two or three times.
It's nice that Passengers has a polished look to it in terms of production design. The spaceship the two lead characters inhabit is nicely brought to life by way of some solid looking sets and I enjoy that the various technological marvels to be found on the ship are treated in the same way Futurama and Star Wars treated their own futuristic gizmo's; as everyday nuisances, in the same way we might gripe about an iPad mildly malfunctioning despite such a device being unthinkable to exist even as late as a decade ago. That's a unique enough approach that also leads to some brief diversions into dark humor that I wish Passengers had utilized more instead of just dipping its toes into the waters of mildly dark humor two or three times.
Saturday, December 31, 2016
Well, Add Assassin's Creed To The Ever Increasing Pile Of Underwhelming Video Game Movies
2016 was actually a pretty strong year for cinema as a whole, but good Lord, it was an outright disaster when it came to video game movies, a subgenre that just can't catch a break. The Angry Birds Movie may have made coin at the box office (a rare occurrence for a video game movie) but it was absolute garbage while Warcraft was a shockingly low-quality and borderline incoherent effort from a director as good as Duncan Jones. I didn't even see that Ratchet & Clank movie that came and went in a flash in April 2016, but word-of-mouth on it was dismal and I've encountered people who actually saw it who scarcely can believe it actually came out as recently as just this past Spring.
Wednesday, December 28, 2016
Sing Needs A Tune-Up
The highest piece of praise I can offer Sing is that it's the best motion picture created by Illumination Entertainment since the very first Despicable Me movie back in 2010. But considering that in the six year span since the first Despicable Me they've only made the likes of Hop, that forgettable Lorax movie, two middling Despicable Me follow-ups and this summer's blah The Secret Life Of Pets, that's not a high bar to clear. Even worse, taken on its own merits, Sing is just an average, inoffensive but extremely unmemorable kind of movie, one without much of anything in the way of a distinctive identity to lodge it into ones mind once the credits begin to roll.
Monday, December 26, 2016
Manchester By The Sea Explores How Human Beings Can Go On Carrying Immense Sorrow
To carry pain in one's heart is to be human. Our own experiences in life begin and end with regret, no matter how fruitful or unsuccessful our lives turn out to be. It's always the unsatisfactory moments in our own lives that preoccupy our minds. One's sleeping patterns can easily be disrupted by contemplating the simple ways a person could have substantially improved their own life. We've all got our own emotional baggage stemming from the past to work out, and so, Manchester By The Sea, feels very much an emotionally universal project, one that is fully pivoted upon this thematically rich concept. What follows is quite excellent in the way it deftly handles some tricky subject matter without coming across as exploitative or manipulative. It honestly, above all else, feels true.
Thursday, December 22, 2016
Office Christmas Party Is A Big Waste In Every Respect
Simply by the virtue of having so many strong comedic actors in one place at one time, you'd think Office Christmas Party would have to at least be mildly amusing right? You've got some strong Saturday Night Live cast members (Kate McKinnon and the underrated Vanessa Bayer), up-and-coming actors (Jamie Chung, Sam Richardson and Karan Soni) and some established veterans of the comedy world (Jason Bateman and T.J. Miller) all trying to pull off a raunchy Yuletide-themed party. Shouldn't that be enough to generate an at least agreeable comedy?
In The Middle Of History Being Made, There Is A Human Being Like Jackie At The Center Of It
It's important to keep in mind that, during any major historical event, the people involved in any given monumental world-changing situation are human beings, just like you and me. It's easy to forget that, but pieces of pop culture like Hamilton are excellent reminders that individuals that have obtained mythic status in our history textbooks were just as human and vulnerable as you or me. Jackie is a movie that very much keeps this in mind as it explores the psyche of one of the most famous First Ladies ever to grace the White House; Jackie Kennedy. A woman plagued by tragedy throughout so much of her life.
Wednesday, December 21, 2016
A More Polished Look Can't Compensate For The Forest's Massive Lack Of Scares
While The Devil Inside was far from the first horror movie to debut in January or even on the first weekend of that month, its massive $33.7 million opening meant the first weekend of January was now a hot spot for subsequent horror movies like Texas Chainsaw 3D, Paranormal Activity: The Marked Ones and The Woman In Black 2: Angel Of Death to make their debuts in this specific timeframe in hopes of replicating that 2012 horror films box office success. Debuting on January 8th this year (technically the second weekend of January but still very much an early January release), The Forest was 2016's entry in this new phenomenon as well as the very first wide release of the entire year.
