Showing posts with label FX. Show all posts
Showing posts with label FX. Show all posts

Wednesday, June 6, 2018

Trust Me, The First Season of Trust Has Pacing Problems But Also Has Excellent Performances

In the grand tradition of Armageddon & Deep Impact and Volcano & Dante's Peak comes two rival projects about the J. Paul Getty III kidnapping, the newest instance of Hollywood inadvertently releasing two pieces of high-profile media that cover the same general topic. The first of these entities arrived in the form of a Ridley Scott directed movie called All The Money In The World and was released this past December. It was a pretty good thriller that got a lot of mileage out of a great performance by Michelle Williams and placing a heavy focus on her character's perspective as she tries to navigate a high-stakes hostage situation.

Saturday, April 15, 2017

You Betcha That The First Season Of Fargo Is An Outstanding Piece Of Television!

TV shows based on movies don't exactly have the best track record, when you stop to think about it. As a kid, I watched loads of kids programs based on classic Disney animated movies that couldn't hold a candle to the feature films they were leaning heavily on (The Emperor's New School is totally a thing that existed at one point in time for reasons no one can fathom) and many others in this genre (such as last year's heavily derided Rush Hour TV show) have similarly failed to gain traction. But no subgenre of storytelling is inherently flawed and you've got still got programs like M*A*S*H that people adore.

Friday, April 8, 2016

"You Couldn't Get Away With This Plot Twist In An Airplane Paperback": A Look At The People v. O.J. Simpson: American Crime Story

By now, the level of hyperbolic praise slathered onto The People v. O.J. Simpson: American Crime Story from both critics and audiences has reached the level of inescapable. Allow me to toss in my voice to such a chorus of rapturous commentary, because good Lord was this some excellently crafted television. Ten straight episodes that managed to be a riveting crime thriller in their own context and a fascinating rumination on race and gender related hardships. Sure, we all knew when we first strapped in for the first episode of this show exactly how it would end, but did any of us know The People v. O.J. Simpson was going to be this exemplary in every sense of the word?