Scream Is A Frighteningly Sharp-Witted Take On Slasher Movies

Scream was to slasher movies what Deadpool was to superhero movies. That may sound like the headline to some ill-fated Hot Take that ends up getting dragged all over Twitter, but it seems to make total sense to me, the guy who absolutely nailed the ending of His Girl Friday. Both Scream and Deadpool were attempting to tweak the noses of their respective subgenres, but neither were explicitly deconstructions of those subgenres thanks to how frequently they still indulged in well-known tropes of that subgenre, albeit in a self-aware manner. Thankfully, there's more than just a snarky self-aware streak in Scream, which has held up quite well in the more than two decades since its initial release.

The Big Sleep Is Yet Another Excellent Humphery Bogart Noir Feature

I felt an immense sense of relief to learn, after watching The Big Sleep for the first time, that the plot is considered by many to be a tad hard to make out. I thought I had missed something while watching the film, maybe a crucial line that clarified the whole story, but it turns out that even some of those responsible for the feature would be the first to admit that certain plot points (like who was behind the murder of a driver) don't get resolved. But this is one of those times where something like a convoluted plot that might be a debilitating problem in another movie actually works in the favor of The Big Sleep as it helps make the larger conspiracy that detective Phillip Marlowe (Humphery Bogart) has found himself inadvertently caught up in feel wide-spanning and makes it seem like the odds are truly up against Marlowe.

His Girl Friday Is A Charming Screwball Comedy Up Until Its Crummy Ending

Though there are a large amount of comedy sequels out there, especially in the modern-day cinematic landscape, for much of history, when a comedy has ended up being successful, Hollywood's de riguer was to simply assemble the leading actor of that comedy and possibly also it's direct and have them pair off again for another separate adventure that was similar in tone and style to what had come before it. Thus, Howard Hawks & Cary Grant re-teamed for another screwball comedy called His Girl Friday in 1940 after their 1938 effort Bringing Up Baby, which didn't perform as well at the box office as producers wanted but it had definitely proved that Hawks & Grant were a combo that worked well together.