Van Helsing Was Putting Universal Monsters Into Boring Blockbusters Long Before Tom Cruise's The Mummy Showed Up

Don't you hate it when a movie has an excellent opening scene and then everything that comes after it is just crummy? It's like chowing down on a delectable appetizer prior to being served rotten meat as your proper meal, the already substandard main course gets its awfulness hammered home by coming hot off the heels of the delicious appetizer you just scarfed down. That's what happens with Van Helsing, which opens with a black-and-white sequence that feels like Universal Monsters Fan-Fiction come to life as Dracula (Richard Roxburgh) plots to use a new monstrous creation of Victor Frankenstein for his own wicked devices, a plan that Frankenstein's Monster (Shuler Hensley) does not particularly care for. This results in the monster grabbing the corpse of his now deceased "father" and running to a windmill that is promptly set on fire, resulting in the apparent death of the creature much to Dracula's anger.

Prepared To Be Floored By The Mesmerizing Romance And Unique Spirit Of Moulin Rouge!

I wonder what it must have been like to be on the set of Moulin Rouge!, being directed by Baz Luhrmann and trying to make sense of what he was crafting here. The dude had made two films prior to Moulin Rouge!, and while I haven't seen those two initial features from Luhrmann, it's pretty clear they aren't exact copies of the incredibly one-of-a-kind aesthetic that Moulin Rouge! is reliant on, one that is very much informed by elements that get added into a movie during its post-production like editing. One can't help but ponder what was going on in the actor's minds as they acted out scenes that were going to have their own unique rhythm and pacing that could only be fully appreciated once the movie was fully completed.