Showing posts with label Yahya Abdul-Mateen II. Show all posts
Showing posts with label Yahya Abdul-Mateen II. Show all posts

Thursday, December 20, 2018

Aquaman Is 2018's Answer To G.I. Joe: The Rise of Cobra. That's A Compliment.

Aquaman has been given a bum rap in American pop culture. Because Family Guy and The Big Bang Theory (the paragons of pop culture contemplation) made jokes saying Aquaman was stupid, that's been his reputation in the 21st-century pop culture landscape, which is a pity because of how much fun the character can be in properties like his "Outrageous!" portrayal in Batman: The Brave and the Bold. Much to my delight, James Wan's Aquaman movie decides to eschew constantly apologizing for the weirdness of the character and his world and just embraces all the high-concept underwater absurdity that Aquaman could possibly get into, a choice worthy of a mighty Jason Momoa delivered "YEAH!".

Friday, April 13, 2018

First Match Engagingly Wrestles With A Fractured Father/Daughter Relationship

The world of wrestling hasn't been anywhere near as prominent in cinema as it's sports cousin boxing, but it's still a common sight to see in pieces of cinema. Olivia Newman leaps to the world of feature films by helming the recent Netflix feature First Match, the newest entry in the wrestling movie subgenre. For her first time behind the camera on a feature film, she expands on a 2010 short film also entitled First Match and tells the tale of a troubled High Schooler named Monique (Elvire Emanuelle) whose constantly shifting between different foster families to live with and getting into trouble at school on a similarly regular basis.


Monday, January 1, 2018

It's Thematically Messy But The Greatest Showman Does Come Through On Providing Fun Musical Numbers

It's time to play the music, it's time to light the lights, it's time to meet The Greatest Showman at the circus show tonight! Who is The Greatest Showman you ask? Why, it's P.T. Barnum (Hugh Jackman), a real life figure who is thought of having a complicated legacy at best (a good example of this is how he was a staunch critic of slavery but also heavily utilized blackface in his entertainment programs) and has now been recontextualized for the American musical The Greatest Showman as being a staunch advocate for the downtrodden and the oppressed. How does he advocate for such individuals? By creating a haven for them that he calls...the circus.