Ready Player One Is, For Better And For Worse, A Traditional Action Blockbuster

After a whole decade of being absent from the realm of American blockbuster cinema, director Steven Spielberg returns to the genre he helped bring into existence with Ready Player One, an adaptation of a 2011 novel penned by Ernest Cline. Given just what a tremendous track record Spielberg has with blockbuster fare (I'd personally say his only two real misses in that subgenre would be Temple of Doom and The Lost World), the idea of him returning to rollicking escapism science-fiction blockbusters sounds like a winning prospect, though the excerpts I've read from the Ready Player One book (which, for full context, I've never read in full) did make the source material he was adapting seem more creepy than exciting, thus diluting my excitement for this newest Spielberg fetaure immensely.

Relying Solely On One-Note Gags Being Run Into The Ground Is A Bad Move For Game Over Man!

Workaholics is a television program that ran for seven seasons on Comedy Central, with it's run garnering high levels of critical acclaim. A large number of my friends adore the show and especially enjoyed the performances from the three lead actors on it. Having not seen the program myself, I can not offer my own two cents on Workaholics, I can only say that everyone I've spoken to that has seen it loves the show and its trio of leads. I bring up the positive reception garnered by Workaholics among my friends and colleagues because the new movie, entitled Game Over, Man!, it's three lead actors have starred in and wrote is absolutely awful and I always feel gross just writing wall-to-wall negativity. Making movies is a hard process, as is the process of landing any kind of acting work, so some notes of positive reception towards other pieces of art stemming from the people behind Game Over, Man! feels in order.

A Futile And Stupid Gesture Is Tragically Messy And Middling

The prospect of David Wain, the man behind Wet Hot American Summer, doing a movie chronicling the rise of National Lampoon and how that impacted one of its creators, Doug Kenney, is one that sounds oh so promising in theory, especially since one would think Wain affinity for stylized humor would mean that it'd be impossible for such a film to feel like a typical Hollywood biopic. Unfortunately, that very same film, entitled A Futile And Stupid Gesture, does indeed end up suffering from feeling too routine, a word one usually doesn't think of when discussing David Wain's work, but here we are.

Death Wish Is An Ineptly Made As It's Lead Performance Is Dreadful

I can think of numerous ways you could remake Death Wish as an entertaining movie in 2018, but the actual Death Wish remake we got from director Eli Roth earlier this month is the complete opposite of the best way to approach remaking this 1974 action film. The premise for this new take on Death Wish is set in modern-day Chicago with Paul Kersey (Bruce Willis) as a doctor who lives a happy life with his family consisting of wife Lucy (Elisabeth Shue) and a daughter, Jordan (Camila Morrone), who is about to head off to college. Paul's chef character flaw in the eyes of the movie is him being a sissy, as demonstrated by him not only refusing to beat up a foul-mouthed attendant at his daughter's soccer game but also letting his wife stand up for him in this argument. What a loser! 

Unsane Is Another High-Quality Thriller Effort From Director Steven Soderbergh (SPOILERS WITHIN!)

MASSIVE SPOILERS FOR UNSANE BELOW

While I mentioned in my review of The Informant! that a number of Steven Soderbergh's most famous movies revolve around comedic crime capers, for me personally, I think my favorite Soderbergh mode might be when he decides to go into the thriller genre. He's made a number of forays into this genre in this decade, specifically, Contagion in 2011, a terrific sweeping look at how a disease affects numerous different individuals and Side Effects in 2013, a twisty-turny thriller with great performances from Jude Law and Rooney Mara. The newest example of how good Steven Soderbergh is when he's working in the world of thrillers is the motion picture Unsane.

Top Gun May Have The Need For Speed, But It Also Needed Some Energy And Fun

1984's Risky Business was what put Tom Cruise on the map, but two years later, his position on that map as a movie star of note was cemented with Top Gun. A box office and pop culture phenomenon that's still impacting cinema to this day, Top Gun was the film that solidified the kind of crowdpleaser action blockbusters that Tom Cruise is still most famous for headlining in the modern-day world. But is there more to this Tony Scott directed movie than just a popular Kenny Loggins song? Sadly, in my viewpoint after watching this one for the first time, there really isn't. Top Gun is instead one of those hugely influential movies that's far worse than the motion pictures it ended up influencing.

The Marx Brothers Are Delivering Constant Quack-Up's In The Excellent Comedy Duck Soup

One interesting thing about watching all of these classic movies for the first time is getting to go do research and see how these films were received in their original release compared to their modern-day reputation. Duck Soup, like fellow 1930's comedy classic Bringing Up Baby, is one of those motion pictures that received mixed reception in its initial release before later gaining higher marks. But back when it came out in 1933, Duck Soup was seen as a lesser effort from the Marx brothers and also failed to make all that much money at the box office. Of course, today Duck Soup is regarded as one of the best pieces of cinematic comedy ever made and for good reason, the film is absolutely hysterical.

