If you’re watching a Steven Soderbergh movie, it’s
likely gonna have a burning contempt for the wealthy. That's been an especially notable fixture in his most recent cinematic works, even the one psychological thriller he did in 2018. There also might be heist
movie elements, though there are plenty of titles in his filmography (like
Contagion) devoid of influences of that genre. Still, there are a number of
entries in Soderbergh’s canon that do manage to combine those two central thematic elements,
with one such example being his 1997 motion picture Out of Sight.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Out of Sight. Show all posts
Showing posts with label Out of Sight. Show all posts
Sunday, December 8, 2019
Out of Sight Is Another Steven Soderbergh Crime Movie Winner
Saturday, March 24, 2018
The Informant! Show Matt Damon In Top Form But Steven Soderbergh Has Done Better
SPOILER ALERT
Director Steven Soderbergh loves movies about criminals with some of his most famous works (namely, the trilogy of Ocean's Eleven movies or Out of Sight) exploring crooks in a light-hearted manner, while one of his most acclaimed dramas (Traffic) explores various avenues of criminal activity. His 2009 effort The Informant! falls in between these two groups of movies in terms of tone, there's a wry playfulness to this specific Soderbergh meditation on criminal activity, but it's also clearly supposed to be more contemplative about specific sociopolitical issues compared to his more jaunty explorations of law-breakers.
Director Steven Soderbergh loves movies about criminals with some of his most famous works (namely, the trilogy of Ocean's Eleven movies or Out of Sight) exploring crooks in a light-hearted manner, while one of his most acclaimed dramas (Traffic) explores various avenues of criminal activity. His 2009 effort The Informant! falls in between these two groups of movies in terms of tone, there's a wry playfulness to this specific Soderbergh meditation on criminal activity, but it's also clearly supposed to be more contemplative about specific sociopolitical issues compared to his more jaunty explorations of law-breakers.
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