Dee Rees' Narrative Film Directorial Debut Pariah Vividly Realizes Coming-of-Age Queer Experiences

SPOILERS FOLLOW 

In my review for BlacKkKlansman last year, I mentioned how one virtue of the feature was how it was clearly made without any thought of placating or sugar-coating things for white viewers, it was about the stark reality of how racism permeates American society to this very day. A similar quality informs Dee Rees' 2011 feature Pariah, though in this case, it's a movie clearly made explicitly for and from a queer perspective. Pariah is a film exploring the turmoil that ensues when a family isn't accepting of their child's sexuality and benefits mightily from not wasting time to assure heterosexual viewers that "not all heterosexual people are like that" or similar platitudes. That's not what Pariah is here for. Its focus is bringing specifically queer experiences to a cinematic format of storytelling and it does that marvelously.

Ali: Fear Eats the Soul Is An Impressively Powerful Portrait Of A Romance Attacked By Prejudice

And so my complete unfamiliarity with the works of iconic West German writer/director Rainer Werner Fassbinder ended this past week with my first-time viewing of Ali: Fear Eats the Soul, a feature film that became the de facto answer whenever I inquired to my friends about which of Fassbinder's movies I should watch first. Having now watched it, it's no surprise this was seen by so many in such high regard to the point that it was widely felt that this absolutely had to be my entry point into Fassbinder's work as a filmmaker! Ali: Fear Eats the Soul is an excellent romantic drama that provides a captivating humanizing portrait of two romantically entangled outsiders in West Germany.

Spike Lee's BlacKkKlansman Is A Triumphant Examination Of Past & Present Racism

Far too many American movies dealing with racism in America's past do so, usually with a Caucasian white savior protagonist in tow, with the purpose of reassuring white moviegoers that "Everything is fine now, look how much better things are now compared to the past!" Horrors of the past and the lives of the disenfranchised who had to endure the brunt of such horrors are reduced to being simply a way to reassure privileged members of present-day society that everything related to race in the modern world is cool, everything is fine. That's certainly not the case with Spike Lee's BlacKkKlansman, which is all about using a story about a black cop infiltrating a KKK charter to explore how racist horrors of the past still heavily influence a modern-day world where bigotry runs rampant.