The Original Suspiria Is An Alright Movie With Exemplary Production Design

Before I spend two-and-a-half-hours this weekend seeing what the director of Call Me By Your Name has done with his horror remake of the same name, I felt it was high time to see what all the fuss was about the original Suspiria motion picture. Hailing from Italy and released in 1977, the film's reputation precedes it both in my social circles where people talk about it in reverent hushed responses and in the larger pop culture where its impact has become so immense that it even got mentioned twice in the 2007 Best Picture nominee Juno. The films larger influence on horror movies, in general, may be even greater than the praise it's received, the amount of horror fare that owes more than a tip of the hat to this Dario Argento directorial effort is unfathomable.

Call Me By Your Name Starts Off Slow Before Focusing On An Absorbing Romance That's Just Peachy

For his fifth (excluding documentaries) feature-length directorial effort, director Luca Guadagnino turns his eye to helming an adaptation of the novel Call Me By Your Name (penned by James Ivory) into a motion picture of the same name. Taking place in Guadagino's home country of Italy, this novel is all about the story of Elio Perlman (Timothee Chalamet), a 17-year-old who finds himself living in a luxurious house owned by his kindly father, Mr. Perlamn (Michael Stuhlbarg), but also struck by boredom as he waits for the summer days to run out and grapples with a local tendency for people to hide who they are (his mom hides their families Jewish heritage while a girl Elio talks to frequently says she veils her love for literature). The introduction of a new houseguest in the form of his dad's former student Oliver (Armie Hammer) only seems to add irritation to Elio's summer since he and Oliver don't get along at first.