Tales about the hostility of nature have existed in the spectrum of storytelling for an eternity a day, and the same goes for stories revolving around the concept of vengeance. The Revenant isn't the first motion picture to combine both concepts, and I can guarantee you it won't be the last. It does separate itself from the pack though by setting its plot in the 19th century, an era where man had come to inhabit numerous parts of America, but there was still much of the country uncharted by American individuals. This land was crawling with danger, animals ready to kill at a moments notice and Native Americans none too pleased with the concept of more white people invading on their turf.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Alejandro Gonzales Inarritu. Show all posts
Showing posts with label Alejandro Gonzales Inarritu. Show all posts
Saturday, January 9, 2016
Saturday, November 1, 2014
Birdman Review
On A Wing And A Prayer
Films have the power to say things of incomparable substance. Some of the greatest filmmakers of all-time have used the medium of cinema to bring to life the kind of movies that help shape a generation via their underlying subtext and themes. It's neat to see any person undertake the mission of making a film that says something truly important, and it's pretty obvious that Birdman director (who also serves as one of the features four writers) Alejandro Gonzalez Inarritu truly believes with all of his heart and soul that he's saying something meaningful within each and every frame of Birdman. I'm sure it's meaningful to him, and more power to him if it is. But for me, the message of the motion picture is like the movie itself; cluttered and underwhelming.
Labels:
2010,
Alejandro Gonzales Inarritu,
Birdman,
Broadway,
Edward Norton,
Emma Stone,
Michael Keaton,
Movie Review,
Naomi Watts,
Review,
Road Runner,
The Other Guys,
Theater,
Toy Story 3,
Wile E Coyote,
YouTube
Friday, October 17, 2014
Editorial: Can We Start Giving Superhero Movies Some Respect?
The writer with the largest presence on Rope of Silicon, Brad Brevet, used to be one of my favorite writers when it came to the world of cinema, but sometime last summer, a shift happened in his writing. It was like a switch flipped in his brain or something, every single thing he wrote was dripping in gratuitous cynicism. Now, a cynical approach is not only a perfectly fine way to write pieces on movies, it can be a great angle if one does it in a successful fashion. Unfortunately, Brevet has made it tiring to read his endless mean-spirited attitudes towards blockbuster filmmaking.
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