The Manchurian Candidate (2004) Updates The Original Movie For Better and For Worse

SPOILERS FOR BOTH VERSIONS OF THE MANCHURIAN CANDIDATE AHEAD

Raymond Shaw (Liev Schreiber) is a hero. That's what everyone says. Responsible for saving the lives of nearly everybody in his platoon back in the early 1990s, Shaw has gone from being a legendary veteran to a potential Vice-President candidate. His former superior, Major Bennett Marco (Denzel Washington) spends his days prevailing people with tales of Shaw's courage. But what if the truth wasn't what it seemed? Recurring dreams that Marco and Shaw keep having indicate that maybe something else happened to Marco and Shaw's team on that fateful day on the battlefield. Maybe their minds were altered as part of a larger global conspiracy...and maybe that conspiracy has grisly plans for supposed hero Shaw.

Before Sunset Is Top-of-The-Line Romantic Drama Cinema

It took me six years, but I've finally watched all three of Richard Linklater's Before movies. I inadvertently decided to watch these in an order that is guaranteed to understandably make many people's skin crawl as I first watched Before Midnight in its initial theatrical back in July 2013 before finally getting around to Before Sunrise just last August and then finally coming around to Before Sunset on Valentine's Day 2019. This wasn't my long-game attempt to create some kind of Machete Order for viewing these three movies, it was merely my inability to watch the original two movies before seeing Before Midnight combined with me taking forever to get around to watching its two predecessors. 

Van Helsing Was Putting Universal Monsters Into Boring Blockbusters Long Before Tom Cruise's The Mummy Showed Up

Don't you hate it when a movie has an excellent opening scene and then everything that comes after it is just crummy? It's like chowing down on a delectable appetizer prior to being served rotten meat as your proper meal, the already substandard main course gets its awfulness hammered home by coming hot off the heels of the delicious appetizer you just scarfed down. That's what happens with Van Helsing, which opens with a black-and-white sequence that feels like Universal Monsters Fan-Fiction come to life as Dracula (Richard Roxburgh) plots to use a new monstrous creation of Victor Frankenstein for his own wicked devices, a plan that Frankenstein's Monster (Shuler Hensley) does not particularly care for. This results in the monster grabbing the corpse of his now deceased "father" and running to a windmill that is promptly set on fire, resulting in the apparent death of the creature much to Dracula's anger.

Kill Bill Slays Thanks To Thoughtfully Realized Characters And Uma Thurman's Formidable Lead Performance

In retrospect, it's nuts that Quentin Tarantino had a whopping six years separating the release of his third film, Jackie Brown, and his fourth film, Kill Bill (which was split into two individual movies upon its initial release). In every part of his career, Tarantino has only taken three or four years maximum in between projects, but then again, he hasn't really done anything as large in scale as the expansive Kill Bill saga in the rest of his filmography, perhaps that extensive break between films was necessary for him to properly prepare for a motion picture of this magnitude. Whether that's true or not, that extensive wait was totally worth it as Kill Bill is a terrific feature that gathers up depth as it goes along like a snowball picking up snow as it travels down a snow-covered mountainside.

In Sharp Contrast To It's Predecessor, Ocean's Twelve Is a More Monotonous Kind of Heist

Ocean's Eleven made so much money at the box office that it might as well have been the haul the lead characters managed to grab after a successful heist. With all that dough in the bank, it was inevitable that a sequel would arise. Interestingly, for the follow-up project entitled Ocean's Twelve, the decision has been made to make this a direct sequel to Ocean's Eleven that basically starts off right where its predecessor left off and, instead of having everyone get away scott free after pulling off a heist, the guy who they robbed in the first film, Terry Benedict (Andy Garcia), is looking to get every penny back that the eleven main characters of the first film stole from him.

