Gemini is one of those movies that's really darn good right up until it isn't. Let that not detract from its best qualities and it has quite a few, it's first two-thirds, maybe even first three-fourths, are a slickly produced homage to classic noir movies that has writer/director Aaron Katz putting his own modern spin on this well-worn staple of cinematic storytelling. Gemini is good at drumming up mystery and intrigue that it's a pity it can't stick the landing and manage to deliver a resolution that feels like a satisfying pay-off to all the build-up. But before we get to the finale, let's start at the very beginning (a very good place to start, or so I'm told!) and see what kind of story Gemini intends to tell.
