Believe It or Not, The Man Who Killed Hitler and Then Bigfoot Is A Contemplative Film

With a title like The Man Who Killed Hitler and Then Bigfoot, you'd reasonably expect this feature film from writer/director Robert D. Krzykowski to be a schlockfest that Cannon Films could have released had it come out in the 1980s. To be sure, there are moments in here that do evoke such films, such as the opening title screen that seems to have been ripped straight out of a Grindhouse motion picture. Even more prominent in how its influenced by those types of films is the whip-fast editing and frantic camerawork used when the titular protagonist, Calvin Barr (Sam Elliot), looks over a wide assortment of weapons to pick out what he'll use to fight the legendary Bigfoot.