When They See Us Is A Sprawling And Appropriately Harrowing Artistic Accomplishment

CW: Discussions of sexual assault, racism 

One of the core tenants of Ava DuVernay's filmmaking is her ability to transport the viewer directly into history. Under her directing, the works of Ava DuVernay have an ability to bring you into the past to a harrowing degree, as most notably seen in one of the most emotionally devastating scenes of Selma where Martin Luther King Jr. meets with a man whose son was just killed in a racist hate crime. It's an intimate scene and one where DuVernay captures it with such a raw quality that lays out the emotions of the characters bare that you feel like you're in that same room with that grieving father and Martin Luther King Jr. DuVernay's works like Selma, The 13th or her newest directorial effort When They See Us explore people of color dehumanized in their own eras of American history and proceed to make cinema about those same individuals so powerful that we're right there next to them in their moments of joy, in their struggles and in their humanity.

A Wrinkle In Time Tends to Stumble But It Also Tends To Inspire Mightily

The best part about A Wrinkle In Time is that it certainly maintains the weirdness of the source material it's adapting. Those worried that Madeleine L'Engle's original novel would be translated to the silver screen with all of it's more unusual tendencies ironed out can relax, director Ava DuVernay's adaptation of this book certainly does not reduce L'Engle's work to being a Hunger Games or Harry Potter knock-off. In the process of adapting such an unorthodox piece of literature, you get a movie that has a far bolder vision than your run-of-the-mill live-action family movie and thoroughly successful elements to its name while also having its fair share of stumbles along the way.

The Uncompromising Nature Of 13TH Is A Key Facet Of Its Effectiveness

One of the key components of art even existing in the first place is for it to help us grapple with universal problems in any given society. Sometimes art engages with said issues in a more stylized manner, other times it manages to confront pervasive problems in a more naturalistic method. Documentaries tend to fall into that second classification, allowing filmmakers and audiences alike a chance to interact with actual people and locations that relate to pressing matters. That certainly seems like an apt way to sum up 13TH, a new documentary from director Ava DuVernay (now streaming on Netflix) that thoroughly investigates systemic racism in modern-day American society.

This Week, The Oscars Demonstrated Extremely Troubling Regress

This week, perhaps the most notable and talked about snub (aside from The LEGO Movie bizarrely not getting into Best Animated Feature) was Ava Duvernay not getting into Best Director for her superb work in Selma. Many complained, noting that the Academy Awards had displayed sexist and racist tendencies in the past. Other retorted to this, stating 12 Years A Slave winning Best Picture last year eradicated any possibility of those voting for the awards demonstrating racist tendencies, while also noting that the Academy should focus on voting for quality films instead of looking to "fill some quota".

Selma Review

A King Among Men

Discussing the topic of racial inequality in America is pretty much one of the most hazardous things a person can do, right up there with swimming in nuclear waste and drinking paint. Whether the discussion takes place at a coffee shop or on the internet, you'll be lucky if the worst you encounter is someone minimizing brutal violence against African-Ameircans by noting "#alllivesmatter" It's an endlessly frustrating scenario, but it's far, far from the worst thing the tragedy of racial inequality has begat.