The Utterly Impressive Crime Thriller Uncut Gems Will Leave Your Nerves Shattered

Saying that the new Adam Sandler movie Uncut Gems begins with a sequence taking place inside buttocks of Sandler's protagonist, Howard Ratner, might make you think this project is some kind of stealth Grown Ups sequel. But Uncut Gems isn't that at all, it's the newest project from Ben and Josh Safdie, the directorial duo responsible for Good Time. These two know how to deliver good movies and that means they have a great reason for starting Uncut Gems within someone's colon. Such an opening follows up a prologue sequence set in Ethiopia, where two miners discover a rare black opal gem. The prologue ends with the camera zooming into the gem, revealing all the dazzling colors within.

Kin Is Part Laserblast, Part Good Time And All Mess

What exactly is Kin trying to be? Even after watching it all, I'm not really sure what directors Jonathan Baker and Josh Baker were going for in adapting their 2014 short film Bag Man into a feature-length motion picture. Kin as a movie is a jumbled mess that's trying to do a whole lot of stuff but mostly comes off as just an awkward hybrid of Laserblast and Good Time, two movies I'm pretty sure nobody would ever think to put together in any other context. Sometimes pairing up two widely disparate elements works like a charm and other times it just results in a mess and the latter end result is what's happened with Kin.

Wowzers, Good Time Is Excellent And Visually Magnificent Crime Thriller Cinema!

MILD SPOILERS FOR THE ENDING OF GOOD TIME ARE WITHIN! 

Good Time feels so much like a singular movie, like it's the manifestation of a precise one-of-a-kind take on the crime thriller genre. Directed by Ben Safdie and Josh Safdie (the two are commonly referred to as The Safdie Brothers), there's plenty of elements here that are immediately distinctive, most notably the visual aesthetic that leans heavily on a bright neon-infused color scheme that coats every environment the story wanders into which range from a bail bond office to an amusement park. Then there's the score by Oneohtrix Point Never, which pulsates right in your ear with its idiosyncratic sound as well as the camerawork that comes up with truly inventive ways to frame various intensity-driven sequences.