Dial M For Murder Is More Constrained But No Less Thrilling Hitchcock Feature

This review originally appeared on The-Solute as part of their Year of the Month series.

Like Jackass 3D or Hoodwinked Too!: Hood vs. Evil, Dial M for Murder was made in 3D. The brief 3D craze of the 1950s included this Alfred Hitchcock directorial effort, though, apparently, test audiences reacted so negatively to the 3D that it was primarily shown in 2D. It’s odd to watch Dial M For Murder and imagine it being thought of as ideal for the process of 3D. Rarely do objects come towards the camera or other similar gimmicky moments associated with 3D movies of this era, it’s all mostly a restrained dialogue-reliant affair that would seem ill-suited for this format. After all, a crackling thriller like Dial M for Murder doesn’t need a gimmick like 3D to be extremely immersive!

"I Shot The Sheriff But I Did Not Shoot The Man Who Shot Liberty Valance"

In his forty years as a notable cinematic leading man, Jimmy Stewart had more variety in terms of the types of characters he played and films he appeared than you might expect given how the default version of the guy is the "Aw, shucks" good o'l boy he played in his earliest works, most notably It's A Wonderful Life. But Stewart also played darker roles in Alfred Hitchcock fare like Vertigo and Rear Window that allowed the guys versatility as an actor to shine. Once the 1960's rolled around, he got to do a couple of collaborations with another iconic Hollywood director, John Ford, with one of their efforts being the 1962 motion picture The Man Who Shot Liberty Valance.