The fact that Sweeney Todd and Big Fish exist in Tim Burton's 21st-century filmography is kind of astonishing when you look at the rest of the output he's produced over the past 16 years. Sweeney Todd and Big Fish are great, well-crafted films and the other stuff he's put out is....not. The very nadir of his career as a director has managed to arrive in the form of those absolutely abysmal Planet Of The Apes and Charlie And The Chocolate Factory (the latter film being the first motion picture I distinctly remember seeing in a theater despising) remakes. So, in the realm of Tim Burton's 21st-century works, where exactly does his 2005 effort Corpse Bride (which he directed with Mike
Johnson) fall?
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Sweeney Todd: The Demon Barber of Fleet Street. Show all posts
Showing posts with label Sweeney Todd: The Demon Barber of Fleet Street. Show all posts
Friday, September 30, 2016
The Shadow Of The Nightmare Before Christmas Looms Large Over Corpse Bride
Saturday, July 18, 2015
Sweeney Todd: The Demon Barber Of Fleet Street Review (Classic Write-Up)
The Todd Are About To Get Even
Tim Burton is strongly associated with the macabre, but I find it interesting how rarely he divulges from the world of films that are rated PG-13 softer. That's not a bad thing at all, but it is an observation I find interesting considering how much Burtons career relives on dark storytelling. That darkness can usually fit into a family friend format (like in the abominable Charlie And The Chocolate Factory, which I hate with a strong passion), but in Sweeney Todd: The Demon Barber of Fleet Street, we get only the second R-rated movie of Burtons career, as well as one of his better movies.
Tim Burton is strongly associated with the macabre, but I find it interesting how rarely he divulges from the world of films that are rated PG-13 softer. That's not a bad thing at all, but it is an observation I find interesting considering how much Burtons career relives on dark storytelling. That darkness can usually fit into a family friend format (like in the abominable Charlie And The Chocolate Factory, which I hate with a strong passion), but in Sweeney Todd: The Demon Barber of Fleet Street, we get only the second R-rated movie of Burtons career, as well as one of his better movies.
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