Technically, The Upside is a remake of a 2012 French movie entitled The Intouchables that, for a while there, became the biggest foreign-language movie of all-time at the worldwide box office. Given how successful it was, an American remake of that French feature was basically inevitable. Remakes have a negative stink about them, but like any genre, they can be good when executed properly. Just look at that seemingly pointless Child's Play remake that ended up being a delight. But in executing this remake of The Intouchables, given the title The Upside, director Neil Burger has delivered essentially a cornball TV
movie from the 1980s that somehow managed to show up in 2019 movie theaters.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Punch-Drunk Love. Show all posts
Showing posts with label Punch-Drunk Love. Show all posts
Tuesday, July 9, 2019
Sunday, October 15, 2017
The Meyerowitz Stories Is One Of Noah Baumbach's Strongest Efforts Yet As A Director
The fact that the plural version of the word story is utilized in the title of the new Noah Baumbach movie The Meyerowitz Stories should indicate to the average viewer that this one film contains multiple different tales it plans to tell. All of the assorted plotlines follow the Meyerowitz family, a group of assorted artists at differing stages of life. The member of this family most prominent in the film itself is Danny Meyerowitz (Adam Sandler), a piano player whose going through a divorce and also dealing with his 18-year-old daughter leaving home for college. Meanwhile, his half-brother, wealthy accountant Matthew Meyerowitz (Ben Stiller), is coming up from Los Angeles to sell their dads home.
Monday, September 29, 2014
The Crazy, Crazy, Crazy Trailer For Inherent Vice Is Here
I've only seen two films of Paul Thomas Anderson (I know, I know, I'm simply awful), The Master and Punch-Drunk Love. The Master I found to be a film I admired very much, especially the outstanding performances in it, but it kind of just left me cold overall. Punch-Drunk Love was actually pretty great, though I did feel it occasionally lacked focus. But man have I been anticipating his next movie, Inherent Vice, which just unleashed it's first trailer, which you can watch below.
Tuesday, July 22, 2014
So, I Was On Netflix: Punch-Drunk Love
Each Tuesday I review a film that can be found on Netflix Instant Streaming. This week, I take a gander at Adam Sandlers 2002 foray into the world of dramatic acting.
Me and Adam Sandler don't get along...at all. But I had constantly heard good things about his dramatic work, which he's dabbled in occasionally (he hasn't done that since 2009, but he is in two upcoming dramas that should be out sometime in 2014 or 2015) I was dubious, solely because the likes of Grown Ups 2 did not inspire confidence that this guy could do more than somehow con the likes of Shaquille O'Neal to appear in his flicks on a consistent basis.
Me and Adam Sandler don't get along...at all. But I had constantly heard good things about his dramatic work, which he's dabbled in occasionally (he hasn't done that since 2009, but he is in two upcoming dramas that should be out sometime in 2014 or 2015) I was dubious, solely because the likes of Grown Ups 2 did not inspire confidence that this guy could do more than somehow con the likes of Shaquille O'Neal to appear in his flicks on a consistent basis.
Labels:
2002,
2009,
Adam Sandler,
Cinematography,
Columbia Pictures,
Emily Watson,
Movie Review,
Paul Thomas Anderson,
Philip Seymour Hoffman,
Punch-Drunk Love,
Review,
Score,
So I Was On Netflix
Subscribe to:
Posts (Atom)



