Cozy (Lisa Donaldson) is living an unfulfilling life. It's not necessarily a bad life, taking care of her kids in a suburban Florida neighborhood, doing her yoga and taking care of the house, but it is a life that leaves her constantly wanting more. Acting on those urges to expand her horizons, she decides to make an impromptu trip to a local bar where she meets up with Lee (Larry Fessenden). The two of them drink, chat and then go to a backyard pool that Lee's friend owns. While clowning around with Lee's gun, the duo hear a figure moving in the dark and startled Cozy fires off the weapon. Mistakenly thinking they killed somebody (the bullet didn't hit anybody), Cozy and Lee proceed to go on the lam, leaving nary even a note behind for their loved ones to explain what's happened to them.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Jeanne Dielman 23 Quai du Commerce 1080 Bruxelles. Show all posts
Showing posts with label Jeanne Dielman 23 Quai du Commerce 1080 Bruxelles. Show all posts
Friday, July 26, 2019
Sunday, December 16, 2018
Roma Is A Showcase For Impressive Camerawork And A Similarly Superb Performance From Yalitza Aparicio
For his 21st century directorial efforts, Alfonso Cuaron has gone big in scale. He's helmed films about time-traveling wizards, a post-apocalyptic chase movie and also a struggle for survival in the vacuum of space. Though all of these films were heavily character-driven, they spared no expense in communicating the grandeur of the situations its protagonists had become entangled in. Though his newest movie, Roma, has its fair share of scenes depicting events like wildfires or revolts that are large-in-scale, this is a more intimate affair compared to what Cuaron has done in his 21st-century filmmaking career, one informed by his own personal childhood rather than fantasy worlds concocted by J.K. Rowling.
Tuesday, May 15, 2018
The Last Picture Show Fully Commits To A Melancholy Tone, Resulting In A Haunting Movie
Teenagers finally got to be widely recognized as a source of both revenue and storytelling in American pop culture in the 1950's which meant, because nostalgia is such a cornerstone of our pop culture. it was only a matter of time before art depicting teenagers inhabiting that specific pivotal era were created. The 1970's were bursting with pop culture that depicted teenager characters getting into adventures from Grease to Happy Days (American Graffiti was another 1970's pop culture entity that exploited nostalgia for teenage years, though that one was set in the 1960's). Most of these films were upbeat happy-go-lucky fare that looked back on 1950's teenagers with rose-colored glasses.
Thursday, February 16, 2017
Let's All Go Pay A Visit To (Deep Breath) Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles
Sight & Sound Voyage Entry #6
Placement On Sight & Sound 50 Best Movies List: #35 (Tied with Psycho, Satantango and Metropolis)
Part of the reason why I wanted to go through all 50 films on Sight & Sounds 50 Best Movies list was because I wanted to get a better grasp on world cinema and the various filmmakers behind some of the most acclaimed motion pictures of all-time. I may be a proud film geek, but there are too many blind spots in my cinema knowledge to count and getting through this list would be a great way to do just that. Plus, it would expose me to all kinds of movies made in a style that I was completely unfamiliar with, which, of course, is a way to segue into my newest review in this series, which covers the 1975 motion picture Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles.
Placement On Sight & Sound 50 Best Movies List: #35 (Tied with Psycho, Satantango and Metropolis)
Part of the reason why I wanted to go through all 50 films on Sight & Sounds 50 Best Movies list was because I wanted to get a better grasp on world cinema and the various filmmakers behind some of the most acclaimed motion pictures of all-time. I may be a proud film geek, but there are too many blind spots in my cinema knowledge to count and getting through this list would be a great way to do just that. Plus, it would expose me to all kinds of movies made in a style that I was completely unfamiliar with, which, of course, is a way to segue into my newest review in this series, which covers the 1975 motion picture Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles.
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