Step Into The Ring With An Emotionally Powerful Feature Like Million Dollar Baby

Ever since Rocky delivered knockout box officer numbers over forty years ago, the boxing drama subgenre has been a prominent fixture of cinema all over the world. It's one that's reliable both in terms of drawing a crowd for studio and plucking at the heartstring of audiences. Plenty of duds exist in this cinematic niche (remember Southpaw or Grudge Match?), but when done well, like with Creed, the creative apex of this entire subgenre, there's really nothing quite like it. Clint Eastwood's 2004 directorial effort Million Dollar Baby is no Creed, but few movies are. Positive marks are in order for a movie like this one that rides on traditional storytelling to mask how crafty it is at knowing just when to strategically get the viewer wrapped up in a blanket made of emotions.

The Punisher Is So Lacking In Creativity Even John Travolta Phones It In As A Mob Boss

Over the course of a 19 year period, we got three different Punisher movies, none of them direct continuations of each other. Instead, we got a trio of attempts to launch a series of movies based on this Marvel Comics character, none of which left all that much of an impact, especially compared to how well-received Jon Bernthal's take on the character on the Daredevil TV show was. The second of these three Punisher movies is the 2004 film by Johnathan Hensleigh, simply called The Punisher, which is one of only two movies (along with that 2005 Man-Thing film that ended up becoming a TV movie) to emerge from an extensive deal Marvel made with now-defunct movie studio Artisan Entertainment to turn various Marvel characters into various pop culture properties.

When It Comes To Creating A Top-Notch Crime Thriller, Collateral Is A Real Beauty

Tom Cruise, like fellow late 20th-century movie star Will Smith, seems to be stuck in a rut in the current stages of his career that see's him just trying to do one type of role in one type of movie (lead heroes in blockbusters) as a way to keep his career going when in fact his fame used to come from doing all sorts of different types of roles in a wide variety of genres. In fact, looking over his pre-2005 meltdown, starred in non-action films by filmmakers like Paul Thomas Anderson, Oliver Stone and Stanley freaking Kubrick while his three best 21st-century action blockbuster movies (Minority Report, War Of The Worlds and Edge Of Tomorrow) have him inhabiting more interesting and complicated individuals rather than the generic leads in recent fare like Jack Reacher, Oblivion, and The Mummy.

Eternal Sunshine Of The Spotless Mind Can Only Be Described As Beautiful, Profound And....Nice

A lot has happened in the past six months for me but perhaps one of the most formative things that have transpired is that my opinion of Jim Carrey as an actor has been completely altered by watching movies like I Love You, Phillip Morris, The Truman Show and now Eternal Sunshine Of The Spotless Mind for the first time. Carrey is a truly talented individual with an incredible amount of range and I'd wager no other motion picture (despite Morris and Truman Show containing some top-notch work from Carrey) so eloquently shows off the level of talent Carrey is capable of commanding as Eternal Sunshine Of The Spotless Mind, a 2004 Michel Gondry effort that's really...well, something else.

Spider-Man 2 Review (Classic Write-Up)

Every summer blockbuster sequel wants to be The Empire Strikes Back. After all, that was one of the first major summer blockbuster follow-ups of its kind in a post-Jaws/Star Wars/Superman: The Movie world and it's still regarded today as the best film in the entire Star Wars saga. What many take away from the artistic success of The Empire Strikes Back is that it was solely the darker elements of the story that made it good. Thus, ya get a lot of summer blockbusters that tweak the color grading to harsher colors and toss in a lot of violence in order to become the next Empire Strikes Back. But that specific element is not what made that Irvin Kershner film so beloved. It was the fact that Empire Strikes Back dove deeper into its characters psyche, tested them, put them in new more morally complex situations that challenged them and the audience. Oh, and it was also well-made, full of fun action, Yoda was an incredible creation from his first line of dialogue onward, ya get the idea.

Catwoman Review (Classic Write-Up)

In many superhero origin movies, there's that moment where our protagonist decides to finally fight crime and fulfill their potential as a superhero. Remember when Peter Parker realized he could have stopped the mugger that murdered his Uncle? Or when Tony Stark realized the consequences of his actions of selling weapons? Or when Scott Lang was offered the chance to become a better man by the kindly Hank Pym? All emotionally resonant sequences that emphasize who our lead is and why they're going down the path of superheroics. Catwoman also has a scene like this. After giving herself a major makeover, our hero, Patience Phillips (Halle Berry), hops onto a motorcycle, speeds around her city and then stops at a jewelry store to gaze at a necklace that has caught her fancy.

