Kelly Reichardt's Certain Women Masterfully Uses Silence To Convey Internal Woe

All of director Kelly Reichardt's movies have made great use of silence. The extended trip to an outdoor sauna in Old Joy immediately leaps to my mind as a great example of this. Ditto the quiet endings of Meek's Cutoff and Leaves of Grass that eschew dialogue to allow the audience to fully absorb the entire movie. In her 2016 feature film Certain Women, a hushed quality washes over the proceedings even when characters are trading lines of dialogue. Everyone in this movie is plagued by some kind of woe that they've lived with for so long that they deal with it in subdued terms. Even a situation where a man holds another man hostage at gunpoint doesn't feature so much as somebody raising their voices.

For the character Certain Women, what's the point of yelling? Doing that in the face of their anguish would be like throwing a pebble at a tank. Writer/director Kelly Reichardt communicates this idea in a haunting fashion throughout the trio of stories that Certain Women explores. A hundred torture porn movies with all their grisly mutilations wish they had the harrowing quality of Reichardt's filmmaking in Certain Women.

Noah Baumbach's Marriage Story Is A Powerful Piece of Filmmaking

In many ways, it feels like Noah Baumbach has been working his whole career to get to the point where he could make Marriage Story. Throughout his nearly quarter-of-a-century of making movies, fractured families have been a recurring element across a number of his works. The concept of people you're supposed to be closest to having deep-seated problems with one another is one that Baumbach's explored plenty of times beforehand, but never in as insightful of a manner as he has with Marriage Story. Here, the scope is grander, the characters are richer in detail and the emotional moments really hit you in both the gut and the heart. 1995 Noah Baumbach couldn't have made a movie like Marriage Story that so unflinchingly tackles the complexities of going through with a  divorce. Turns out, waiting for him to be ready as a filmmaker was more than worth the wait.

Greta Gerwig's Little Women Takes An Iconic Story And Makes It Brand-New

Why should we do another Little Women movie?

The Tale Provides A Haunting Glimpse Into Coping With Repressed Memories of Abuse

Content Warning: Discussions of Childhood Sexual Abuse

Everyone puts a piece of themselves into the art they create, frequently in a subconscious manner. Your likes and dislikes in all sorts of areas of your life find a way to be subtly imprinted on the art you create, though many artists go even further this and create works that intentionally reflect their own lives and experiences. Jennifer Fox has gone this particular route in directing the motion picture The Tale, which chronicles her process of coming to terms with the fact that she was sexually abused as a child. Her cinematic depiction of this event is so tied into reality that the main character isn't given a pseudonym, lead actor Laura Dern simply plays Jennifer Fox herself (though there text at the start of the end credits that does clarify that certain names and locations have been changed for this motion picture).

Downsizing Is Small On Narrative Ambitions Or Anything Really Remarkable To Speak Of

There's not much going on here in Downsizing. Despite labeling itself a "social satire", there's not much in the way of actual satire transpiring in Alexander Payne's latest motion picture. There isn't all that much comedy either and what does show up to generate yuks is just awkward and forced (the majority of the jokes received, from the audience at my screening, the kind of forced light chuckles a parent might use to laugh at a young child's incoherent knock-knock joke). So what is there in this movie, what exactly is going on in Downsizing? There's...a chance for Christoph Waltz to play someone that isn't a bad guy in an American movie? That's good! OK, that's one thing that happens in Downsizing...

The Force Is Strong With Writer/Director Rian Johnson's Work On The Excellent Star Wars: The Last Jedi

Waking up this morning after seeing Star Wars: The Last Jedi last night, I was shocked to discover that the film has already generated a bunch of controversy from various corners of the internet populated by Star Wars fanboys who are irritated that the feature didn't spend its runtime clarifying every aspect of Supreme Leader Snoke's backstory or validate their fan theories that have been stewing int he two year gap between The Force Awakens. It's been kind of fascinating to watch this unfold since none of this stuff was anywhere near my mind when I exited my screening of The Last Jedi (though I'm notoriously anti-fan theory and, for that matter, never had any expectations that The Last Jedi would flesh out the backstory of Snoke).

I'm Blue (Velvet) Da Ba Dee Da Ba Daa

The unusual seems to just come natural to David Lynch. His movies are world-renowned at this point for having incredibly idiosyncratic visual touches to them and extended dream-like sequences while his 1982 movie The Elephant Man (previously the only David Lynch movie I'd seen) concentrated on a man whose physical appearance was so different from society it caused him to be ostracized from the rest of the world and treated unfairly like a freak. For his 1986 feature Blue Velvet, Lynch once again embraces the unorthodox to create incredible and distinctive cinema, the kind that really feels like it could only come from the mind of Lynch himself.

It's Hard To Find Much Meat On The Bones Of The Founder

In the 21st century, McDonalds has weathered a storm of bad publicity stemming from growing health concerns surrounding their food which has only been compounded by documentaries like Super Size Me. While McDonalds still makes money hand over fist, there's no denying their reputation has been tarnished greatly in the 2000's and it's likely never going to restore itself to its former reputation given how the fact that the companies food is so completely unhealthy is now basic knowledge. The Founder takes audiences back to a time when the word McDonalds had an aura of promise and innocence to it, to an era where the eatery was limited to just one location in California.