Late Night Is A Solid Comedy With an Outstanding Emma Thompson Performance

One of my all-time favorite books is The War for Late Night by Bill Carter, a 2010 book chronicling the events leading up to, during and after the whole early 2010 fiasco involving Jay Leno, Conan O'Brien and The Tonight Show. Lots of great anecdotes about the various American late night shows hosts in that tome including extensive descriptions about what it's like to work for David Letterman. One such description had unnamed employees of his note that Letterman was a distant comic driven by anger and frustration in his work, but whenever he began to verbally beat himself up in front of his staff, they would immediately wish he'd redirect that anger unto them rather than continue to drag himself.

The Spectacular Feature Sense & Sensibility is a Great Example of Using Big-Name Talent Right

Ang Lee is not content to do just one type of movie. The filmography of this Oscar-winning filmmaker spans all kinds of movies inhabiting a variety of genres and exploring different scopes of storytelling. Sometimes he goes small and intimate, other times he does sweeping visual effects heavy allegorical exercises and other times still he does a Marvel Comics superhero movie that explores the long-term effects of parental abuse. Ang Lee goes in such bold directions as a filmmaker that even a more lackluster film like Billy Lynn's Long Halftime Walk has individual elements one can admire. No wonder then that pairing this kind of filmmaker with a collection of top-notch British actors and one of the most acclaimed works by Jane Austen resulted in a truly special film.

The Meyerowitz Stories Is One Of Noah Baumbach's Strongest Efforts Yet As A Director

The fact that the plural version of the word story is utilized in the title of the new Noah Baumbach movie The Meyerowitz Stories should indicate to the average viewer that this one film contains multiple different tales it plans to tell. All of the assorted plotlines follow the Meyerowitz family, a group of assorted artists at differing stages of life. The member of this family most prominent in the film itself is Danny Meyerowitz (Adam Sandler), a piano player whose going through a divorce and also dealing with his 18-year-old daughter leaving home for college. Meanwhile, his half-brother, wealthy accountant Matthew Meyerowitz (Ben Stiller), is coming up from Los Angeles to sell their dads home.

THAR BE GOLD IN THEM STARS: Treasure Planet (Lovefest Entry #2)

Lovefest is an annual tradition done by the Dissolve community wherein people do extensive reviews and defenses of movies they love that have garnered a more negative public reception. This year, Douglas Laman decided to take a look at the 2002 Ron Clement and John Musker movie Treasure Planet.

At this point, the canon of films made by Walt Disney Animation Studios is so dense (it contain 56 films as of this writing) that you’ve got all kinds of different types of movies in regards to how much success they had. You’ve got your out-and-out hits (Frozen, The Lion King, The Jungle Book), you’ve got your bombs that got reappraised as classics (Fantasia and Sleeping Beauty) and then you’ve got your features that bombed but developed a cult following over the years. Hercules and The Emperor’s New Groove most certainly belong in this category as does (to a far lesser degree) the subject of this Lovefest review, Treasure Planet.

Disney's Live-Action Beauty And The Beast Is Overly Derivative Of The Original Animated Classic But Is Still An Entertaining Musical Romp

This new live-action take on Beauty And The Beast is an oddball little movie. It wants to be so much like the original 1991 animated classic its remaking, yet it also wants to be a more quasi-realistic take on the source material. That sense of realism also rubs up against its desire to be a big splashy over-the-top musical in some spots. When it just goes for being a straightforward fairy tale (not unlike the tone set forth in Jean Cocteau's 1946 take on this tale as old as time), it actually works fine. When it's trying to figure out how to ground things in realism while also being overly slavishly faithful to the original movie, well, that's when problems emerge.

The Fundamentals Of Caring Review

Ben (Paul Rudd) could really use some cash. In an effort to get some financial stability in his life, Ben decides to take a six-week course to become a guardian for someone with physical disabilities. The individual he gets paired up with turns out to be Trevor (Craig Roberts), a foul-mouthed British 20 year-old with muscular dystrophy. Trevor has a strict adherence to his routine, which entirely entails him staying in his living room sans a brief weekly trip to the park on Thursdays. In an effort to get him out of his comfort zone and see the greater world, Ben decides to take Trevor to see various tourist attractions (all revolving around the concept of being "The World's Biggest", i.e. The World's Biggest Cow) that the dude is obsessed with.