Steven Soderbergh brought his Ocean's Eleven trilogy to a close with Ocean's Thirteen, an adventure that saw the main characters of the prior two movies (save for those played by either Julia Roberts or Catherine Zeta-Jones) embark on a heist spurred by vengeance. After Reuben Tishkoff (Elliot Gould) gets double-crossed by super wealthy businessman Willy Bank (Al Pacino), Danny Ocean concocts a plan to get some revenge on Bank by way of sabotaging the opening of his newest casino resort. This is a plan that's going to require all kinds of elaborate set-up and tricks, all in the name of aiding a friend. Despite all the hard work ahead, the other nine members of Danny Ocean's gang agree to help.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label June 2007. Show all posts
Showing posts with label June 2007. Show all posts
Tuesday, June 19, 2018
Ocean's Thirteen Goes Through The Motions In An Entertaining Fashion
Labels:
2007,
Al Pacino,
Brad Pitt,
Classic Write-Up,
Ellen Barkin,
Elliot Gould,
George Clooney,
June 2007,
Matt Damon,
Movie Review,
Ocean's Eleven,
Ocean's Thirteen,
Ocean's Twelve,
Steven Soderbergh
Wednesday, November 8, 2017
Set Sail With Ten Canoes And Its Ode To Humanizing Native Populations
One of the most exciting things about diving deeper into world cinema is getting a chance to learn about foreign events, individuals and even entire cultures I may not have been aware of. So it is with Ten Canoes that I was able to discover a part of Australia that I had no knowledge of in prior exposures to Australia in both pop culture and real life. This 2007 directorial effort hailing from Rolf De Heer and Peter Djigirr (the latter individual also plays a character in the film) aims to tell its viewers a story chronicling the various goings-on of a tribe of ancient natives residing in Arnhem Land, a Northern region of Australia, with the language of Yolŋu Matha being spoken by all the on-screen characters.
Monday, October 30, 2017
A Realistic Take On Awkwardness Very Much Serves As A Positive Facet Of Eagle vs. Shark
There's not much in the life of Lily (Loren Horsley) that can be called extraordinary. She lives out her comfortable existence with her cartoonist brother, works at a fast food burger joint and enjoys watching documentaries about her favorite animal, sharks. But there is a customer that repeatedly comes into her place of work that does brighten her day and that customer is a dude named Jarrod (Jemaine Clement). Jarrod is basically your quintessential nerd's nerd and one whose oblivious that Lily has a crush on him. Lily does have a chance to build upon her infatuation with Jarrod when she gets invited to a party he's hosting wherein guests have to dress up as their favorite animal.
Wednesday, October 4, 2017
The Small-Scale Intimate Scenes Of Sicko Are Great. The Michael Moore-Centric Material? Less So.
Fahrenheit 9/11 had catapulted Michael Moore to a level of fame unheard of for the vast majority of not just documentary filmmakers in America, but filmmakers in any genre in America. The dude became a part of the Bush-era zeitgeist with his 2004 box office phenomenon and while I had heavily mixed feelings on that movie, there's no denying it struck a nerve with people and it set expectations high for whatever his follow-up project would end up being. Turns out, his next feature film would be Sicko, an extensive look at the American health care system, a hot-button topic in American politics as the rampant attempts to revoke the Affordable Healthcare Act under the newest presidential administration have demonstrated.
Thursday, June 29, 2017
Ten Years Later, Ratatouille Is Even More Delectable Than Ever
SPOILERS FOR RATATOUILLE AHEAD!
Ratatouille was released to American movie theaters ten years ago today and I'm still in utter disbelief that it exists. In a decade where American computer-animated movies were primarily imitating the more abrasive and pop-culture reference laden style of the first Shrek movie, here comes Ratatouille, bearing more resemblance to a low-key drama than most 2000's DreamWorks Animation fare, with its heavy emphasis on small-scale dialogue and contemplations on the cost and dangers of upsetting societally implemented social constraints by way of embracing who you really are. The fact that it had such a troubled production (Geri's Game director Jan Pinkiva came up with the story for this project and was originally directing the movie as well before replacing by Brad Bird) only makes it all the more mystifying that it even exists at all.
Ratatouille was released to American movie theaters ten years ago today and I'm still in utter disbelief that it exists. In a decade where American computer-animated movies were primarily imitating the more abrasive and pop-culture reference laden style of the first Shrek movie, here comes Ratatouille, bearing more resemblance to a low-key drama than most 2000's DreamWorks Animation fare, with its heavy emphasis on small-scale dialogue and contemplations on the cost and dangers of upsetting societally implemented social constraints by way of embracing who you really are. The fact that it had such a troubled production (Geri's Game director Jan Pinkiva came up with the story for this project and was originally directing the movie as well before replacing by Brad Bird) only makes it all the more mystifying that it even exists at all.
Labels:
Anton Ego,
Brad Bird,
Brad Garrett,
Brian Dennehy,
Classic Write-Up,
France,
Ian Holm,
June 2007,
June 2017,
Movie Review,
Paris,
Patton Oswalt,
Peter O'Toole,
PIXAR,
Ratatouille,
Remy
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