"Make way for the X-Men, an outdated metaphor for racism from the 1960s!" - Deadpool (Ryan Reynolds) in Deadpool 2
The X-Men movies have had an erratic track record in their nineteen years of existence but their highest points showed an admirable level of ambition that fit these audacious comic-book characters. Creatively gusto spin-off's like Logan or Deadpool took the American superhero movie into unique terrain while X-Men: First Class used a period era setting and a zippy tone to breathe vibrant life into a tired franchise. In that context, the already disspiriting low-quality of Dark Phoenix becomes extra sad to see, it's such an all-around lackluster production that's as groggy and lifeless as a hungover college student. All of the ambition that marked the best entries in this series is gone, replaced with all the enthusiasm of a new kid forced to publically introduced themselves to all the students in the class.
