If you’re watching a Steven Soderbergh movie, it’s
likely gonna have a burning contempt for the wealthy. That's been an especially notable fixture in his most recent cinematic works, even the one psychological thriller he did in 2018. There also might be heist
movie elements, though there are plenty of titles in his filmography (like
Contagion) devoid of influences of that genre. Still, there are a number of
entries in Soderbergh’s canon that do manage to combine those two central thematic elements,
with one such example being his 1997 motion picture Out of Sight.
