Medicine for Melancholy Saw Barry Jenkins Hit The Ground Running As An Exceptional Filmmaker

Barry Jenkins is best known today for directing two of the best movies of the 2010s, Moonlight and If Beale Street Could Talk, but those weren't his first two forays into the world of feature film filmmaking. Prior to those two outstanding features, in 2009, he directed a small indie feature entitled Medicine for Melancholy that saw Jenkins channeling his inner Agnes Varda and Richard Linklater in telling a story about two people just spending a day together walking around a city and exchanging dialogue. Watching the film now, it's interesting to see how various parts of Medicine for Melancholy compare to his subsequent directorial efforts, with individual elements of the movie coming off as direct precursors to Jenkins' future directorial work.

Believe The Hype, Moonlight Is An Incredible Motion Picture Experience

Recently, I engaged in a conversation regarding films that had an impact on the world around them. Think of how Casablanca was an artistic outlet for refugees whose voices were being silenced in the all too harsh real world. I feel fairly confident in saying that future discussions centered around this topic will have to include Moonlight for so many outstanding reasons. Moonlight isn't just a phenomenal motion picture (though it very much is one, make no mistake), it's something more than that. It's a beautiful portrait of a man trying to grow up in a society unwilling to accept him for who he is, told with the kind of commanding filmmaking that lodges itself into your mind and never escapes.