A Man For All Seasons Makes For A Great Companion Piece To Fellow Fred Zinnemann Directorial Effort High Noon

Anyone who's read my reviews for even the briefest period of time knows it's not unusual for me to have never heard of a beloved iconic movie. But I feel like my lack of knowledge on the existence of A Man For All Seasons is a tad more common than, say, being ignorant on the existence of Ang Lee's version of Sense & Sensibility until I saw a trailer for it on a DVD copy of A Man For All Seasons. Despite scoring a Best Picture Oscar back in the mid-1960s, I've rarely heard the film discussed or even mentioned at all in cinematic-based discourse. Perhaps this is because its victory at the Oscars that year didn't beat out a movie many consider to be widely superior or because it's widely considered to be an especially dismal Best Picture choice like The Broadway Melody, Crash or Green Book, two attributes that can spur up regular conversation.

The Sting Makes Pulling Off An Entertaining Heist Look Effortless

If there's one ingredient that's crucial to making a proper good heist movie going, it's getting lead actors who are endlessly charismatic, the kind of people who can always keep your attention as they portray morally dubious individuals trying to pull off a big job. Getting Robert Redford and Paul Newman together to headline The Sting means that that pivotal element is already well taken for, these two are thoroughly engaging actors on their own merits and have winning chemistry together. The compulsively watchable lead actor part of the good heist movie equation has been well taken care of and thankfully The Sting manages to give this lead duo plenty to do in the course of pulling off a seemingly impossible heist.