I revisited Moneyball on a whim mostly because of how much Ad Astra had given me a hankering to watch other quality Brad Pitt star vehicles. Having seen the film twice in its original theatrical release, I was very familiar with Moneyball, but I hadn't seen in it in about eight years. It was time for a rewatch. Sometimes coming back to a movie years later reveals that a film is lesser than you remember it being, your growth as a consumer of a cinema makes the cracks in a film you loved more apparent. Luckily, rewatching Moneyball was not one of those experiences. In fact, I garnered a whole new level of appreciation for this excellent feature and the qualities that make it as engrossing as it is.
Welcome to Land of The Nerds, where I, Lisa Laman, use my love of cinema to explore, review and talk about every genre of film imaginable!
Showing posts with label Moneyball. Show all posts
Showing posts with label Moneyball. Show all posts
Monday, September 30, 2019
Wednesday, May 10, 2017
Spend Seven (Or, Technically 127) Minutes In Thrilling Heaven With Davin Fincher's Excellent Thriller Seven
Though his most acclaimed movie may be the 2010 masterpiece The Social Network, which is very much a restrained down-to-Earth movie in many respects, David Fincher's 1995 thriller Seven reminds us all that this guy isn't just a cinematic auteur but also someone along the lines of Sam Raimi that loves to freak out his viewers with some truly sadistic imagery and sequences. You can see that in his most recent feature, Gone Girl, which has plenty of over-the-top kills and buckets of blood when the time comes for it. Fincher knows excellent shot composition and thoughtful narratives like the back of his hand but the guy also knows how to do grimy violence for shock value in a tantalizing manner that furthers the man's versatility as a filmmaker.
Labels:
12 Years A Slave,
1995,
Andrew Kevin Walker,
Brad Pitt,
Classic Write-Up,
David Fincher,
Gone Girl,
Hannibal,
Moneyball,
Morgan Freeman,
Movie Review,
September 1995,
Seven,
The Big Short,
The Social Network
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