Kiss Me Deadly Is A Fascinating Reflection of 1955 American Society

By the time Kiss Me Deadly was released in May 1955, audiences were ready for a slightly new approach to the beloved film noir genre. A staple of 1940's American cinema, film noirs continued to get made well into the 1950s and beyond, but like any genre that endures throughout numerous decades, it had to also evolve along the way. For Kiss Me Deadly, a directorial effort from Robert Aldrich, this meant embracing a slightly darker tone than the already grim aesthetic of conventional film noirs. Though the restrictions of the Hayes Code meant that Kiss Me Deadly couldn't get too grim, the feature would still have a bit more edge and teeth than audiences in this era might have been expecting.

Go On An Endlessly Charming Holiday With Katharine Hepburn And Cary Grant

Just like musicals, superhero movies, Muppet movies and documentaries about classic cinema legends, Katharine Hepburn and Cary Grant movies just make me ever so happy. Few actors have ever had such rich chemistry as these two, Grant and Hepburn just had such a natural rhythm together that made the sight of them doing something as simple as exchanging small-talk a riveting sight to behold. Best of all, their dynamics didn't leave Hepburn on the side as an object for Grant to covet, in the likes of The Philadelphia Story and Bringing Up Baby, Hepburn gets to go toe-to-toe with and even overpower Geant in their interactions, which is just perfect for a performer like Hepburn whose got spunk for days.

The Big Sleep Is Yet Another Excellent Humphery Bogart Noir Feature

I felt an immense sense of relief to learn, after watching The Big Sleep for the first time, that the plot is considered by many to be a tad hard to make out. I thought I had missed something while watching the film, maybe a crucial line that clarified the whole story, but it turns out that even some of those responsible for the feature would be the first to admit that certain plot points (like who was behind the murder of a driver) don't get resolved. But this is one of those times where something like a convoluted plot that might be a debilitating problem in another movie actually works in the favor of The Big Sleep as it helps make the larger conspiracy that detective Phillip Marlowe (Humphery Bogart) has found himself inadvertently caught up in feel wide-spanning and makes it seem like the odds are truly up against Marlowe.

Harold And Maude Uses Dark Comedy In Service Of A Soulful Exploration Of Its Lead Characters

In the vein of Bringing Up Baby and Citizen Kane, Harold and Maude was not well-liked upon its initial theatrical release. Critics and audiences alike were puzzled by this movie and it's easy to see why, this is certainly a strange movie, one with an unorthodox sense of humor that may not be for everyone. But just like those two aforementioned classics, Harold and Maude has managed to endure throughout the decades and hasn't just become an acclaimed classic but also a motion picture that holds a special place in the hearts of countless people. Count me in as one of those people because Hal Ashby's 1971 directorial effort is an outstanding piece of work with a macabre sense of humor and a thoughtful heart.

The Philadelphia Story Is A Total Delight, Especially In Its Excellent Ending

I'm officially head over heels for Katharine Hepburn as an actor. There's so much to love about Hepburn as a performer, but perhaps best of all about her is her assured nature. Whether she's depicting her character in a sorrowful mood or making it clear that her character feels radiant, Hepburn conveys a self-possessed quality in her performances that's truly thrilling to watch. Getting to watch her excel in a screwball comedy like Bringing Up Baby was already such a treat and her work in The Philadelphia Story is similarly top-notch stuff. Her work here is truly exceptional on its own merits while watching her rub shoulders with the likes of Jimmy Stewart and Cary Grant adds another layer of delightfulness to the proceedings.

His Girl Friday Is A Charming Screwball Comedy Up Until Its Crummy Ending

Though there are a large amount of comedy sequels out there, especially in the modern-day cinematic landscape, for much of history, when a comedy has ended up being successful, Hollywood's de riguer was to simply assemble the leading actor of that comedy and possibly also it's direct and have them pair off again for another separate adventure that was similar in tone and style to what had come before it. Thus, Howard Hawks & Cary Grant re-teamed for another screwball comedy called His Girl Friday in 1940 after their 1938 effort Bringing Up Baby, which didn't perform as well at the box office as producers wanted but it had definitely proved that Hawks & Grant were a combo that worked well together.

The Marx Brothers Are Delivering Constant Quack-Up's In The Excellent Comedy Duck Soup

One interesting thing about watching all of these classic movies for the first time is getting to go do research and see how these films were received in their original release compared to their modern-day reputation. Duck Soup, like fellow 1930's comedy classic Bringing Up Baby, is one of those motion pictures that received mixed reception in its initial release before later gaining higher marks. But back when it came out in 1933, Duck Soup was seen as a lesser effort from the Marx brothers and also failed to make all that much money at the box office. Of course, today Duck Soup is regarded as one of the best pieces of cinematic comedy ever made and for good reason, the film is absolutely hysterical.