Even the most cell phone adverse people on the planet would never be able to imagine the horrors the cell phone at the heart of Wounds is capable of. That phone is discovered by bartender Will (Arnie Hammer) after a skirmish at the tavern he works at. At first, he simply expects to drop it off with the police or the bar's owner so that its owner can get it back pronto. However, an unusual text sent to the phone leads Will to dig around in the device and discover a series of gruesome photos. He's also being followed around by a black car that's intent on making sure he doesn't speak to the authorities on this matter. Oh no! Will's whole life is being turned upside down by malevolent forces! Worse, he's stuck in the movie Wounds!
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Zazie Beetz. Show all posts
Showing posts with label Zazie Beetz. Show all posts
Monday, October 21, 2019
Friday, October 4, 2019
We Live In A Society And Joker Lives In An Only Occasionally Successful Movie
So many people come and go in our lives every day, it's easy to forget that other human beings have had entire lives up to the point we meet them (maybe that's just the Walgreen's cashier in me talking). Everybody's got a story for how they got to their current point in their lives, even wanna be stand-up comics like Arthur Fleck (Joaquin Phoenix). Residing in Gotham City with his mother and working as a clown-for-hire, Arthur struggles through life due to his mental illness that includes a handicap that sends him into sudden fits of uncontrollable laughter. Bad luck follows Fleck wherever he goes as he searches for purpose in his life and a reliable father-figure to serve as a substitute for the dad he never knew.
Tuesday, February 12, 2019
Merging The Direction of Steven Soderbergh With An Excellent Tarell Alvin McCraney Script Make High Flying Bird A Winner
Steven Soderbergh may have "retired" for a brief period in the mid-2010s, but he's now managed to deliver three more directorial efforts in the span of 18 months starting with 2017's delightful comedy Logan Lucky. The newest effort in his return to directing see's Soderbergh going to the land that so many filmmakers are traveling to these days to get their movies made: Netflix. After his attempt to shake up theatrical distribution with is last two films and the Fingerprint Releasing label, Soderbergh's decided to just unleash his newest movie, High Flying Bird, as well as his next directorial effort (the Meryl Streep vehicle The Laundromat) for the streaming service that managed to really kick its original movie game into high gear last year.
Labels:
2019,
Andre Holland,
Bill Duke,
February 2019,
High Flying Bird,
Logan Lucky,
Movie Review,
Netflix,
Sonja Sogn,
Steven Soderbergh,
Tangerine,
Tarell Alvin McCraney,
The Laundromat,
Zazie Beetz
Thursday, November 1, 2018
Slice Is A Classic Example of an Overstuffed Movie That Still Feels Empty
You'd be forgiven if you began watching Slice and presumed, thanks to the shockingly dense amount of mythology it throws at the viewer, that it was part of some larger franchise, perhaps it's a sequel to another movie or even just a feature-film adaptation of an Adult Swim show. In fact, this is a completely stand-alone motion picture hailing from writer/director Austin Vesley that just has a wider universe it needs to establish before its plot can get underway. Peculiarly though, a proper story or anything else similarly substantive never really materializes despite a whole horde of characters and supernatural tomfoolery getting introduced, Slice instead just has a lot of chess pieces in play that it never bothers to move around the board.
Friday, May 18, 2018
Once Deadpool 2 Get Rolling, It's A Surprisingly Entertaining Raunchy Comedy
VERY VERY MILD SPOILERS ARE INSIDE THIS REVIEW.
We've been having a pretty good run of comedies in 2018 so far. Not everything has been golden of course (remember Game Over, Man! or Super Troopers 2?) but in just the span of nearly five months, there has been a solid list of well-made comedic films emerging that remind us all of the age-old versatility that this genre has. Comedies can be mystery thrillers (Game Night), heartfelt coming-of-age tales (Blockers), thoughtful family movies (Paddington 2) and thought-provoking political satire (The Death of Stalin), they don't just have to be run-of-the-mill vehicles churned out on the cheap and quick so that David Spade can buy a new condo this coming summer. Surprisingly, Deadpool 2 comes up as the newest 2018 comedy to deliver both further evidence of how expansive the genre of comedies can be and a large supply of laughs.
We've been having a pretty good run of comedies in 2018 so far. Not everything has been golden of course (remember Game Over, Man! or Super Troopers 2?) but in just the span of nearly five months, there has been a solid list of well-made comedic films emerging that remind us all of the age-old versatility that this genre has. Comedies can be mystery thrillers (Game Night), heartfelt coming-of-age tales (Blockers), thoughtful family movies (Paddington 2) and thought-provoking political satire (The Death of Stalin), they don't just have to be run-of-the-mill vehicles churned out on the cheap and quick so that David Spade can buy a new condo this coming summer. Surprisingly, Deadpool 2 comes up as the newest 2018 comedy to deliver both further evidence of how expansive the genre of comedies can be and a large supply of laughs.
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