The Village Review (Classic Write-Up)

SPOILERS FOR THE VILLAGE AHEAD

If the life of filmmaker M. Night Shyamalan were ever adapted into a cheesy documentary, the point in his career when The Village was released would be when the music would get tense and the narrator would intone "And that's when things (dramatic pause) went wrong.". Prior to the release of this movie, Shyamalan had three back-to-back-to-back critical hits and two of those films became box office phenomenon's. It seemed as if the guy could no wrong...until this 2004 feature came along and tossed the director into a decade-long artistic downturn that finally got reversed with last fall's sleeper hit The Visit.

Saw Review (Classic Write-Up)

For a good chunk of the first decade of the 21st century, Saw had a firm grip on the realm of horror in pop culture. It's immense success spawned a number of imitators in the "torture horror" niche, namely the Hostel and Collector franchises. Such a subgenre faded almost as soon as it arrived, with the far cheaper to execute (no pun intended) found footage and supernatural horror fare managing to be the scary king of the multiplex in the years since the franchise concluded. And despite how prominent the franchise was for six years, there's been surprisingly little clamor for it to be rebooted or return to theaters, with the only attempt to wring more cash out of the franchise in recent years, a 10th Anniversary theatrical re-release of this first Saw film, bombing spectacularly last year.

Box Office Analysis: The Only Thing More Eternal Than Death And Taxes? Hollywoods Love Of Horror Sequels

The Purge: Anarchy hit 2800 theaters this past weekend and was by far the highest grossing of the weekends three new releases. Sure, it didn't break any records, or even beat out it's predecessor, but it got better reviews from both critics and audiences and was only $5.7 million behind the first movie. Plus, Universal and Blumhouse Productions have already tripled their budget for the film (it cost $9 million). Obviously, this is a win for both studios and I expect The Purg3 to hit theaters next July.

Franchise Frenzy: Hellboy

In a recent Reddit AMA (that stands for Ask Me Anything), one of my favorite directors of all-time, Guillermo Del Toro, finally threw in the towel. He finally admitted Hellboy 3 wasn't happening. The reason wasn't for lack of trying, oh goodness no. The problem was that no studio was willing to finance the project, which required a massive budget to depict the apocalyptic scenarios that occured in Del Toro's proposed story for it.

Franchise Frenzy: The Lion King

I Ain't Lion...That First Movies Still Amazing (The Sequels? Weeellllll.....)

Gives ya chills, don't it?

Disney is pretty much the reason why I love not only the art of animation, but cinema in general. Their movies were ones I rewatched endlessly, to the point where even today even the mention of key words like "necessities" and "world" are likely to cause me to burst into a Disney song. One of my favorites of the bunch was easily The Lion King, a movie released only a year and a half before I was born, and (something I didn't realize until I actually started writing this article) one that came out twenty years ago this week. Who can believe it's been twenty years since moviegoers were enthralled by the Circle of Life? Even today, the movie has a tremendous presence in pop culture, to the point where a new sequel TV series entitled The Lion Guard was announced last week.

Box Office Analysis: The Problem With DreamWorks

Poor little Toothless probably won't be so happy
when Shareholders start getting mad at DreamWorks this week

This weekend, the excellent feature How To Train Your Dragon 2 was released to glowing reviews, eleven months of promotion and a cinema landscape that hadn't seen a CGI animated movie in two months (I'll forget Legends of Oz even existed due to that one being unable to hit $8 million) And yet, it only made $50 million at the box office, way below my $72 million predictions and far beneath most other animated releases that debuted in the month of June. At least it managed to beat its predecessors opening weekend, unlike fellow quality DreamWorks sequel Kung Fu Panda 2, although that's slight comfort for the company that I'm sure will be badgered by jittery stockholders this week by this performance.

The List!!!: Five Great Animated Sequels

In The List!!!, I do a list that just reeks of being click-bait, analyzing a particular topic or subject that pertains to something major occurring in pop-culture. This week, in honor of How To Train Your Dragon 2, I take a look at five great animated sequels.