For their third directorial effort, The Coen Brothers (though only Joel Coen is credited as a director) returned to the crime genre that has served them well so many times in their expansive careers. For this particular take on the crime movie formula, they decided to go in the direction of a period piece, setting the tale in the 1920's specifically. Despite being set in the era where the sale of alcohol was banned, the film, entitled Miller's Crossing, was actually taking more cues in its tone and style from 1940's noir features, particularly ones like The Big Sleep involving a single lead character trying to use their wits to make a whole bunch of other peoples agendas work in his favor.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Burn After Reading. Show all posts
Showing posts with label Burn After Reading. Show all posts
Saturday, November 17, 2018
Miller's Crossing Is Another Early Coen Brothers Winner
Wednesday, May 23, 2018
Blood Simple Is A Sublime Inaugural Directorial Effort For The Coen Brothers
Though Blood Simple may be the very first feature-film directorial effort from The Coen Brothers (like all their earliest works, only Joel Coen is credited due to DGA regulations), this movies does not come off as some sort of watered-down version of the duo's later filmmaking. There's already a noticeably assured hand behind the camera that brings to life a Texas-set noir with real flourish. To boot, it's interesting to note how Blood Simple feels like a combination of two of the Coen Brothers best works that would arrive more than two decades after Blood Simple arrived into theaters. Specifically, Blood Simple combines the grim Southern crime aesthetic of No Country For Old Men with the inexperienced criminals getting out of their element aspect of Burn After Reading.
Saturday, March 24, 2018
The Informant! Show Matt Damon In Top Form But Steven Soderbergh Has Done Better
SPOILER ALERT
Director Steven Soderbergh loves movies about criminals with some of his most famous works (namely, the trilogy of Ocean's Eleven movies or Out of Sight) exploring crooks in a light-hearted manner, while one of his most acclaimed dramas (Traffic) explores various avenues of criminal activity. His 2009 effort The Informant! falls in between these two groups of movies in terms of tone, there's a wry playfulness to this specific Soderbergh meditation on criminal activity, but it's also clearly supposed to be more contemplative about specific sociopolitical issues compared to his more jaunty explorations of law-breakers.
Director Steven Soderbergh loves movies about criminals with some of his most famous works (namely, the trilogy of Ocean's Eleven movies or Out of Sight) exploring crooks in a light-hearted manner, while one of his most acclaimed dramas (Traffic) explores various avenues of criminal activity. His 2009 effort The Informant! falls in between these two groups of movies in terms of tone, there's a wry playfulness to this specific Soderbergh meditation on criminal activity, but it's also clearly supposed to be more contemplative about specific sociopolitical issues compared to his more jaunty explorations of law-breakers.
Monday, October 30, 2017
Mindbogglingly Middling Mob Movie Mars Suburbicon
So this is the part of the review where I'd normally recap the plot of the movie I'm reviewing but for Suburbicon, that seems like a momentous task simply given that concisely recapping the plot proper of this George Clooney directed feature film is a little difficult given how all-over-the-place the story of Suburbicon actually is. But I'm never one to shy away from a challenge, so lemme give this a go. The motion picture starts with an African-American family moving into Suburbicon, a supposedly idyllic suburban paradise, in the year 1959 much to the intense anger of their white neighbors, who sign petitions to get the new neighbors kicked out and yell & scream outside the families house each night.
Saturday, October 14, 2017
American Made Has Tom Cruise Doing Strong Work In Committing 1980's Debauchery
My yearning for Tom Cruise to do more non-blockbuster work has been heightened by seeing him in American Made, which has Cruise delivering one of his better performances in a while as Barry Seal (Tom Cruise), an airline pilot who passes time in his mundane life by smuggling certain everyday items across the border for those willing to pay up for such items. He's caught in the act by a CIA agent known as Schafer (Domhnall Gleeson) who offers Barry the chance to use both his piloting skills and his yearning for a more exciting life by piloting a plane that can take photos of the bases of operations for Communist insurgents located South of the American border.
Labels:
1970's,
1980's,
American Made,
Burn After Reading,
Domhnall Gleeson,
Doug Lim,
Gary Spinelli,
Jesse Plemons,
Movie Review,
Pain & Gain,
September 2017,
The Wolf of Wall Street,
Tom Cruise
Thursday, October 30, 2014
The Next Coen Brothers Movie Has A 2016 Release Date!
Whether it's through True Grit, Inside Llewyn Davis, Burn After Reading or the incomparable No Country For Old Men, Joel and Ethan Coen have been an unstoppable directing duo in the 21st century after breaking through in the 90's with the likes of Fargo and The Big Lebowski. The duo will have a new movie called Hail Caesar! out soon, with a cast that includes Josh Brolin, George Clooney, Scarlett Johansson, Ralph Fiennes, Channing Tatum and Jonah Hill.
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