Hellboy Is So Bad That It Doesn't Even Deserve A Fun Hell-Based Pun

Hellboy can now join esteemed company like Spider-Man and Batman in being one of the rare superheroes to headline both a great movie and a truly awful movie. While Hellboy II: The Golden Army rose to become one of the best superhero features back in 2008, the new 2019 Hellboy movie is rancid trash. It's a stunningly inept exercise that dumbfounds me in how they messed up a can't miss premise like this. A big red guy fighting fantasy monsters should be a can't-miss proposition for making an entertaining motion picture but much like The Amazing Spider-Man 2 or Batman v. Superman managed to utilize their own previously fun characters for garbage filmmaking, Hellboy finds so many ways to screw up its own basic premise and squander a top-notch cast in the process.

Psychokinesis Makes For A Great (Allegedly) First Foray Into Superhero Movies For South Korean Cinema

Superhero movies have been a major fixture of American cinema for decades now but why should Americans have all the fun? Countries all over the world have produced their own superhero movies to varying degrees of success, including the Australian comedy Griff the Invisible, the Japanese comedy Zebraman and last year's Russain blockbuster Guardians, which features a dude who transforms into a giant bear. One of this year's newest example of a foreign superhero movie was Psychokinesis, the newest film from Train to Busan director Yeon Sang-ho and a movie that has been called the first South Korean superhero movie (I have my doubts about that).

Don't Get Too Close To Venom, It's Where Eddie Brock's Demons Hide...And Also It's A Dismal & Awkward Movie

Good God, the Venom movie is an outstandingly clumsy exercise in cinematic storytelling. This whole film is so awkward to watch it leaves one feeling uncomfortable, it's like watching someone repeatedly try to do a somersault but constantly failing at it in the most spectacular of ways. At least it establishes right from the get-go that this is gonna be a subpar production, Venom does not waste time in letting you know it's a flat-out disaster. The first twenty minutes are dedicated to establishing the character of Eddie Brock (Tom Hardy) and who he is as a person. Hardy's wack-a-doodle performance constantly shifts Brock's personality from scene-to-scene, so don't expect to get to know this character very well in this section of the movie or any other part of it.

A Fascinating Script And A Detached Driver Are All Locke Needs To Be Transfixing

One of Tom Hardy's most prominent trait as an actor up to this point has been his tendency to do these highly exaggerated voices for some of his characters, such as his heavy Southern drawl in The Revenant, that deep frequently incoherent Venom voice or his iconic Bane voice. Many actors use different voices across different performances but what makes Hardy special is that he goes all-in on some really unique and odd vocal choices. Sure, numerous actors do both American and British accents in their careers, but how many have decided that a Bugs Bunny impression was just what the doctor ordered for a portrayal of Al Capone?

Sony Refuses To Learn From Their Recent Mistakes, Greenlights Solo Venom Movie

There was a time, dear reader, when the concept of a live-action Spider-Man movie was an enthralling one to prospective moviegoers. After two decades of trying to get a live-action film off the ground, the Sam Raimi Spider-Man busted box office records in 2002, gained critical acclaim and spawned a sequel that is still considered to be one of the superhero movies of all-time. Then the flawed Spider-Man 3 arrived, followed up the dark era where the two Amazing Spider-Man films arrived. These new features, created solely so Sony/Columbia could cling to the film rights to the character, got worse as they went along, and the cinematic shared universe (complete with Sinister Six, Venom and Aunt May spin-offs) it was supposed to spawn sounded like a nightmare waiting to happen.