Meek's Cutoff Is A Western Deconstruction Like No Other

As Meek's Cutoff opens, director Kelly Reichardt makes it apparent this movie will be adhering to a  transcendentalism style of filmmaking. Some of the core tenants of this filmmaking style, namely prolonged extended takes concentrated on minimal activity, turn out to be a perfect way to capture the experiences of the lead characters of Meek's Cutoff as they gradually make their way across the American frontier to an unspecified locale that's supposed to provide them all with prosperous riches. This is a journey that's arduous and slow with little in the way of actual progress to speak of so it's fitting that Reichardt opts to capture this voyage in a filming style that places an emphasis on slower pacing and minimalism.

Vincent D'Onofrio's Directorial Debut The Kid Is A Forgettable Trip To The West

Back in the early 1990s, Unforgiven was like a shot heard 'round the world for Westerns as it provided a more contemplative take on the once-omnipresent genre that saw Clint Eastwood do a realistic deconstruction of his fabled Man With No Name persona. Since then, most Westerns have used Unforgiven as a creative touchstone, especially in terms of being more conscious of the gruesome violence that transpired in the Old West compared to many classic Westerns. Such widespread imitations of Unforgiven have meant that the elements of Unforgiven that were once trailblazing are now themselves old hat. By contrast, the best recent Westerns have been films like Rango, True Grit and Slow West that have established their own unique identities rather than do their own variation on the somber contemplative mood of Unforgiven for the umpteenth time.

Clint Eastwoods Deconstructs The Very Genre That Launched Him To Stardom In Unforgiven

James Mangold and Hugh Jackman have cited many movies that carried a large influence over the creation of their 2017 X-Men feature Logan and it's no surprise to hear that Unforgiven was one particular movie Jackman saw as a guiding light for that final Wolverine movie (The Wrestler was another, similar unsurprising, point of inspiration for Jackman). Both Unforgiven and Logan star actors who play older weary versions of iconic stock characters they became famous for playing inhabiting a more realistic world low on hope and high on danger. Because Logan is dealing with an ex-superhero, the movie is able to end, after an entire film of bleak nastiness, on a note of hopefulness that the heroics Logan once committed will inspire a new generation to rise up and become beacons of hope in their own right.