Superfluous Sin Soaked Cinema
Visual effects have come so far in the last twenty years, it's one of the more mind-boggling aspects of modern day filmmaking. Ever since Steven Spielberg showed off those CGI dinos wrecking havoc, the possibilities for visual effects seemed endless. Robert Rodriguez has taken advantage of those possibilities several times in his career, namely in the first Sin City (which I have not seen) and it's sequel, Sin City: A Dame To Kill For. That follow-up is the subject of this review and unfortunately, the innovation in its visuals seem like the only thing given any thought in this film.
