Godzilla: King of the Monsters Is More of a Pauper Among Modern Monster Movies

The greatest enemy Godzilla can never seem to defeat is not King Ghidorah nor Biollante nor Baragon. No, it's boring human characters, even the rightfully iconic 1954 Godzilla movie that introduced the world to this gigantic lizard couldn't evade the problem of having the majority of its human characters be dull. Why they don't just let Godzilla and the other monsters take the spotlight in these movies, I'll never know, but here we go again with Godzilla: King of the Monsters, which ramps up the amount of monster mayhem compared to Godzilla (2014) but ends up devoting way too much screentime to an overstuffed cast of disposable humans.

Just Try Not To Be Beaming Throughout Happy-Go-Lucky

SPOILERS FOR HAPPY-GO-LUCKY FOLLOW

Happy-Go-Lucky feels like an interesting precursor to the pair of Paddington films that its leading lady, Sally Hawkins, would go on to appear in, in that both the Paddington films and Happy-Go-Lucky are British features centered on protagonists who are upbeat and kind to everyone in the far harsher world around them. Hawkins, unlike in the Paddington movies, get to be that chipper lead character in Happy-Go-Lucky, which is entirely focused on a schoolteacher named Poppy and if you've seen Hawkins in any movie besides Godzilla (where she was bizarrely relegated to an almost dialogue-free part as Ken Watanabe's generic assistant), you know she's got more than enough talent to pull off such a role with finesse.

Prepare For Oodles of Laughs And Kindness, Paddington 2 Is Here!

This perception (which is, as so many pieces of entertainment from decades past can attest, is far from new) that films or tv shows aimed at children must be as loud, grating and hip as possible to attract their attention is a thoroughly insulting concept, especially in regards to children themselves. Yes, there are programs that fit such a bill that kids like but it's not the only way to create pieces of pop culture that youngsters enjoy. The first Paddington movie, about a small bear from Peru who goes to London to live with a human family, from three years ago threw off the shackles of default family entertainment and embraced with, charm and an infectious sense of sweetness instead. The result was something shockingly enjoyable that succeeded as much as a comedy as it did as a family movie.

Water You Waiting For? Go See The Thoughtful And Engrossing Romantic Monster Movie Drama The Shape of Water

Fairy tales have always been used to impart larger ideas regarding the societies they originated in within the confines of something palatable to the general public and Guillermo Del Toro, a fellow whose filmography clearly indicates a love for fairy tales, has used his movies that are heavily informed by fairy tales of old as ways to explore all kinds of weighty ideas or societally relevant concepts. The Devil's Backbone is ostensibly a ghost story but it's also a tale of how people show off their true selves in times of war while his project most explicitly evocative of fairy tales, Pan's Labyrinth, is set in the real world conflict of the Spanish Civil War. Even his movies about robot and monsters punching each other takes time to demonstrate how walls dividing countries only create more problems, a concept that's become all the more relevant as the years go by.

Maudie Is As Sweet And Lovely As A Well-Done Painting

Art can be such a wonderful escape from the real world. This is by no means a novel concept in the world of storytelling but there's a reason it keeps cropping up so frequently, it really just resonates with people and helps get at the very crux of why we, as a species, have been creating art for so many years now. Since the dawn of time, we've used art as a way to momentarily escape our own surroundings in a healthy and enriching way. I know that's been true for myself personally and a bunch of other people in my life, so why shouldn't it be a recurring template for storytelling, including as a plot point in the new drama Maudie?

Paddington Is A Charming Tale With Wit And Heart To Spare

Well, color me more than a tad bit surprised that Paddington is an out-and-out charmer of a movie! What looked like yet another Alvin And The Chipmunks knock-off in its marketing turned out to be something genuinely special, a sweet tale exploring the experience of a foreign individual trying to adapt to the customs and culture of a new country. Unlike, say, Million Dollar Arm or something, the fellow whose actually trying to adjust to unfamiliar surroundings is the lead of this particular story, meaning we, the audience, get to really dive into how such an experience would affect a persons psyche.