Terminal Is All Weirdness All The Time And The Results Are Yawn-Inducing

Watching a piece of art prance around under the assumption that it's as strange as can be while actually being incredibly mundane and even boring is such an uncomfortable experience. It's like the cinematic version of listening to a guy at a party ramble on and on about his conspiracy theories about the Illuminati like he's cracked the code on how the world works when he's just regurgitating the same o'l nutty codswallop people with tinfoil hats have been saying for years. So it is with Terminal, a motion picture that fancies itself as something like a provocative slice of abnormality but it's really just predictable more often than not and ends up being the last thing any of these type of movies want to be called: lame.

Eddie The Eagle Review

Eddie The Eagle is a feature film adaptation of real life figure Eddie Edwards (here played by Taron Edgerton), whose life-long ambitions to participate in the Olympics seem to have a chance of coming true when he discovers the art of ski jumping. With more than a little help from former athlete Bronson Peary (Hugh Jackman), Eddie hopes to beat the odds and fulfill his sports-related dreams. Basically, what ya have here is the prime premise for a conventional inspirational sports drama, and Eddie The Eagle embraces the conventions of this subgenre with aplomb, flaunting its hokey tendencies the way Jeff Wells parades his own blatantly sexist attitude towards women.