Tuesday, December 20, 2016
La La Land Explores The Costs Of Reality By Way Of Stylized Musical Numbers
In our dreams, anything is possible. You can go anywhere, you can be with anyone, you can do anything. In its own way, musicals are akin to dreams in that the stylized nature of these productions allows for an "anything goes" approach for storytelling to make the frequent action of bursting into song feel acceptable. Events like The Paris Uprising Of 1832, the psyche of felines or even the life of Alexander Hamilton can all become easy fodder for musical theater, all told with a heightened guise that allows the musical aspect of these productions to truly flourish. After all, just because you're telling a somber tale doesn't mean you can't use a musical number to express a characters emotions (just look at how enduring opera has been through the centuries).
The Hollars Is An Excruciatingly Bad Parody Of Conventional American Indie Movies That...Wait, This Isn't A Parody???
When something tries to be personal in a very un-personal (for lack of a better word) way, the resulting experience is the very definition of "awkward". Trying to watch a person or a story or even just some manufactured item try to be something it's very plainly not is extremely uncomfortable to witness. That emotion basically sums up watching The Hollars, a movie that tries to tell a small-scale story of a dysfunctional family coming back together during a time of crisis very much wants to pluck at your heartstrings and make you laugh with the various quirks of the numerous family members, but it's trying to tell this potentially personal story in the most bland and generic way. None of it has any depth or real insight to it, it very much is the awkward experience of watching a movie try to be something it's not.
Saturday, December 17, 2016
Collateral Beauty Aims To Be Uplifting And Ends Up Being Only Extremely Disturbing
THIS REVIEW CONTAINS SPOILERS ONLY IN THE SENSE THAT THE ACTUAL PLOT OF COLLATERAL BEAUTY, WHICH IS REVEALED SUPER EARLY ON IN THE MOVIE, HAS BEEN HIDDEN BY THE MARKETING.
I have no idea what was running through the minds behind the people in charge of the screenplay and initial concept for Collateral Beauty, but good Lord, but I can only assume they had some disturbing thoughts rattling around in their cranium that could only be worked out by way of writing up a script that dressed up its creepy and disturbing plot in the guise of an inspirational feel-good weepy drama. That's the only reasonable explanation I can concoct for what Collateral Beauty even exists, because if human beings actually thought this was gonna work as a straightforward inspirational drama, well, they're very optimistic, I'll give them that.
I have no idea what was running through the minds behind the people in charge of the screenplay and initial concept for Collateral Beauty, but good Lord, but I can only assume they had some disturbing thoughts rattling around in their cranium that could only be worked out by way of writing up a script that dressed up its creepy and disturbing plot in the guise of an inspirational feel-good weepy drama. That's the only reasonable explanation I can concoct for what Collateral Beauty even exists, because if human beings actually thought this was gonna work as a straightforward inspirational drama, well, they're very optimistic, I'll give them that.
Dear God, What Hath The Ice Age Series Become With Its Newest Movie, Collision Course?
We've all changed since 2002 in profound ways. For instance, back in 2002, I was a kindergartner obsessed with superheroes and animated Disney movies....and now I'm a 20 year old obsessed with superheroes and animated Disney movies. And back in 2002, Ice Age was actually a really movie, one that I revisited earlier this year and was surprised to find held up exceedingly well. It's got a darker edge and a more emotional center to it that the numerous sequels seriously lack in. It's a pity that, over a period of 14 years, we've gone from that strong 2002 animated feature to....whatever the hell you wanna call its newest sequel, Ice Age: Collision Course.
Friday, December 16, 2016
Rogue One May Carry A Darker Tone Than Past Star Wars Movies But It's Got The Same Rousing Spirit As The Best Of Its Predeccesors
With The Force Awakens reigniting the Star Wars saga last year, now comes time for the next stage of Disney's massive plans for the Star Wars franchise; seeing if they can do stand-alone spin-off movies without either confusing audiences or burning them off of Star Wars by way of subpar quality. The first of these spin-off films is Gareth Edwards Rogue One, a motion picture designed to answer the question that a handful of super hardcore Star Wars geeks may have briefly pondered once or twice over the years before moving on: "Who exactly got those Death Star plans to Leia?" The answer lies within the running time of Rogue One, wherein we get to see the folks behind the intrepid mission to retrieve the Death Star plans as well as plenty of exploration as to what the galaxy was like before Luke Skywalker's adventure in the original Star Wars movie began.
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