With In Bruges, Director Martin McDonagh Made A Phenomenal Foul-Mouth First Foray Into Helming Feature Films

SPOILERS FOR IN BRUGES AHEAD

Something I just discovered about director Martin McDonagh, the man behind Three Billboards Outside Ebbing, Missouri and Seven Psychopaths, is that he's been primarily a man of theatre in his writing/directing career. He did about a decade of consistent work in the world of plays that was showered with acclaim and Tony award nominations before deciding to direct his first feature film, 2008's In Bruges. Directing motion pictures may have been unfamiliar terrain for McDonagh, but the process of directing, in general, was not and his experience with directing plays likely informed the assured hand that guides the one-of-a-kind nature of In Bruges to such exceptional success.

An Inability To Be More Introspective Hinders Darkest Hour Greatly

Winston Churchill certainly has been a popular figure in pop culture lately, hasn't he? The likes of Michael Gambon, Brian Cox and John Lithgow have all portrayed him in major roles on various film and television programs over the last two years. Add the Joe Wright-directed Darkest Hour as the newest piece of evidence that Winston Churchill is having a resurgence in his modern-day pop culture presence as Gary Oldman, with the aid of extensive makeup work, becomes the newest actor to portray this former British Prime Minister who played a crucial role in a number of events during World War II.

A Quiet Passion Certainly Makes Its Voice Heard By Way of Being Emotionally Engaging

Though I'd heard some positive buzz floating around for it over the last year, A Quiet Passion had flown right under my radar during its theatrical release. Luckily, I managed to catch up on it a few days back and very early on in this movie's runtime, a sequence occurs that managed to convince me that I was about to watch something special. The scene in question depicts Edward Dickinson (Keith Carradine) and his three children, one of whom was famous poet Emily Dickinson, pose for a photograph. The camera positions each of these four people in the middle of the shot and stands back a ways before slowly pulling in. As the camera gets closer and closer to Edward and his siblings, their faces begin to morph into older versions of themselves, with the offspring of Edward Dickinson gradually transforming from children to adults, all of it occurring in a single uninterrupted shot.

Douglas Laman Gets A Tune-Up (Entry #6): The Clash by The Clash

DOUGLAS LAMAN GETS A TUNE-UP

ENTRY #6: The Clash by The Clash

Douglas Laman Gets A Tune-Up is a series of essays wherein Douglas Laman listens to an album of music he's never fully listened to before (though he may have heard one or two songs from it) and writes up his brief thoughts on it. 

Rock n' roll has taken on many different forms over the years, with each generation bringing something new to the table in terms of thematic content and instrumental composition that differentiates themselves from the past. But in its many forms, there's always been one common thread linking the various incarnations of rock n' roll; rebellion. From the time rock n' roll as we know it really took off in the mid-20th century, the artform has been always known as something meant to raise a middle finger to authority and provide an outlet for frustration at conventionality, structure and all other things that listeners felt were hindering their full potential.

Good Actors Get Saddled With Bizarre Tonal Shifts In Trespass Against Us

You would think combining Michael Fassbender with Brendan Gleeson would result in pure cinematic bliss, right? These two are great actors, surely pairing them up could only end up making something awesome! Oh, I would have thought that too about a year ago, but last December brought these two European actors together for the first time in that utterly forgettable Assassin's Creed movie. Their second collaboration, the crime thriller Trespass Against Us, is better than that video game movie dud but it's still a mixed bag of a film that still can't quite live up to the sort of quality a Fassbender/Gleeson movie really should obtain given the two's track record.

I Swear To Cod, Salmon Fishing In The Yemen Is An Incredibly Tedious Movie

Like Cameron Crowe's 2011 movie We Bought A Zoo, Salmon Fishing In The Yemen received a lot of online-based rib-poking based on its unorthodox animal-based title. It's a mouthful for sure and I'd imagine they'd have likely just called it Gone Fishin' if that wasn't already the title of a 1997 Joe Pesci/Danny Glover comedy everybody has long forgotten about. But, this is the title it was dealt with and at least it didn't prevent it from getting a Golden Globe Best Picture nod, though unfortunately for this movie in regards to my review, it's lengthy title is at the very bottom of the complaints I have with this overly tedious feature.

"Take Me Home...T2: Trainspotting....To The Place...I Beloooooong...."

The track record of long-delayed follow-ups to highly beloved pop culture properties isn't exactly littered with tons of success stories. Two notable examples of this trend came in 2013, when Arrested Development came back with a narratively ambitious new season that was OK but not quite as successful as its initial seasons while Anchorman 2 reunited Ron Burgundy with his news team for occasionally humorous but mostly just scattered antics. I'd imagine director Danny Boyle knew about this trend going into the making of T2: Trainspotting, a follow-up to the 1996 film Trainspotting, and if he did, he'd likely be happy to know that T2: Trainspotting is a massive departure from that trend in that it's a worthy follow-up to the original movie.

Before He Had The High Ground, Ewan McGregor Was Doing Tremendous Acting In The Bleak Classic Trainspotting

Little did avid moviegoers in the 1990's realize how many of the movies they were watching from then unknown filmmakers would turn out to be the start of careers that would forever change the face of cinema. The early part of this decade had the likes of Richard Linklater, Kevin Smith and Quentin Tarantino all leap onto the silver screen and immediately leave their mark on the artform they loved in a way that is still being felt and influencing new filmmakers today. Lest you think all the early films from soon-to-be prolific filmmakers were limited to the early days of this decade, one of the middle years of this decade (1996) delivered the first movie from Wes Anderson and the second feature film from one Danny Boyle.