We get about five or six Blumhouse Productions movies a year that get major theatrical releases, the likes of Get Out, The Purge and Halloween (2018) but what about the rest of Blumhouse's annual output? The Jason Blum-run production outfit actually releases more films annually than you might realize, they just end up getting way less prolific direct-to-video bows after brief film festival runs. Such a fate is the one seen by their 2019 feature Sweetheart, a new directorial effort hailing from J.D. Dillard, the filmmaker behind the 2017 film Sleight. After debuting at the Sundance Film Festival this past January, Sweetheart basically vanished before getting dropped on digital retailers in October (currently, there is no physical home video release for the title).
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Colossal. Show all posts
Showing posts with label Colossal. Show all posts
Monday, December 16, 2019
Wednesday, August 30, 2017
In Laman's Terms: Get Shorty: A Plea For More Theatrical Films To Be Preceded By Short Films
In Laman's Terms is a weekly editorial column where Douglas Laman rambles on about certain topics or ideas that have been on his mind lately. Sometimes he's got serious subjects to discuss, other times he's just got some silly stuff to shoot the breeze about. Either way, you know he's gonna talk about something In Laman's Terms!
As a kid, I was always transfixed by the short films that would play before PIXAR movies. None of the other movies I had on VHS tapes had little short films paying before them, making the likes of Geri's Game and Luxo Jr. all the more special than they already were. As I got older, I realized PIXAR was an anomaly in the world of American cinema in that they were the only production company or studio to put short films on all their releases (once PIXAR head honcho John Lasseter took the reins on Walt Disney Animation Studios, features from that studio also always carried short films) as everyone else in Hollywood seemed to consider the artform of short films a frivolous affair and a pointless business expense.
As a kid, I was always transfixed by the short films that would play before PIXAR movies. None of the other movies I had on VHS tapes had little short films paying before them, making the likes of Geri's Game and Luxo Jr. all the more special than they already were. As I got older, I realized PIXAR was an anomaly in the world of American cinema in that they were the only production company or studio to put short films on all their releases (once PIXAR head honcho John Lasseter took the reins on Walt Disney Animation Studios, features from that studio also always carried short films) as everyone else in Hollywood seemed to consider the artform of short films a frivolous affair and a pointless business expense.
Monday, May 1, 2017
There's Lots to Unpack And Contemplate Over In The Phenomenal Monster Movie Colossal (SPOILERS!!!!!)
This review contains massive spoilers about Colossal. Seriously, do not read this before seeing the movie. Just know it's an amazing motion picture and you should see it pronto.
K?
OK, let's get on with the review....
Monster movies are usually dismissed as dumb cinematic fodder, stuff reserved for gifs and children only. And, yes, it is hard not to chuckle at the fun gifs emerging from goofy monster movies of yore (King Kong feeding Godzilla a tree will always make me laugh), it's worth noting that many of the biggest monster movies have underlying themes to them that lend weight to the seemingly shallow proceedings. The original Godzilla was all about the nuclear age, the first King Kong movie is all about the dangers of man trying to exploit animals while a more modern day example can be found in Cloverfield was an incredibly prophetic movie about how we react to the unbelievable in the modern day world.
K?
OK, let's get on with the review....
Monster movies are usually dismissed as dumb cinematic fodder, stuff reserved for gifs and children only. And, yes, it is hard not to chuckle at the fun gifs emerging from goofy monster movies of yore (King Kong feeding Godzilla a tree will always make me laugh), it's worth noting that many of the biggest monster movies have underlying themes to them that lend weight to the seemingly shallow proceedings. The original Godzilla was all about the nuclear age, the first King Kong movie is all about the dangers of man trying to exploit animals while a more modern day example can be found in Cloverfield was an incredibly prophetic movie about how we react to the unbelievable in the modern day world.
Labels:
Anne Hathaway,
April 2017,
Cloverfield,
Colossal,
Dan Stevens,
Eric Kress,
Godzilla,
Interstellar,
Jason Sudeikis,
King Kong,
Les Miserables,
May 2017,
Movie Review,
Nacho Vigalondo,
Tim Blake Nelson
Subscribe to:
Posts (Atom)