Robots And Monsters Fighting Aren't Enough To Keep Pacific Rim: Uprising From Being Underwhelming

I loved the first Pacific Rim from 2013. I know some didn't care for it because they thought it was too goofy or messy, but I thought it worked like gangbusters. Guillermo Del Toro's ode to the monster movies that shaped his entire cinematic sensibility was full of lovingly rendered awe-inspiring imagery and an uplifting message of unity that resonated deeply with me. The prospect of returning to this universe was a tantalizing one for me, especially since Del Toro publicly said he had plenty of ideas for follow-up stories in this universe. We've finally gotten a sequel in the form of Pacific Rim: Uprising, though not with Del Toro either writing or directing the project (he only produces) and boy does that make all the difference in the world in terms of quality.

Pacific Rim: Uprising Tops The Box Office With So-So Results While Sherlock Gnomes Is Left Clueless

Black Panther's reign at the top of the domestic box office came to a close this weekend as Pacific Rim: Uprising managed to be the number one movie in North America. With $28 million, this sequel was down 25% from the opening weekend of the first movie. That's a slightly better than usual retention for sequels coming more than three years after their predecessor, but it's still a disappointing bow for a big-budget blockbuster (for comparison sake, fellow March-released blockbuster Jack The Giant Slayer debuted to $27.2 million five years ago and was considered a massive bomb). The fact that it didn't go lower can be attributed to its distributor, Universal, going all-out with its marketing, including rampant ads during the Winter Olympics. This one took in $122 million overseas this weekend, a decent sum that still feels under expectations given how this project was made almost primarily for foreign audiences. With Ready Player One inbound and a B CinemaScore from audiences, expect Pacific Rim: Uprising to struggle to get past $70 million domestically.

The Informant! Show Matt Damon In Top Form But Steven Soderbergh Has Done Better

SPOILER ALERT 

Director Steven Soderbergh loves movies about criminals with some of his most famous works (namely, the trilogy of Ocean's Eleven movies or Out of Sight) exploring crooks in a light-hearted manner, while one of his most acclaimed dramas (Traffic) explores various avenues of criminal activity. His 2009 effort The Informant! falls in between these two groups of movies in terms of tone, there's a wry playfulness to this specific Soderbergh meditation on criminal activity, but it's also clearly supposed to be more contemplative about specific sociopolitical issues compared to his more jaunty explorations of law-breakers.

A Fantastic Woman Is A Fantastic Motion Picture

Hailing from director Sebastian Leilo, A Fantastic Woman is the most recent winner of the Best Foreign Language Film Academy Award, with its victory nearly a month ago cementing it as the first Chilena film in history to win that prestigious award. That put the motion picture and its star, Daniela Vega (who was also a presenter at this year's Oscars ceremony), on many people's radars. For those eager to know if A Fantastic Woman is indeed living up to the hype it's generated, I can say confidently that A Fantastic Woman (my first foray into the world of Chilean cinema) is indeed a great movie on its own terms.

Thoroughbreds Expertly Uses A Grim Tone And Great Performances To Make A Memorable Film

Something I've really liked seeing in recent movies about teenagers is interesting subversions of typical movie teenager stereotypes. I have no clue if this is accurate or not, but the past few years feel like they've been populated by movies about teenagers made by adults who never get to see humanistic portraits of who they were as teenagers. This means numerous unique visions of the teenage existence have managed to come forth in recent years, many of them in the form of character-centric drama/comedy hybrids. Thoroughbreds is yet another entry in the canon of unique modern-day teenager-oriented fare, but it's a different animal tonally and in terms of what kind of themes & characters it wants to explore compared to its brethren.

The Hurricane Heist Is Nowhere Near As Much Fun As It Should Be

The trailer for The Hurricane Heist is a work of art. So cheesy it should come with a warning for the lactose intolerant, the trailer tosses out one gloriously cheesy line of dialogue after another at the viewer while being accompanied by the pulsating rhythm of The Scorpions Rock You Like A Hurricane. By the time the trailer concludes, right after it's seemingly ended, with massive on-screen text flying towards the screen talking about how much money the bank robbers have stolen, you'd be nuts to not have high hopes for what kind of lunacy the actual Hurricane Heist movie could deliver. Alas, this is one of those motion pictures that were better off as a trailer, way better in fact.

Jack Reacher: Never Go Back More Than Earns the Distinction of Being One of Tom Cruise's Most Tedious Movies

Jack Reacher: Never Go Back is the perfect movie for people who were chomping at the bit to see a Tom Cruise blockbuster worse than The Mummy. It's a total snoozefest for everyone else, one that can't even muster up enough competent fistfights to satiate action film junkies. This Edward Zwick directed project looks and acts like a USA Network TV movie that inexplicably managed to cast one of the biggest movie stars of all-time in its lead role. While I found the first Jack Reacher to be a mixed bag, that very same motion picture looks like a John Wick movie in comparison to this turkey of a sequel.

