Showing posts with label May 2016. Show all posts
Showing posts with label May 2016. Show all posts

Wednesday, November 16, 2016

The Angry Birds Movie Is A Dream Come True For Marketers And Tedious For Everyone Else

One day, we'll get a good video game movie. Hell, we've gotten multiple high-quality movies using video game iconography like Scott Pilgrim vs. The World and Wreck-It Ralph. But as for direct film adaptations of video games? We're still not there yet. The Angry Birds Movie does nothing to reverse this trend, though its flaws aren't so much related to the failings of other video game movies as they are about this movie clearly trying to imitate conventional tropes of major American computer-animated family movies without understanding how to make these storytelling staples work in a remotely successful manner.

Friday, June 17, 2016

The Lobster Review

This summer has brought a deluge of sequels and an equally large (if not even greater in size) amount of online editorials decrying the amount of follow-ups crowding movie theaters. In a season where neighbors, X-Men and turtles proficient in the ways of being a ninja have returned for obligatory sequels, in comes The Lobster from Greece auteur Yorgos Lanthimos with a premise that's, well, it's unique, that's indisputable. The Lobster basically saunters into this sequel-heavy summer all decked out in a classy suit, a golden pocket watch clasped in its palm and whistling a cheery tune. In other words, The Lobster practically emanates confidence in its idiosyncratic nature.

Thursday, June 9, 2016

Love & Friendship Review

Let it not be said that Love & Friendship skimped on its shooting locations because the various locales that its large cast inhabit are mighty impressive. Ditto for the costumes of the movie, which are a colorful cavalcade of time period appropriate (the film takes place in the 18th century) outfits that are absolutely glorious, major kudos to costume designer Elmer Ni Mhaoldomhnaigh (who frequently works on notable European set projects like Calvary) for her stunning work here.


Tuesday, May 31, 2016

The Nice Guys Review

Ryan Gosling may be one of the most exceptional leading men in American cinema today. I say that without hesitation, namely due to the guys talent and his versatility, two traits that typically go hand-in-hand. Who else could play a Confident (with a capital C) expert on romance in Crazy, Stupid, Love, a mostly silent driver in Drive and a manic Wall Street heavyweight in The Big Short all with the same level of authenticity and major success? In the new Shane Black effort The Nice Guys, Gosling gets to flaunt his comedic muscles to noteworthy opulence. It's almost not fair to see one of the most chiseled good-looking dudes on the planet also reveal himself to be also be gifted in the areas of slapstick comedy and comedic timing. How'd this one guy get so lucky in his talents??

Monday, May 30, 2016

Alice Through The Looking Glass Review

A lot has changed in the six years since March 2010. Tablets, once considered a niche item that Apple was foolish to try and get in on, are now a cornerstone of the technology market. Dwayne Johnson has gone from the star of middling family movies to one of the biggest action movie stars  of our generation. And in that same span of time Alice In Wonderland has basically been forgotten, with its main source of fame being that it inspired Disney to greenlight other live-action remakes of classic animated Disney films that surpassed Alice in both critical reception and box office. It also doesn't help that since the first Alice movie Johnny Depp has gone from being a box office powerhouse to a drug-riddled wife abuser.

Friday, May 27, 2016

X-Men: Apocalypse Review

As the clouds loomed overhead, Erik Lensherr, A.K.A. Magneto (Michael Fassbender), took in the sights of his surroundings, an area he had not inhabited for so very long. This was Auschwitz, where he and his parents had been separated four decades ago. All of the memories of the pain come flooding into his body, the emotional turmoil that had eliminated any remaining affections he had carried for the human race. Standing amongst the ruins of where his entire life had been shattered by forces far more evil than any comic book supervillain, a weary Erik took in every sight, every sound of this domain. Standing directly behind him in this emotional moment are (among others) Olivia Munn in basically a purple swimsuit and Oscar Isaac splattered in blue paint.

Tuesday, May 24, 2016

The Meddler Review

Susan Sarandon, currently in her fifth straight decade of acting prominently in American cinema, may be one of the great underappreciated legends of Hollywood. Not only is there real versatility in the types of roles she typically plays (she's appeared in everything from George Miller & Ridley Scott dramas to two separate Lonely Island music videos), but it's also hard to think of a movie where she "phoned it in" if you will. Hell, even in garbage like Tammy she manages to score a laugh or two (though I freely admit I haven't seen critically reviled films where she only had a small role to work with like That's My Boy and The Big Wedding).

Friday, May 20, 2016

Green Room Review

You know all the hype you've heard about Green Room for the past month or two? All of that deafening praise surrounding the newest movie from director Jeremy Saulnier? Well, I'm here today to say all of that chitter-chatter was....more than well-earned. Yep, Green Room is indeed a superb thriller, one that's packed to the gills with bloody mayhem and strong screenwriting as well as a turn from Anton Yelchin that cemented him in my eyes as a more than viable leading man.

Wednesday, May 18, 2016

The Darkness Review

For every modern day horror movie like The VVitch, You're Next and It Follows that dares to upend conventions of the genre, you're bound to find hundreds of other horror movies like The Darkness that seemed to have fallen right off an assembly-line. Seemingly crafted for the sole purpose of being found on Netflix by horror movie junkies at 1 AM, these are the kind of films that drudge up cliche after cliche without even daring to dress up said tropes in a fancy get-up or even a modicum of craft. Honestly, The Darkness strikes me as so paint-by-numbers that I'm seriously shocked Blumhouse Productions went through all the trouble of giving it a theatrical release.

Sunday, May 15, 2016

Money Monster Review

In the last three months of 2015, American cinema delivered two great films that delved into the concept of financial hardship, something that has been on everyone's mind since the 2008 Financial Crisis that dove our country into a financial pit. The first of these two motion pictures was 99 Homes, a drama centering on Andrew Garfield as an everyman trying to keep his head above water by working with the very man who tossed him, his mother and his young son out of their own home. Three months after 99 Homes came The Big Short, which took an appropriately stylized look at the events leading up to the market crash that sent the economy into a downward spiral.

Wednesday, May 11, 2016

North By Northwest Review (Classic Write-Up)

It's practically become a custom for modern spy movies to incorporate the plot thread of a normal person (typically the lead character) getting wrapped up in spy shenanigans to sometimes humorous, other times dramatic, effect. Just look at offerings from 2010 onward like Cars 2, Killers, Bridge Of Spies, Argo, Abduction and (kinda) Salt. It's easy to see why this storytelling device is utilized frequently since it allows for the lead character to engage in high-concept spy going-ons while also being the type of everyday individual the audience can immediately relate to. Perhaps Alfred Hitchcock could be considered a "hipster" in this one case, since he was utilizing that plot scenario "before it was cool" way back in 1959 with his (rightfully) acclaimed motion picture North By Northwest.

Tuesday, March 29, 2016

Woody Allen's Next Movie, Cafe Society, To Open The Cannes Film Festival!

The Cannes Film Festival is a little over a month away and while which films are specifically during the high-profile event is still a hotly debated topic, we do now know which motion picture will be opening the prestigious occasion, and it's a director whose works have been a frequent participant at Cannes. The one and only Woody Allen will debut his next film, Cafe Society, at the festival as the opening film of the 2015 Cannes Film Festival on May 11th.