Showing posts with label Rebecca Hall. Show all posts
Showing posts with label Rebecca Hall. Show all posts

Sunday, January 12, 2020

Rebecca Hall Unnerves and Impresses in Christine

How do you deal with tragedy? We all have our coping mechanisms. For example, one of the supporting characters of Christine, Jean Reed (Maria Dizzia), mentions that she likes to eat some ice cream and sing out loud whenever the world is becoming too harsh. We all need go-to outlets like that to turn to in order to fleetingly escape from the horrors of the world. Tragedy is a pervasive part of the world, so too should coping mechanisms to deal with that tragedy. Christine deals with the true story of Christine Chubbuck, a news anchor working for a Sarasota, Florida TV station in 1974 who has had heavy experience with adversity in her own life.


Tuesday, February 5, 2019

Great Performances And A Thoughtful Script Come Together Nicely For Frost/Nixon

Except for 2013's underappreciated racecar drama Rush and an acclaimed Beatles documentary from 2015, Ron Howard has spent most of the last decade doing genre work that's ranged from solidly diverting (Solo, Angels & Demons) to outright dismal (Inferno, The Dilemma). That's a shame since I'd say Howard actually works best as a filmmaker when he's doing more grounded dramas. Not every foray into this field works for him, as seen by the messy A Beautiful Mind, but he does tend to have a better track record here since, among other factors, he's usually working with better scripts on the likes of Rush or Apollo 13 than when he's helming mechanically crafted movie adaptations of The Grinch of The Da Vinci Code.


Wednesday, October 18, 2017

Professor Marston And The Wonder Women's Best Moments Reinforce How Clunky Some of its Storytelling Is

Now that Wonder Woman is the star of one of the biggest superhero movies of all-time, the character's backstory is pretty well-known by the general public, but the life of the creator of Wonder Woman is likely still a mystery to many. Well, in order to fully process who was behind the character of Wonder Woman, we have to go all the way back to the 1930's, when husband/wife duo William Moulton Marston (Luke Evans) and Elizabeth Holloway Marston (Rebecca Hall) are trying to hit the big time at the college they work at, a college that, incidentally, does not recognize Elizabeth's intellectual achievements solely based on her gender.

Tuesday, April 5, 2016

A New BFG Trailer Has Arrived For All Of Us Human Beans to Watch!

Roal Dahl is a trick author to adapt to film. His works were so full of flights of the most fantastical kind of fantasy that it can be difficult for certain filmmakers to adapt such works into cohesive features. Tim Burtons Charlie And The Chocolate Factory, for instance, does not work in any shape or form any way you slice it. As its own thing, it's a repetitive slog sorely lacking in whimsy or fun, while as an adaptation it's borderline infuriating. Like I said, the books of Dahl thrived on the nonsensical and all of that vagary found in the text is tossed aside so that the root of all of Willy Wonka's idiosyncrasies are....daddy issues. His father was dentist ya see. Not only did it go against the spirit of the source material, it was an eye-rolling plot development take in the context of just the film itself. Screw that garbage.


Monday, August 10, 2015

The Gift Review

You may have only noticed it in passing, if it all, but Warrior is one of the most underrated motion pictures of the decade so far, no joke. It's the film that truly put Joel Edgerton and Tom Hardy on the map for me, as well as giving the world as commanding performance from Nick Nolte. In the years since, the two leads of the film have gone on different paths, with Hardy being a Batman villain and the new Mad Max while Edgerton hasn't struggled per se, he just hasn't had a breakout leading man performance in the four years since Warrior.


Wednesday, July 9, 2014

Classic Write-Up: The Town Review

Don't Rob Yourself Of This Fantastic Film

Ben Afflecks recent resurgence in popularity can be attributed more to directorial projects like Argo (one of my favorite movies from recent years) and his 2010 feature The Town. If Argo is undeniably his quintessential movie, filled with top-notch filmmaking in every regard, then The Town at times feels like a warm-up session for that 2012 Best Picture winner. Affleck is dipping his toes into staging larger sequences of action, and while it's not quite perfect, I can honestly say I was amazed at how fantastic The Town was on its own merits.