Isle of Dogs Is A Very Very Good Boy And Deserves A Belly Rub

One of the many pieces of connective tissue between the assorted directorial efforts of Wes Anderson is the element of families, Wes Anderson loves to explore complex, typically fractured, family dynamics. Whether it's the two brothers who lead Bottle Rocket, the expansive Tenenbaum clan or Mr. Fox and his kin, Anderson is fascinated by the storytelling possibilities offered up by complicated families. It's a recurring narrative pattern of his that has served him well in the past, but he's been eschewing it in his most recent works, first in The Grand Budapest Hotel and again in his newest feature Isle of Dogs. Both of these movies are superb works that indicate Anderson works just fine as a filmmaker without the aid of family dynamics in the stories he tells.

Lady In The Water Is Listless Fairy Tale Storytelling

Lady In The Water was a game-changer for M. Night Shyamalan but not in the ways he intended, good Lord no. His previous movie, The Village, may have generated a divisive response that resulted in strong but frontloaded box office but at least that one has its ardent fanbase. Lady In The Water, on the other hand, has spent its eleven years of existence under intense derision and has been widely seen as a turning point for Shyamalan from titan filmmaker to the nearly decade long stretch he'd spend in the land of awful cinema before The Visit revived him. I wish I could say I was going against the tide and found Lady In The Water enjoyable, but alas, I found it be a kind of interesting but mostly boring misfire.