Remember how Black Swan was an actual box office phenomenon? This thing grossed well over $100 million domestically despite being such a crazy horror film that frequently relies on the kind of stylized atmosphere that audiences have rejected in many other motion pictures. It's odd, it's crazy, it gives ya a little hope for the world that something this strange can find such an audience. It's also a movie that obviously resonated with plenty of people too given its sheer ubiquity in pop culture since its initial release, though I must say I'm the Grumpy Gus of this scenario because I found Black Swan to be among director Darren Aronofsky's weaker movies, though it's still got plenty of virtues to extol.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Pi. Show all posts
Showing posts with label Pi. Show all posts
Monday, September 18, 2017
This Is Gonna Sound So Weird, I Know, But I Wish Black Swan Was Much Freakier Than It Is
Labels:
2010,
Ballet,
Barabra Hershey,
Black Swan,
Classic Write-Up,
Clint Mansell,
Darren Aronofsky,
December 2010,
Matthew Libatique,
Mila Kunis,
Mother!,
Movie Review,
Noah,
Pi,
The Wrestler,
Vincent Cassell
Sunday, September 17, 2017
Mother! Is Mighty Interesting But Also Mightily Plagued By Pacing Problems (MASSIVE SPOILERS WITHIN)
THE FOLLOWING REVIEW OF MOTHER! IS SOAKED IN SPOILERS BECAUSE I'VE FOUND IT IS DIFFICULT TO TALK ABOUT MOTHER! WITHOUT DELVING INTO PLOT DETAILS THAT CONSTITUTE ACTUAL SPOILERS DUE TO THE SECRETIVE MARKETING. YOU HAVE BEEN WARNED, SPOILERS FROM HERE ON OUT
Friday, September 15, 2017
Director Darren Aronofksy Offers Up A Slice Of The Unconventional With This Pi
The 1990's saw a large number of great directors make their feature film debuts, particularly in the first half of the decade that saw the likes of Richard Linklater & Quentin Tarantino make their marks on the world of cinema. But that doesn't mean all the notable directorial debuts could be found in the first half of the 1990's since Wes Anderson leaped into the realm of feature films with 1996's Bottle Rocket while Darren Aronofsky entered feature-length filmmaking with his 1997 motion picture Pi, a film that certainly establishes a large number of the specific filmmaking traits many associate explicitly with Aronofsky to this very day.
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