Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Eric Idle. Show all posts
Showing posts with label Eric Idle. Show all posts
Friday, March 15, 2019
Monty Python and the Holy Grail Shatters The Fourth-Wall And Tickles One's Funny Bonne
Because I'm a bad movie fan, I hadn't seen Monty Python and the Holy Grail until two weeks ago. Even without seeing it, though, I was well aware of how influential this movie had become in the broader scheme in the forty-four years since it got released. Or at least, I thought I did. While watching the movie for the first time, I was shocked at how Monty Python and the Holy Grail was in fact even more influential than I had previously imagined. Practically every line of dialogue has been referenced in some fashion in pop culture, every sight gag has been put on a T-Shirt, it's all soaked itself into the very fabric of cinematic comedy to such a profound point that it's impressive that the movie can still work as a standalone entity.
Friday, April 10, 2015
Two Of Quest For Camelots Songs Managed To Ape Disney While Creating Something Unique
Welcome to a new bi-weekly column called When Good Songs Happen To Bad Movies, in which I look at pretty well done songs that just so happened to debut in more subpar features.
Animation, like many other aspects of Hollywood that spawn success, seems to be a fertile ground for imitation, as seen by the surplus of fairy tale skewing animated features that were released in the wake of Shrek's phenomenal success or the insane amount of CGI animated films released in 2006 thanks to the success of Finding Nemo three years earlier. The 90's followed this sort of trend to a tee, with The Lion King's humongous box office managing to get every movie studio to create their own animation company to churn out would-be animation blockbusters.
Animation, like many other aspects of Hollywood that spawn success, seems to be a fertile ground for imitation, as seen by the surplus of fairy tale skewing animated features that were released in the wake of Shrek's phenomenal success or the insane amount of CGI animated films released in 2006 thanks to the success of Finding Nemo three years earlier. The 90's followed this sort of trend to a tee, with The Lion King's humongous box office managing to get every movie studio to create their own animation company to churn out would-be animation blockbusters.
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