Kin Is Part Laserblast, Part Good Time And All Mess

What exactly is Kin trying to be? Even after watching it all, I'm not really sure what directors Jonathan Baker and Josh Baker were going for in adapting their 2014 short film Bag Man into a feature-length motion picture. Kin as a movie is a jumbled mess that's trying to do a whole lot of stuff but mostly comes off as just an awkward hybrid of Laserblast and Good Time, two movies I'm pretty sure nobody would ever think to put together in any other context. Sometimes pairing up two widely disparate elements works like a charm and other times it just results in a mess and the latter end result is what's happened with Kin.

We Didn't Start The (Free) Fire, It Was Always Burning Since The Bullets Were Firing

I've never been much of a gun guy in my everyday life (even as a Texan, a Cabella's store is more puzzling than enticing to me) but I never have an issue with gun-oriented movies, especially when they're top quality like the John Wick films or the first and fourth Die Hard movies (the two best ones in that franchise....come at me internet!). Ben Wheatley's Free Fire doesn't reach those heights of quality but still manages to be some solid grisly fun. It's a shoot-em-up that keeps things simple (maybe a little too simple), confined and directly fixated on two things: over-the-top characters and bullets flying everywhere.