Game Night Is A Highly Enjoyable Comedy With An Outstanding Jesse Plemons Performance

Well now, Game Night is quite a surprise and a very funny surprise at that. Jason Bateman, after starring in a recent string of subpar live-action comedies like Office Christmas Party and Horrible Bosses 2 (though, to be fair, more unorthodox roles in the likes of Zootopia and The Gift have made excellent use of his many talents as an actor), has hit upon another winner here and he's not the only actor who works exceptionally well here, far from it. Before we dive into the specifics of which cast members excel and why, let's get the story of Game Story straight, which, like many comedies, wring humor out of plunging normal people into heightened circumstances.

Extravagance And Subtlety Go Hand-In-Hand In Love, Simon

Just as many movies about teenagers in the 1980's looked to John Hughes as their creative guiding light, 2010's movies about teenagers turn to John Green for inspiration. Not every single movie about teenagers is like this (The Edge of Seventeen, for instance, isn't really all that reminiscent of Green's works), but it's hard not to see how the author of books like The Fault In Our Stars has influenced modern-day media about the struggles of teenagers, especially in terms of how dialogue spoken by teenage characters is written. I wouldn't want every movie about teenagers to feel like it emerged from the shadow of John Green, but The Fault In Our Stars was an extremely well-done motion picture, so I say there are worse films that movies like Love, Simon could be emulating.

Black Panther Spends Fifth Week At The Top Of The Box Office While Tomb Raider Underwhelms, Love, Simon Does Solid Business And I Can Only Imagine Stuns

Nothing can stop Black Panther. The Marvel Studios mega-blockbuster was number one at the domestic box office for the fifth weekend in a row. Amazingly, this makes it only the second movie of the 21st century to remain at the top of the box office for five weeks straight, with Avatar being the only other 21st-century movie to accomplish such a feat (The Sixth Sense was the last movie prior to Avatar to be number one at the domestic box office for five weeks straight). Grossing $27 million this frame, Black Panther fell only 34% from last weekend and had the fourth biggest fifth weekend in history. Black Panther has now grossed $605.4 million domestically and should surpass the $623 million cume of The Avengers by next weekend to become the biggest Marvel Cinematic Universe movie and biggest superhero movie of all-time. Oh, and it's also got $577 million overseas for a $1.182 billion worldwide box office haul. Looks like Disney may just end up making some profit on this one...

Even By The Low Standards of Video Game Movies, Lara Croft: Tomb Raider Is A Boring Bust

Today, Alicia Vikander's new take on the character of Lara Croft debuts in theaters nationwide. I won't be able to see that new Tomb Raider movie for a few days, but for now, I can offer my two cents on the very first time Lara Croft came to the big screen back in June 2001. To this day, this feature, entitled Lara Croft: Tomb Raider, is still the biggest video game movie of all-time domestically and it's hard to say if anything in the near future will be able to usurp it for that title. Even in among the dismal pantheon of video game movies, Lara Croft: Tomb Raider is a particularly tedious motion picture that manages to make Prince of Persia: Sands of Time look like some kind of masterpiece by comparison.

It's No Mystery Why The Thin Man Is So Entertaining When It's Lead Performances Are So Enjoyable

My first thought after finishing my first ever viewing of the 1934 thriller The Thin Man was "Wow, what an enjoyable film!". My second thought after finishing my first ever viewing of the 1934 thriller The Thin Man was "Thank God Johnny Depp never got to star in a remake of this." Depp was slated to play the lead character of these Thin Man movies Nick Charles in a Rob Marshall directed motion picture back in 2011/2012 and good gravy, that just sounds like a disaster waiting to happen. Just imagine Mortdecai waltzing around in the 1930's solving crimes while wearing an assortment of funny hats and making goo-goo eyes at an actress at least twenty years younger than him. Jesus Christ, I'm almost certain that's what his Thin Man movie would have ended up as.

The Painless But Messy LEGO Ninjago Movie Needed to Show More Discipline In It's Storytelling

Walt Disney once said "For every laugh, there should be a tear." A large swath of modern animated family movies have taken that axiom to hear, particularly the films made by PIXAR which frequently leave adults sobbing as much, if not more so, than their young offspring. The LEGO Ninjago Movie is an example of taking this saying too far, an odd occurrence given how well the other two LEGO movies (The LEGO Movie and The LEGO Batman Movie) were at deftly mixing wacky humor with heart. But that's just happened, as this feature film adaptation of the LEGO Ninjago toys shoves far too many badly-executed attempts at tugging on the heartstrings into its story.