Showing posts with label Geoffrey Rush. Show all posts
Showing posts with label Geoffrey Rush. Show all posts

Tuesday, March 12, 2019

Crowdpleasing Classical Romance Gets Done Right In Shakespeare in Love

Shakespeare in Love's Best Picture win was heavily controversial, to put it mildly. In the years since it took home this trophy, only Crash and Green Book seem to have generated equal or greater amounts of strife with their respective Best Picture wins. Its controversial award season campaign tactics, as well as the fact that it beat out a Steven Spielberg directorial effort for the award, not to mention the very understandable dark cloud that lingers on anything, like a Best Picture win, that gave the monstrous Harvey Weinstein further clout in Hollywood all, have led the reputation of Shakespeare in Love to suffer greatly. In recent years, though, its standing seems to have improved significantly as Oscar snubs and wins fade further into the past and we're all left to just take a look at the movie on its own merits.


Friday, May 26, 2017

Pirates Of The Caribbean: Dead Men Tell No Tales Is Soaked In Tedium And Terrible Writing

Just like Bernie in Weekend At Bernie's, the Pirates Of The Caribbean franchise is dead. The newest entry in this lame-brained saga, Pirates Of The Caribbean: Dead Men Tell No Tales, brings a franchise that's always struggled with sequels to lows lower than the ones seen in the already anemic Pirates Of The Caribbean: On Stranger Tides. Yes, the one that committed the foul crime of wasting Ian McShane as an evil pirate is no longer the worst entry in this series, that's how bad Dead Men Tell No Tales is. Nothing can dull the glorious high-quality of that original Pirates Of The Caribbean movie, but at this point, this newest Pirates movie is like Terminator: Genisys; a nonsensically told story that's just around to provide "REMEMBER THIS FROM PAST MOVIES???" moments in place of anything even remotely of substance.


Friday, February 26, 2016

Gods Of Egypt Review

I'm fairly confident that, in the future, Gods Of Egypt will be utilized as the prime representation of what happens when an overwhelming amount of CGI (and surprisingly shoddy computer generated effects at that) is used as a substitute for an actual story or compelling characters. The only caveat I bring to such a prediction is that Gods Of Egypt is so relentlessly dull that it might just vanish from the public consensus in a matter of weeks altogether. That would also be an appropriate fate for this motion picture, which (if you can't tell by my subtle clues in the past few sentences), I just didn't care for one bit.

Tuesday, October 13, 2015

Pirates Of The Caribbean: At World's End Review (Classic Write-Up)

And so, we come to the end of the original Pirates Of The Caribbean trilogy, with At World's End closing out the four year long tale of Jack Sparrow, Will Turner and Elizabeth Swan....at least until Disney decided to go back this world for the dire fourth movie. By contrast to the second movie being far worse than I remembered it being, this third entry in the saga is surprisingly much better than I remember it being, even if it still suffers from an overly convoluted structure that the second film similarly struggled with.