Ari Aster Delivers Another Slow-Burn Horror Winner With Midsommar

Much like how Jordan Peele made quite a different beast with Us compared to his directorial debut Get Out, director Ari Aster has similarly taken great pains to ensure that his second directorial effort, Midsommar, is different from his initial directorial debut, last years Hereditary. Whereas that 2018 Toni Collette horror film was a grim contemplation of the cycle of abuse that oozed dread in every frame, Midsommar is a more loosey-goosey laidback horror comedy set in Sweden that utilizes the broad plot outline and character types of The Wizard of Oz. Aster's penchant for not just resting on his laurels is already admirable and it only helps matters that, when just taken as its own horror movie, Midsommar is a chilling and unique feature.

Train to Busan Is A Poignant Ride You Won't Want To End

Our current golden age of horror movies doesn't just apply to American horror features like Get Out, A Quiet Place or Hereditary, plenty of recent pieces of foreign horror cinema have also contributed to the onslaught of modern-day high-quality horror fare. Among the very best of those horror films, foreign or otherwise, is Yeon Sang-ho's Train to Busan, a 2016 zombie tale that I finally got around to watching for the first time last week. I'll be forever kicking myself for not discovering this title far sooner. It's been so long since a movie left me so constantly holding my breath in sheer dread and terror. Why did I waste time watching CHiPS when I could have been experiencing Train to Busan??

Miller's Crossing Is Another Early Coen Brothers Winner

For their third directorial effort, The Coen Brothers (though only Joel Coen is credited as a director) returned to the crime genre that has served them well so many times in their expansive careers. For this particular take on the crime movie formula, they decided to go in the direction of a period piece, setting the tale in the 1920's specifically. Despite being set in the era where the sale of alcohol was banned, the film, entitled Miller's Crossing, was actually taking more cues in its tone and style from 1940's noir features, particularly ones like The Big Sleep involving a single lead character trying to use their wits to make a whole bunch of other peoples agendas work in his favor.

The Exorcist Set The Standard For Exorcism Horror Movies For Decades To Come For A Reason

In the last two years, horror films like Get Out, A Quiet Place and especially It have begun to receive the kind of gargantuan box office usually reserved, in the modern era, for massively expensive action blockbusters. It's an impressive achievement but it's far from the first time horror films have managed to secure towering levels of box office glory. In fact, back in 1973, The Exorcist experienced a domestic box office gross that stands at an outstanding $943.3 million when adjusted for inflation and has amassed well over $1 billion in 2018 dollars when factoring in two separate theatrical re-releases. The ninth biggest film of all-time at the domestic box office when adjusted for inflation petrified audiences all around the world back in the day and established exorcisms as a go-to source for scares in horror movies for decades to come.

Hereditary Is Heavily Impressive And Also Heavily Disturbing

A constant refrain from director Brad Bird is the simple truth that animation is not a genre, but rather, a medium of storytelling. Horror is similar to animated tales in this regard in that movies belonging to this format of storytelling are largely seen as being highly similar to one another whereas the truth is many different types of stories can be told in horror-based filmmaking. You can do an action movie in a horror story, you can do a comedy, you can do a psychological thriller, you can do all sorts of different types of filmmaking while engaging in the process of scaring people. The versatility of horror films as an art form gets reinforced once again in Hereditary, the feature film directorial debut of Ari Aster and a motion picture that functions more as an examination of a families psychological turmoil in response to loss than what might be considered a conventional horror movie.