A Bunch of Famous Names Can't Make 6 Underground Interesting

Two very distinct creative talents have formed a union to bring the new Netflix blockbuster 6 Underground to life. In one corner, we have director Michael Bay, the man behind the first five Transformers movies and an assortment of other high-octane action films. In the other corner, we have the writing duo of Rhett Reese & Paul Wernick, the screenwriters who penned the two Deadpool movies. Though both known for making movies where big things blow up, their sensibilities are quite different. Bay is known for his lavish hyperactively edited visual-oriented productions whereas Reese & Wernick tend to work in the confines of mid-budget comedic exercises relying heavily on snappy self-referential dialogue.

Spike Lee's BlacKkKlansman Is A Triumphant Examination Of Past & Present Racism

Far too many American movies dealing with racism in America's past do so, usually with a Caucasian white savior protagonist in tow, with the purpose of reassuring white moviegoers that "Everything is fine now, look how much better things are now compared to the past!" Horrors of the past and the lives of the disenfranchised who had to endure the brunt of such horrors are reduced to being simply a way to reassure privileged members of present-day society that everything related to race in the modern world is cool, everything is fine. That's certainly not the case with Spike Lee's BlacKkKlansman, which is all about using a story about a black cop infiltrating a KKK charter to explore how racist horrors of the past still heavily influence a modern-day world where bigotry runs rampant.